The Selected Letters of Ezra Pound, 1907-1941 PDF Download
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Author: Ezra Pound
Publisher: New Directions Publishing
ISBN: 9780811201612
Category : Literary Collections
Languages : en
Pages : 388
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Book Description
Originally published in 1950 under title: The letters of Ezra Pound, 1907-1941.
Author: Ezra Pound
Publisher: New Directions Publishing
ISBN: 9780811201612
Category : Literary Collections
Languages : en
Pages : 388
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Book Description
Originally published in 1950 under title: The letters of Ezra Pound, 1907-1941.
Author: Ezra Pound
Publisher:
ISBN:
Category :
Languages : en
Pages : 358
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Book Description
Author: Ezra Pound
Publisher: New Directions Publishing
ISBN: 9780811201599
Category : Language Arts & Disciplines
Languages : en
Pages : 324
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Book Description
Donated by Michael Dillon, June 2009.
Author: Ezra Pound
Publisher:
ISBN:
Category :
Languages : en
Pages : 464
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Book Description
Author: Timothy Materer
Publisher: Duke University Press
ISBN: 0822382903
Category : Literary Collections
Languages : en
Pages : 263
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Book Description
This volume provides a first-hand survey of the arts and literature during a crucial period in modern culture, 1915–1924. Pound was then associated with such germinal magazines as BLAST, The Little Review, The Egoist, and Poetry; he was discovering or publicizing writers such as Robert Frost, Hilda Doolittle, T. S. Eliot, and James Joyce; and he was championing the painters Wyndham Lewis and William Wadsworth as well as the sculptors Jacob Epstein, Henri Gaudier-Brzeska, and Constantin Brancusi. Pound wrote to John Quinn—a New York lawyer, an expert in business law, and a collector of unusual taste and discrimination—about these artists and many more, urging him to support their journals, collect their manuscripts, and buy and exhibit their paintings and sculptures. Quinn at one time owned manuscripts of Ulysses and The Waste Land, Brancusi’s sculpture Mlle. Pogany, and Picasso’s painting Three Musicians. Yet he was often skeptical about the value of new schools of art, such as Vorticism, and disturbed by the outspokenness of authors such as Joyce. Pound’s letters are unusually tactful when he counters Quinn’s doubts and explains the premises of experimental art. Pound’s letters to Quinn are touched with his characteristic humor and wordplay and are especially notable for their lucidity of expression, engendered by Pound’s deep respect for Quinn.
Author: Andrew Houwen
Publisher: Bloomsbury Publishing
ISBN: 1350174319
Category : Literary Criticism
Languages : en
Pages : 280
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Book Description
The first book to deal with the subject of Ezra Pound's relationships with Japanese literature as a whole, this book provides a wealth of new scholarship on this subject, including on the 19th-century Japanese contexts that led to Pound's interest in 'hokku' and Fenollosa's No translations on which Pound based his own; significant original research on Pound's Japanese friendships that enriched his understanding of Japanese literature; and an examination of all the explicit references to No in The Cantos in unprecedented depth. It demonstrates that the works for which Ezra Pound is most famous, such as 'In a Station of the Metro' and his epic poem, The Cantos, were shaped by his lifelong interest in Japanese literature.
Author: D.D. Paige
Publisher:
ISBN:
Category : Poets, American
Languages : en
Pages :
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Book Description
Author: Eric Homberger
Publisher: Routledge
ISBN: 1136212523
Category : Literary Criticism
Languages : en
Pages : 522
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Book Description
This set comprises 40 volumes covering nineteenth and twentieth century European and American authors. These volumes will be available as a complete set, mini boxed sets (by theme) or as individual volumes. This second set compliments the first 68 volume set of Critical Heritage published by Routledge in October 1995.
Author: Rachel Trousdale
Publisher: Oxford University Press
ISBN: 0192895710
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
Humor, Empathy, and Community in Twentieth-Century American Poetry explores how American poets of the last hundred years have used laughter to create communities of readers and writers. For poets slightly outside of the literary or social mainstream, humor encourages mutual understanding and empathic insight among artist, audience, and subject. As a result, laughter helps poets reframe and reject literary, political, and discursive hierarchies--whether to overturn those hierarchies, or to place themselves at the top. While theorists like Freud and Bergson argue that laughter patrols and maintains the boundary between in-group and out-group, this volume shows how laughter helps us cross or re-draw those boundaries. Poets who practice such constructive humor promote a more democratic approach to laughter. Humor reveals their beliefs about their audiences and their attitudes toward the Romantic notion that poets are exceptional figures. When poets use humor to promote empathy, they suggest that poetry's ethical function is tied to its structure: empathy, humor, and poetry identify shared patterns among apparently disparate objects. This book explores a broad range of serious approaches to laughter: the inclusive, community-building humor of W. H. Auden and Marianne Moore; the self-aggrandizing humor of Ezra Pound; the self-critical humor of T. S. Eliot; Sterling Brown's antihierarchical comedy; Elizabeth Bishop's attempts to balance mockery with sympathy; and the comic epistemologies of Lucille Clifton, Stephanie Burt, Cathy Park Hong, and other contemporary poets. It charts a developing poetics of laughter in the twentieth and twenty-first centuries, showing how humor can be deployed to embrace, to exclude, and to transform.
Author: Michael Levenson
Publisher: Cambridge University Press
ISBN: 9780521498661
Category : Art
Languages : en
Pages : 270
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Book Description
In The Cambridge Companion to Modernism, ten eminent scholars from Britain and the United States offer timely new appraisals of the revolutionary cultural transformations of the first decades of the twentieth century. Chapters on the major literary genres, intellectual, political and institutional contexts, film and the visual arts, provide both close analyses of individual works and a broader set of interpretive narratives. A chronology and guide to further reading supply valuable orientation for the study of Modernism. Readers will be able to use the book at once as a standard work of reference and as a stimulating source of compelling new readings of works by writers and artists from Joyce and Woolf to Stein, Picasso, Chaplin, H. D. and Freud, and many others. Students will find much-needed help with the difficulties of approaching Modernism, while the essays' original contributions will send scholars back to this volume for stimulating re-evaluation.
