The Length of the Prologue of Aeschylus’s Choephori PDF Download
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Author: Andrew Lyon Brown
Publisher: Skenè. Texts and Studies
ISBN: 8896419697
Category : Language Arts & Disciplines
Languages : en
Pages : 109
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Book Description
A sequence of 12 pages was torn at an early date from the one medieval manuscript (known as M) on which our knowledge of Aeschylus’s Choephori (Libation Bearers) depends. This sequence contained the end of the previous play Agamemnon, which is preserved in three later manuscripts, and the beginning of the Prologue of Choephori. The current study seeks to determine as accurately as possible the number of missing lines, taking into account the length of the pages in a particular quire of M and the space that would have been occupied by the last part of Agamemnon and by any material occurring between the texts of the two plays. From all this it is calculated that the number of lines of Choephori missing from M was probably in the range 36 to 53 and very probably in the range 32 to 55. Even the lowest of these figures is higher than previous estimates. The study concludes by considering what the missing portion could have contained. Some fragments are quoted by other authors and these may have been clustered at the beginning of the Prologue, but it is possible to imagine plenty of material that could have occupied the gap between the last of these fragments and the first surviving line in M.
Author: Andrew Lyon Brown
Publisher: Skenè. Texts and Studies
ISBN: 8896419697
Category : Language Arts & Disciplines
Languages : en
Pages : 109
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Book Description
A sequence of 12 pages was torn at an early date from the one medieval manuscript (known as M) on which our knowledge of Aeschylus’s Choephori (Libation Bearers) depends. This sequence contained the end of the previous play Agamemnon, which is preserved in three later manuscripts, and the beginning of the Prologue of Choephori. The current study seeks to determine as accurately as possible the number of missing lines, taking into account the length of the pages in a particular quire of M and the space that would have been occupied by the last part of Agamemnon and by any material occurring between the texts of the two plays. From all this it is calculated that the number of lines of Choephori missing from M was probably in the range 36 to 53 and very probably in the range 32 to 55. Even the lowest of these figures is higher than previous estimates. The study concludes by considering what the missing portion could have contained. Some fragments are quoted by other authors and these may have been clustered at the beginning of the Prologue, but it is possible to imagine plenty of material that could have occupied the gap between the last of these fragments and the first surviving line in M.
Author: Aeschylus
Publisher: Aris and Phillips Classical Te
ISBN: 1786940981
Category : History
Languages : en
Pages : 487
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Book Description
The Libation Bearers of Aeschylus is the central tragedy of his Oresteia, one of the outstanding masterpieces of Greek literature. This edition, including text, translation and commentary, seeks to take full account of the latest advances in scholarship while making the play accessible to a wide range of readers
Author: Fabio Ciambella
Publisher: Skenè. Texts and Studies
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 228
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Book Description
In 1602 and 1604 two collections of paradoxes, both entitled Four Paradoxes, authored by Thomas Scott, and Thomas and Dudley Digges, respectively, were published. Scott, a Protestant preacher, wrote four poems about art, law, war, and service. On the other hand, the diplomat and intellectual Dudley Digges published his father’s two paradoxes about the art of war together with his own two texts concerning the worthiness of war and warriors. What do these two collections of paradoxes have in common, and why publishing their critical edition together? Apparently, besides sharing the same title, the two works do not seem to have anything else in common. Nevertheless, this modern spelling critical edition of both texts aims at demonstrating that they share political, cultural, and genre-related features connected with the circulation of paradoxical discourse about war in early modern England.
Author: Marco Duranti
Publisher: Skenè. Texts and Studies
ISBN: 884676837X
Category : Language Arts & Disciplines
Languages : en
Pages : 286
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Book Description
This volume originates as a continuation of the previous volume in the CEMP series (1.1) and aims at furthering scholarly interest in the nature and function of theatrical paradox in early modern plays, considering how classical paradoxical culture was received in Renaissance England. The book is articulated into three sections: the first, “Paradoxical Culture and Drama”, is devoted to an investigation of classical definitions of paradox and the dramatic uses of paradox in ancient Greek drama; the second, “Paradoxes in/of Elizabethan and Jacobean Drama” looks at the functions and uses of paradox in the play-texts of Shakespeare and his contemporaries; finally, the essays in “Paradoxes in Drama and the Digital” examine how the Digital Humanities can enrich our knowledge of paradoxes in classical and early modern drama.
