Author: Lourdes García Ureña
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110767732
Category : Religion
Languages : en
Pages : 271
Book Description
The Bible is one of the books that has aroused the most interest throughout history to the present day. However, there is one topic that has mostly been neglected and which today constitutes one of the most emblematic elements of the visual culture in which we live immersed: the language of colour. Colour is present in the biblical text from its beginning to its end, but it has hardly been studied, and we appear to have forgotten that the detailed study of the colour terms in the Bible is essential to understanding the use and symbolism that the language of colour has acquired in the literature that has forged European culture and art. The objective of the present study is to provide the modern reader with the meaning of colour terms of the lexical families related to the green tonality in order to determine whether they denote only color and, if so, what is the coloration expressed, or whether, together with the chromatic denotation, another reality inseparable from colour underlies/along with the chromatic denotation, there is another underlying reality that is inseparable from colour. We will study the symbolism that/which underpins some of these colour terms, and which European culture has inherited. This lexicographical study requires a methodology that allows us to approach colour not in accordance with our modern and abstract concept of colour, but with the concept of the ancient civilations. This is why the concept of colour that emerges from each of the versions of the Bible is studied and compared with that found in theoretical reflection in both Greek and Latin. Colour thus emerges as a concrete reality, visible on the surface of objects, reflecting in many cases, not an intrinsic quality, but their state. This concept has a reflection in the biblical languages, since the terms of colour always describe an entity (in this sense one can say that they are embodied) and include within them a wide chromatic spectrum, that is, they are mostly polysemic. Structuralism through the componential analysis, although providing interesting contributions, had at the same time serious shortcomings when it came to the study of colour. These were addressed through the theoretical framework provided by cognitive linguistics and some of its tools such as: cognitive domains, metonymy and metaphor. Our study, then, is one of the first to apply some of the contributions of cognitive linguistics to lexicography in general, and particularly with reference to the Hebrew, Greek and Latin versions of the Bible. A further novel contribution of this research is that the meaning is expressed through a definition and not through a list of possible colour terms as happens in dictionaries or in studies referring to colour in antiquity. The definition allows us to delve deeper and discover new nuances that enrich the understanding of colour in the three great civilizations involved in our study: Israel, Greece and Rome.
The Language of Colour in the Bible
Author: Lourdes García Ureña
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110767732
Category : Religion
Languages : en
Pages : 271
Book Description
The Bible is one of the books that has aroused the most interest throughout history to the present day. However, there is one topic that has mostly been neglected and which today constitutes one of the most emblematic elements of the visual culture in which we live immersed: the language of colour. Colour is present in the biblical text from its beginning to its end, but it has hardly been studied, and we appear to have forgotten that the detailed study of the colour terms in the Bible is essential to understanding the use and symbolism that the language of colour has acquired in the literature that has forged European culture and art. The objective of the present study is to provide the modern reader with the meaning of colour terms of the lexical families related to the green tonality in order to determine whether they denote only color and, if so, what is the coloration expressed, or whether, together with the chromatic denotation, another reality inseparable from colour underlies/along with the chromatic denotation, there is another underlying reality that is inseparable from colour. We will study the symbolism that/which underpins some of these colour terms, and which European culture has inherited. This lexicographical study requires a methodology that allows us to approach colour not in accordance with our modern and abstract concept of colour, but with the concept of the ancient civilations. This is why the concept of colour that emerges from each of the versions of the Bible is studied and compared with that found in theoretical reflection in both Greek and Latin. Colour thus emerges as a concrete reality, visible on the surface of objects, reflecting in many cases, not an intrinsic quality, but their state. This concept has a reflection in the biblical languages, since the terms of colour always describe an entity (in this sense one can say that they are embodied) and include within them a wide chromatic spectrum, that is, they are mostly polysemic. Structuralism through the componential analysis, although providing interesting contributions, had at the same time serious shortcomings when it came to the study of colour. These were addressed through the theoretical framework provided by cognitive linguistics and some of its tools such as: cognitive domains, metonymy and metaphor. Our study, then, is one of the first to apply some of the contributions of cognitive linguistics to lexicography in general, and particularly with reference to the Hebrew, Greek and Latin versions of the Bible. A further novel contribution of this research is that the meaning is expressed through a definition and not through a list of possible colour terms as happens in dictionaries or in studies referring to colour in antiquity. The definition allows us to delve deeper and discover new nuances that enrich the understanding of colour in the three great civilizations involved in our study: Israel, Greece and Rome.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110767732
Category : Religion
Languages : en
Pages : 271
Book Description
