The Later Italian Pictures in the Collection of Her Majesty the Queen PDF Download
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Author: Michael Levey
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 296
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Book Description
Author: Michael Levey
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 296
Get Book Here
Book Description
Author: Michael Levey
Publisher:
ISBN:
Category :
Languages : en
Pages : 282
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Book Description
Author: Elizabeth II (Queen of Great Britain)
Publisher:
ISBN:
Category : Kings and rulers
Languages : en
Pages : 280
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Book Description
Author: Christopher White
Publisher: Royal Collection Trust
ISBN:
Category : Art
Languages : en
Pages : 440
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Book Description
The catalog opens with a detailed account of the growth of the collection from the early Stuarts to the reign of Queen Victoria. Particular attention is given to Charles I's close relations with Rubens, and since later members of the royal family also made important acquisitions, the full range of Rubens' practice is covered by the catalog: there are works entirely by his hand as well as works carried out with known collaborators or with the help of his studio. An outstanding group of genre paintings by David Teniers the Younger is examined and illustrated, and paintings by Jan Brueghel, Gonzalez Coques, Frans Francken, Frans Snyders, Karl Philips Spierincks and Jan Wildens round out the collection.
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Author: Elizabeth II (Queen of Great Britain)
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Michael Levey
Publisher: London : Phaidon Press
ISBN:
Category : Painting
Languages : en
Pages : 102
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Book Description
Et udvalg af den italienske kunstner Canalettos (1697-1768) værker
Author: John Shearman
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 514
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Book Description
Author: Christopher Lloyd
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 328
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Book Description
Gathered over the centuries by successive British monarchs, the Royal Collection contains some 7000 paintings. This book describes the formation of the collection by three successive connoisseur sovereigns, Charles I, George IV and Queen Victoria. Adopting a thematic and wide-ranging approach, it presents the paintings from five different angles: the effect of the Reformation on English painting and the importance of the Grand Tour; animal and landscape painting; state visits, diplomacy and warfare; informal pictures of monarchs and their families; and state portraits and large-scale ceremonial paintings including the coronation of Queen Victoria.
Author: Katherine Haskins
Publisher: Routledge
ISBN: 1351546287
Category : Art
Languages : en
Pages : 226
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Book Description
Focusing on an era that both inherited and irretrievably altered the form and the content of earlier art production, The Art-Journal and Fine Art Publishing in Victorian England, 1850-1880 argues that fine art practices and the audiences and markets for them were influenced by the media culture of art publishing and journalism in substantial and formative ways, perhaps more than at any other time in the history of English art. The study centers on forms of Victorian picture-making and the art knowledge systems defining them, and draws on the histories of art, literature, journalism, and publishing. The historical example employed in the book is that of the more than 800 steel-plate prints after paintings published in the London-based Art-Journal between 1850 and 1880. The cultural phenomenon of the Art Journal print is shown to be a key connector in mid-Victorian art appreciation by drawing out specific tropes of likeness. This study also examines the important links between paint and print; the aesthetic values and domestic aspirations of the Victorian middle class; and the inextricable intertwining of fine art and 'trade' publishing.
Author: Kate Retford
Publisher: Bloomsbury Publishing USA
ISBN: 1501337300
Category : Art
Languages : en
Pages : 357
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Book Description
For every great country house of the Georgian period, there was usually also a town house. Chatsworth, for example, the home of the Devonshires, has officially been recognised as one of the country's favourite national treasures - but most of its visitors know little of Devonshire House, which the family once owned in the capital. In part, this is because town houses were often leased, rather than being passed down through generations as country estates were. But, most crucially, many London town houses, including Devonshire House, no longer exist, having been demolished in the early twentieth century. This book seeks to place centre-stage the hugely important yet hitherto overlooked town houses of the eighteenth and early nineteenth centuries, exploring the prime position they once occupied in the lives of families and the nation as a whole. It explores the owners, how they furnished and used these properties, and how their houses were judged by the various types of visitor who gained access.
