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Author: Roslisham Ismail
Publisher:
ISBN: 9781921503504
Category : Cooking, Malaysian
Languages : en
Pages :
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Book Description
Author: Roslisham Ismail
Publisher:
ISBN: 9781921503504
Category : Cooking, Malaysian
Languages : en
Pages :
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Book Description
Author: Janet Marstine
Publisher: Routledge
ISBN: 1317416651
Category : Social Science
Languages : en
Pages : 581
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Book Description
Curating Art provides insight into some of the most socially and politically impactful curating of historical and contemporary art since the late 1990s. It offers up a museological framework for understanding watershed developments of curating in art museums. Representing the plurality of theory and practice around the expanded field of relational curating, the book focuses on curating that prioritises the quality of relationships between people and objects, between institutions and people and among people. It has wide international breadth, with particularly strong representation in East and Southeast Asia, including four papers never before translated into English. This Asian cluster illuminates the globalisation of the field and challenges dichotomies of East and West while acknowledging distinctions within specific, but often transnational, cultural spheres. The compelling philosophical perspectives and case studies included within Curating Art will be of interest to students and researchers studying curating, exhibition development and art museums. The book will also inspire current and emerging curators to pose challenging but important questions about their own practice and the relationships that this work sustains.
Author: Caroline Turner
Publisher: ANU Press
ISBN: 1925022005
Category : Art
Languages : en
Pages : 278
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Book Description
“… a diverse and stimulating group of essays that together represents a significant contribution to thinking about the nascent field of contemporary Asian art studies … Contemporary Asian Art and Exhibitions: Connectivities and World-making … brings together essays by significant academics, curators and artist working in Australia, Asia and the United Kingdom that reflect on contemporary art in the Asia-Pacific region, and Australia’s cultural interconnections with Asia. It will be a welcome addition to the body of literature related to these emergent areas of art historical study. ” — Dr Claire Roberts, Senior Lecturer in Art History, University of Adelaide This volume draws together essays by leading art experts observing the dramatic developments in Asian art and exhibitions in the last two decades. The authors explore new regional and global connections and new ways of understanding contemporary Asian art in the twenty-first century. The essays coalesce around four key themes: world-making; intra-Asian regional connections; art’s affective capacity in cross-cultural engagement; and Australia’s cultural connections with Asia. In exploring these themes, the essays adopt a diversity of approaches and encompass art history, art theory, visual culture and museum studies, as well as curatorial and artistic practice. With introductory and concluding essays by editors Michelle Antoinette and Caroline Turner this volume features contributions from key writers on the region and on contemporary art: Patrick D Flores, John Clark, Chaitanya Sambrani, Pat Hoffie, Charles Merewether, Marsha Meskimmon, Francis Maravillas, Oscar Ho, Alison Carroll and Jacqueline Lo. Richly illustrated with artworks by leading contemporary Asian artists, Contemporary Asian Art and Exhibitions: Connectivities and World-making will be essential reading for those interested in recent developments in contemporary Asian art, including students and scholars of art history, Asian studies, museum studies, visual and cultural studies.
Author: Simone Wille
Publisher: Routledge
ISBN: 1317341368
Category : Art
Languages : en
Pages : 143
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Book Description
Modern Art in Pakistan examines interaction of space, tradition, and history to analyse artistic production in Pakistan from the 1950s to recent times. It traces the evolution of modernism in Pakistan and frames it in a global context in the aftermath of Partition. A masterful insight into South Asian art, this book will interest researchers, scholars, and students of South Asian art and art history, and Pakistan in particular. Further, it will be useful to those engaged in the fields of Islamic studies, museum studies, and modern South Asian history.
Author: Simon Richmond
Publisher:
ISBN: 9781740593571
Category : Travel
Languages : en
Pages : 636
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Book Description
Maps and new information make travel within and between these three nations easy--from the markets of Singapore to the stilt villages of Brunei the best tips are right here. The book also has the lowdown on the hottest shopping, entertainment and eating spots in Singapore, Kuala Lumpur, Penang, and Melaka.
Author: Phyllis Ghim-Lian Chew
Publisher: Springer
ISBN: 113701234X
Category : Language Arts & Disciplines
Languages : en
Pages : 421
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Book Description
What role does race, geography, religion, orthography and nationalism play in the crafting of identities? What are the origins of Singlish? This book offers a thorough investigation of old and new identities in Asia's most global city, examined through the lens of language.
Author: Tom Finkelpearl
Publisher: MIT Press
ISBN: 9780262561488
Category : Architecture
Languages : en
Pages : 476
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Book Description
Examining the changing attitudes toward the city as the site for public art.
Author: Sohl Lee
Publisher: Hyunsil Publishing, Seoul
ISBN: 9788965640592
Category : Art
Languages : en
Pages : 0
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Book Description
Many artworks from recent South Korean history are located in the nebulous but fertile contact zone between public/popular culture and democracy movements. Being Political Popular attempts a thematically focused and historically interventionist inquiry into the current status of South Korean contemporary art, exploring the work of 17 artists and art collectives. Being Political Popular documents the complex lines of thinking that scholars such as Chang-nam Kim, Namhee Lee, and Wan-kyung Sung have nurtured on the topics of the popular music and resistant youth culture of the 1970s, the politics of minjung subjectivity during the 1980s democracy movement, and the 1980s minjung art movement. The book also includes artists' writings and manifestos by Mnouk Lim, mixrice, Hein-kuhn Oh, and Sangdom Kim--primary materials that provide the reader with a closer look at their art-making. It serves as a reader's gateway to the recent history of South Korean visual arts and public culture, marking the beginning of a more nuanced and multifaceted investigation of the South Korean aesthetics of politcs.
Author: Lydia He Liu
Publisher: Columbia University Press
ISBN: 023116291X
Category : Art
Languages : en
Pages : 326
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Book Description
The book repositions He-Yin Zhen as central to the development of feminism in China, juxtaposing her writing with fresh translations of works by two of her better-known male interlocutors. The editors begin with a detailed portrait of He-Yin Zhen's life and an analysis of her thought in comparative terms. They then present annotated translations of six of her major essays, as well as two foundational tracts by her male contemporaries, Jin Tianhe (1873-1947) and Liang Qichao (1873-1929), to which He-Yin's work responds and with which it engages. Jin Tianhe, a poet and educator, and Liang Qichao, a philosopher and journalist, understood feminism as a paternalistic cause that "enlightened" male intellectuals like themselves should defend. Zhen counters with an alternative conception of feminism that draws upon anarchism and other radical trends in thought.
Author: Doug Hall
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 584
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Book Description
This volume contains the insights of prominent artists in the field as well as critical writings by scholars and critics. It illustrates the complex, heterogeneous nature of video, and highlights its strong ties to the visual arts and social theory. While providing an essential critical context for understanding video's role as art, these writings show that video is at the forefront of contemporary cultural and aesthetic discourse. Using a wide range of strategies, from the poetic to the deconstructive, these essays provide a long overdue critical context in which to evaluate video as art and its subsequent impact on social and cultural behavior.