The Bible is one of the books that has aroused the most interest throughout history to the present day. However, there is one topic that has mostly been neglected and which today constitutes one of the most emblematic elements of the visual culture in which we live immersed: the language of colour. Colour is present in the biblical text from its beginning to its end, but it has hardly been studied, and we appear to have forgotten that the detailed study of the colour terms in the Bible is essential to understanding the use and symbolism that the language of colour has acquired in the literature that has forged European culture and art. The objective of the present study is to provide the modern reader with the meaning of colour terms of the lexical families related to the green tonality in order to determine whether they denote only color and, if so, what is the coloration expressed, or whether, together with the chromatic denotation, another reality inseparable from colour underlies/along with the chromatic denotation, there is another underlying reality that is inseparable from colour. We will study the symbolism that/which underpins some of these colour terms, and which European culture has inherited. This lexicographical study requires a methodology that allows us to approach colour not in accordance with our modern and abstract concept of colour, but with the concept of the ancient civilations. This is why the concept of colour that emerges from each of the versions of the Bible is studied and compared with that found in theoretical reflection in both Greek and Latin. Colour thus emerges as a concrete reality, visible on the surface of objects, reflecting in many cases, not an intrinsic quality, but their state. This concept has a reflection in the biblical languages, since the terms of colour always describe an entity (in this sense one can say that they are embodied) and include within them a wide chromatic spectrum, that is, they are mostly polysemic. Structuralism through the componential analysis, although providing interesting contributions, had at the same time serious shortcomings when it came to the study of colour. These were addressed through the theoretical framework provided by cognitive linguistics and some of its tools such as: cognitive domains, metonymy and metaphor. Our study, then, is one of the first to apply some of the contributions of cognitive linguistics to lexicography in general, and particularly with reference to the Hebrew, Greek and Latin versions of the Bible. A further novel contribution of this research is that the meaning is expressed through a definition and not through a list of possible colour terms as happens in dictionaries or in studies referring to colour in antiquity. The definition allows us to delve deeper and discover new nuances that enrich the understanding of colour in the three great civilizations involved in our study: Israel, Greece and Rome.
The Colour Bible
Author: Laura Perryman
Publisher: Ilex Press
ISBN: 1781578443
Category : Art
Languages : en
Pages : 444
Book Description
"The Colour Bible is one to return to again and again." - Elephant "This definitive guide...will no doubt inform many future colour choices." - House & Garden An essential source for graphic designers, artists, interior designers, fashion designers, illustrators and creatives of any kind who work with colour. Colour is intrinsic to the human experience; it guides us with subconscious visual cues throughout our lives. Get it right in your design or art and you can enhance mood and atmosphere, and create a desired psychological or even physiological effect. The Colour Bible is a contemporary handbook for navigating this fascinating world of colour. It dives into 100 profiles of significant colours and tracks them through their genesis, historical usage in art and design, and contemporary connotations and uses. - A potted history of each colour - Key colour associations from around the world - Contemporary connotations and brand design - Practical advice on how to use and combine colours in your work
Publisher: Ilex Press
ISBN: 1781578443
Category : Art
Languages : en
Pages : 444
Book Description
"The Colour Bible is one to return to again and again." - Elephant "This definitive guide...will no doubt inform many future colour choices." - House & Garden An essential source for graphic designers, artists, interior designers, fashion designers, illustrators and creatives of any kind who work with colour. Colour is intrinsic to the human experience; it guides us with subconscious visual cues throughout our lives. Get it right in your design or art and you can enhance mood and atmosphere, and create a desired psychological or even physiological effect. The Colour Bible is a contemporary handbook for navigating this fascinating world of colour. It dives into 100 profiles of significant colours and tracks them through their genesis, historical usage in art and design, and contemporary connotations and uses. - A potted history of each colour - Key colour associations from around the world - Contemporary connotations and brand design - Practical advice on how to use and combine colours in your work
The Color Bible
Author: Laura Perryman
Publisher: National Geographic Books
ISBN: 3791387898
Category : Art
Languages : en
Pages : 0
Book Description
This vibrant and prismatic exploration of 100 essential shades is an invaluable resource for designers, artists and content producers that will also delight nonprofessionals interested in learning about how color shapes our lives. From ancient plant pigments that are revolutionizing contemporary fashion to new colors, such as the recently viral Millennial Pink, this wide-ranging deep dive into the world of color guides readers through the origins, connotations, specs, brand associations and artistic use of colors throughout history. Unfolding, like a rainbow, across the visible spectrum, the chapters are divided by basic color - from red to violet and including black and white - and introduced with engaging background information. Each chapter takes a closer look at a variety of specific shades in the color family, delving into cultural references that span fashion, art history, traditional and modern crafts, and product design. Readers will learn about woad - an ancient pigment that was employed by William Morris and has resurfaced in sustainable dyes - as well as the earliest known use of violet some 25,000 years ago. Each shade is accompanied by sidebars that offer technical specifications, mood connotations, and examples of its use in art and commerce. Informative and endlessly inspiring, this guide will be indispensable to anyone interested in how to use and combine colors in their life or work.