Author: Fabio Ciambella
Publisher: Skenè. Texts and Studies
ISBN: 8846767365
Category : Language Arts & Disciplines
Languages : en
Pages : 202
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Book Description
Is Shakespeare’s The Tempest a Mediterranean play? This volume explores the relationship between The Tempest and the Mediterranean Sea and analyses it from different perspectives. Some essays focus on close readings of the text in order to explore the importance of the Mediterranean Sea for the genesis of the play and the narration of the past and present events in which the Shakespearean characters participate. Other chapters investigate the relationship between the Shakespearean play, its resources from the Mediterranean Graeco-Latin past and its afterlives in twentieth-century poems looking at the Mediterranean dimension of the play. Moreover, influences on and of The Tempest are investigated, looking at how Italian Renaissance music may have influenced some choices concerning Ariel’s song(s) and how The Tempest has shaped the production of twentieth-century Italian directors. Finally, other chapters try to reaffirm the centrality of the Mediterranean Sea in The Tempest, bringing to the fore new textual evidence in support of the Mediterraneity of the play, by adopting and/or criticising recent approaches.
Author: Aeschylus
Publisher:
ISBN:
Category :
Languages : en
Pages : 382
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Book Description
Author: Alessandro Grilli
Publisher: Skenè. Texts and Studies & ETS
ISBN: 8846765826
Category : Language Arts & Disciplines
Languages : en
Pages : 171
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Book Description
This study aims to provide a comparative analysis of the dynamics of musical and poetical meta-performance as they emerge both from the surviving corpus of ancient Attic comedy (which adds up, for our purposes, to Aristophanes’ eleven extant plays) and from Ben Jonson’s comedies. As a matter of fact, both corpora show a huge presence of meta-performative elements, that is, of moments in which musical and/or poetical performance is explicitly thematized or enacted in the drama. Those moments are hardly ever fortuitous, or not significant. On the contrary, they play each time a vital role in the development of the plot, in the portrait of characters, or in the definition of the ideology of the play. By means of a comparative analysis between the two authors, the book aims at providing a taxonomy of meta-performance in Aristophanes and Ben Jonson, with particular attention to its role in the definition of the characters' poetic ability. Such comparison will show that, despite using similar comic and performative strategies, the two authors draw a completely different ideology around the crucial themes of culture and titularity.
Author: C. W. Marshall
Publisher: Bloomsbury Publishing
ISBN: 1474255086
Category : Drama
Languages : en
Pages : 194
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Book Description
Libation Bearers is the 'middle' play in the only extant tragic trilogy to survive from antiquity, Aeschylus' Oresteia, first produced in 458 BCE. This introduction to the play will be useful for anyone reading it in Greek or in translation. Drawing on his wide experience teaching about performance in the ancient world, C. W. Marshall helps readers understand how the play was experienced by its ancient audience. His discussion explores the impact of the chorus, the characters, theology, and the play's apparent affinities with comedy. The architecture of choral songs is described in detail. The book also investigates the role of revenge in Athenian society and the problematic nature of Orestes' matricide. Libation Bearers immediately entered the Athenian visual imagination, influencing artistic depictions on red-figured vases, and inspiring plays by Euripides and Sophocles. This study looks to the later plays to show how 5th-century audiences understood Libation Bearers. Modern reception of the play is integrated into the analysis. The volume includes a full range of ancillary material, providing a list of relevant red-figure vase illustrations, a glossary of technical terms, and a chronology of ancient and modern theatrical versions.
Author: Thomas G. Rosenmeyer
Publisher: Univ of California Press
ISBN: 9780520044401
Category : Literary Criticism
Languages : en
Pages : 408
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Book Description
Author: Arthur Elam Haigh
Publisher:
ISBN:
Category : Greek drama (Tragedy)
Languages : en
Pages : 582
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Book Description
