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Author: Anat Matar
Publisher: Routledge
ISBN: 1134260091
Category : Language Arts & Disciplines
Languages : en
Pages : 225
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Book Description
With a unique approach to the 'linguistic turn' in twentieth-century philosophy, this fascinating work addresses both analytic and continental philosophy, therefore ensuring its appeal to scholars from both fields.
Author: Anat Matar
Publisher: Routledge
ISBN: 1134260091
Category : Language Arts & Disciplines
Languages : en
Pages : 225
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Book Description
With a unique approach to the 'linguistic turn' in twentieth-century philosophy, this fascinating work addresses both analytic and continental philosophy, therefore ensuring its appeal to scholars from both fields.
Author: James McElvenny
Publisher: Edinburgh University Press
ISBN: 1474425046
Category : Philosophy
Languages : en
Pages : 200
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Book Description
This book explores the influential currents in the philosophy of language and linguistics of the first half of the twentieth century, from the perspective of the English scholar C. K. Ogden (1889 - 1957). It reveals links between early analytic philosophy, semiotics and linguistics in a crucial period of their respective histories.
Author: Chris Menrad
Publisher: Gibbs Smith
ISBN: 1423642325
Category : Architecture
Languages : en
Pages : 0
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Book Description
This first major monograph chronicling the work and architectural philosophy of William Krisel features examples and insights from Krisel's own papers, culled from his personal collection as well as the extensive archives of the Getty Research Institute. Krisel's architectural drawings and renderings, as well as many archival photographs, highlight examples of his custom homes, mass-produced housing, and recreational facilities in Palm Springs and rest of the Coachella Valley. Contemporary photographs are by architectural photographer Darren Bradley. Heidi Creighton is a midcentury modern enthusiast, writer, collector, and researcher. In 2012, she purchased a Palm Springs home designed by William Krisel in 1957. Chris Menrad, a Southern California native, was drawn to Palm Springs in 1999 by its abundance of modernist architecture. He is a founding board member of the Palm Springs Modern Committee, an organization dedicated to the preservation of Desert Modern architecture and a real estate agent specializing in architectural properties in the Coachella Valley. He lives in a Krisel-designed home, which was the first Palm Springs' Class One historic Krisel/Alexander-built house.
Author: Vincent Sherry
Publisher: Oxford University Press
ISBN: 9780198026204
Category : Literary Criticism
Languages : en
Pages : 420
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Book Description
With the expressions "Lost Generation" and "The Men of 1914," the major authors of modernism designated the overwhelming effect the First World War exerted on their era. Literary critics have long employed the same phrases in an attempt to place a radically experimental, specifically modernist writing in its formative, historical setting. What real basis did that Great War provide for the verbal inventiveness of modernist poetry and fiction? Does the literature we bring under this heading respond directly to that provocation, and, if so, what historical memories or revelations can be heard to stir in these words? Vincent Sherry reopens these long unanswered questions by focusing attention on the public culture of the English war. He reads the discourses through which the Liberal party constructed its cause, its Great Campaign. A breakdown in the established language of liberal modernity--the idioms of public reason and civic rationality--marked the sizable crisis this event represents in the mainstream traditions of post-Reformation Europe. If modernist writing characteristically attempts to challenge the standard values of Enlightenment rationalism, this study recovers the historical cultural setting of its most substantial and daring opportunity. And this moment was the occasion for great artistic innovations in the work of Virginia Woolf, T.S. Eliot, and Ezra Pound. Combining the records of political journalism and popular intellectual culture with abundant visual illustration, Vincent Sherry provides the framework for new interpretations of the major texts of Woolf, Eliot, and Pound. With its relocation of the verbal imagination of modernism in the context of the English war, The Great War and the Language of Modernism restores the historical content and depth of this literature, revealing its most daunting import.
Author: S. Yao
Publisher: Springer
ISBN: 1137059796
Category : Fiction
Languages : en
Pages : 298
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Book Description
This study examines the practice and functions of literary translation in Anglo-American Modernism. Rather than approaching translation as a trans-historical procedure for reproducing semantic meaning between different languages, Yao discusses how Modernist writers both conceived and employed translation as a complex strategy for accomplishing such feats as exploring the relationship between gender and poetry, creating an authentic national culture and determining the nature of a just government, all of which in turn led to developments in both poetic and novelistic form. Thus, translation emerges in this study as a literary practice crucial to the very development of Anglo-American Modernism.
Author: Charles Jencks
Publisher: New York : Rizzoli
ISBN:
Category : Architecture
Languages : en
Pages : 112
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Book Description
Author: Jacob Korg
Publisher: Hassocks [Eng.] : Harvester Press ; New York : Barnes and Noble
ISBN:
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
Author: Michael North
Publisher: Oxford University Press
ISBN: 0195359100
Category : Literary Criticism
Languages : en
Pages : 309
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Book Description
The Dialect of Modernism uncovers the crucial role of racial masquerade and linguistic imitation in the emergence of literary modernism. Rebelling against the standard language, and literature written in it, modernists, such as Joseph Conrad, Gertrude Stein, T.S. Eliot, Ezra Pound, and William Carlos Williams reimagined themselves as racial aliens and mimicked the strategies of dialect speakers in their work. In doing so, they made possible the most radical representational strategies of modern literature, which emerged from their attack on the privilege of standard language. At the same time, however, another movement, identified with Harlem, was struggling to free itself from the very dialect the modernists appropriated, at least as it had been rendered by two generations of white dialect writers. For writers such as Claude McKay, Jean Toomer, and Zora Neale Hurston, this dialect became a barrier as rigid as the standard language itself. Thus, the two modern movements, which arrived simultaneously in 1922, were linked and divided by their different stakes in the same language. In The Dialect of Modernism, Michael North shows, through biographical and historical investigation, and through careful readings of major literary works, that however different they were, the two movements are inextricably connected, and thus, cannot be considered in isolation. Each was marked, for good and bad, by the other.
Author: Jerome J. McGann
Publisher: Princeton University Press
ISBN: 9780691015446
Category : Art
Languages : en
Pages : 224
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Book Description
"English literature," Yeats once noted, "has all but completely shaped itself in the printing press." Finding this true particularly of modernist writing, Jerome McGann demonstrates the extraordinary degree to which modernist styles are related to graphic and typographic design, to printed letters--"black riders" on a blank page--that create language for the eye. He sketches the relation of modernist writing to key developments in book design, beginning with the nineteenth-century renaissance of printing, and demonstrates the continued interest of postmodern writers in the "visible language" of modernism. McGann then offers a philosophical investigation into the relation of knowledge and truth to this kind of imaginative writing. Exploring the work of writers like William Morris, Emily Dickinson, W. B. Yeats, Ezra Pound, and Gertrude Stein, as well as Laura Riding and Bob Brown, he shows how each exploits the visibilities of language, often by aligning their work with older traditions of so-called Adamic language. McGann argues that in modernist writing, philosophical nominalism emerges as a key aesthetic point of departure. Such writing thus develops a pragmatic and performative "answer to Plato" in the matter of poetry's relation to truth and philosophy.
Author: Morag Shiach
Publisher: Cambridge University Press
ISBN: 052185444X
Category : Literary Criticism
Languages : en
Pages : 224
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Book Description
The novel is modernism's most vital and experimental genre. With a chronology and guide to further reading, this 2007 Companion is an accessible and informative overview of the genre.