Publisher: National Geographic Books
ISBN: 3791387898
Category : Art
Languages : en
Pages : 0
Book Description
This vibrant and prismatic exploration of 100 essential shades is an invaluable resource for designers, artists and content producers that will also delight nonprofessionals interested in learning about how color shapes our lives. From ancient plant pigments that are revolutionizing contemporary fashion to new colors, such as the recently viral Millennial Pink, this wide-ranging deep dive into the world of color guides readers through the origins, connotations, specs, brand associations and artistic use of colors throughout history. Unfolding, like a rainbow, across the visible spectrum, the chapters are divided by basic color - from red to violet and including black and white - and introduced with engaging background information. Each chapter takes a closer look at a variety of specific shades in the color family, delving into cultural references that span fashion, art history, traditional and modern crafts, and product design. Readers will learn about woad - an ancient pigment that was employed by William Morris and has resurfaced in sustainable dyes - as well as the earliest known use of violet some 25,000 years ago. Each shade is accompanied by sidebars that offer technical specifications, mood connotations, and examples of its use in art and commerce. Informative and endlessly inspiring, this guide will be indispensable to anyone interested in how to use and combine colors in their life or work.
The Local Colour of the Bible
Author: Charles William Budden
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 374
Book Description
Publisher:
ISBN:
Category : Bible
Languages : en
Pages : 374
Book Description
The All-colour Children's Bible
Author: David Christie-Murray
Publisher:
ISBN:
Category : Bible stories, English
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Bible stories, English
Languages : en
Pages : 0
Book Description
A Dictionary of Colour
Author: Ian Paterson
Publisher: Thorogood Publishing
ISBN:
Category : Art
Languages : en
Pages : 532
Book Description
With more tha 4,000 enteries, this dictionary is the first of its kind: a treasury of color words and phrases, a comprehensive resource for exploring every aspect of color.
Publisher: Thorogood Publishing
ISBN:
Category : Art
Languages : en
Pages : 532
Book Description
With more tha 4,000 enteries, this dictionary is the first of its kind: a treasury of color words and phrases, a comprehensive resource for exploring every aspect of color.
What Did Jesus Look Like?
Author: Joan E. Taylor
Publisher: Bloomsbury Publishing
ISBN: 0567671518
Category : Religion
Languages : en
Pages : 289
Book Description
Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.
Publisher: Bloomsbury Publishing
ISBN: 0567671518
Category : Religion
Languages : en
Pages : 289
Book Description
Jesus Christ is arguably the most famous man who ever lived. His image adorns countless churches, icons, and paintings. He is the subject of millions of statues, sculptures, devotional objects and works of art. Everyone can conjure an image of Jesus: usually as a handsome, white man with flowing locks and pristine linen robes. But what did Jesus really look like? Is our popular image of Jesus overly westernized and untrue to historical reality? This question continues to fascinate. Leading Christian Origins scholar Joan E. Taylor surveys the historical evidence, and the prevalent image of Jesus in art and culture, to suggest an entirely different vision of this most famous of men. He may even have had short hair.
The Children's Bible in Colour
Author: Octopus Publishing Group
Publisher:
ISBN: 9780600564089
Category : Bible
Languages : en
Pages : 518
Book Description
Publisher:
ISBN: 9780600564089
Category : Bible
Languages : en
Pages : 518
Book Description
History of Art in Phœnicia and Its Dependencies
Author: Georges Perrot
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 436
Book Description
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 436
Book Description
Color the Promises of God
Author:
Publisher: Harvest House Publishers
ISBN: 0736968350
Category : Games & Activities
Languages : en
Pages : 82
Book Description
Looking for a fun and easy way to calm your busy mind and let God's Word penetrate your heart? Immerse yourself in the Bible's promises with these beautifully crafted, hand-drawn verses by Lori Siebert—all ready for you to add your own creative touch with paints, markers, colored pencils, or crayons. As you spend a few restful moments contemplating these well-loved passages of Scripture, each page will become a personal reminder that God's Word is for you. You'll enjoy filling these images with color and filling your soul with the confident assurance that God is walking with you, watching over you, and guiding you into a wonderful future.
Publisher: Harvest House Publishers
ISBN: 0736968350
Category : Games & Activities
Languages : en
Pages : 82
Book Description
Looking for a fun and easy way to calm your busy mind and let God's Word penetrate your heart? Immerse yourself in the Bible's promises with these beautifully crafted, hand-drawn verses by Lori Siebert—all ready for you to add your own creative touch with paints, markers, colored pencils, or crayons. As you spend a few restful moments contemplating these well-loved passages of Scripture, each page will become a personal reminder that God's Word is for you. You'll enjoy filling these images with color and filling your soul with the confident assurance that God is walking with you, watching over you, and guiding you into a wonderful future.