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Author: Anton Obermayr
Publisher: Hillsdale, NY : Pendragon Press
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 546
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Book Description
The Benedictine Abbey of Lambach in Upper Austria boasts a long and distinguished history as a center of musical life in Central Europe. The monastery's music tradition flourished most actively and significantly in the 18th century, but especially during the reign (1746 to 1794)of Abbot Amandus Schickmayr. Schickmayr, described by one contemporary as excessivus amator musicae, was an astute patron who maintained close personal ties with leading musicians of the day-in particular, the Mozarts, father and son, and Michael Haydn-as well as an avid collector who no doubt encouraged the acquisition of the greater number of works among the holdings of the abbey's music archive today.The collection at Lambach became in time, and remains to the present day, one of the most extensive repositories of music manuscripts at any of the Austrian monasteries. Its holdings are understandably rich in sacred, theatrical and symphonic works by Michael Haydn, the two Mozarts and others in the Salzburg Kapelle.Equally important, however, are its manuscripts of early symphonies by Joseph Haydn and ofworks in various instrumental genres by Carl Ditters von Dittersdorf; Carlos d'Ordonez, AntonNeumann, Georg Christoph Wagenseil and Johann Baptist Wanhal.In 1768, abbey organist Anton Obermayr compied a351-page inventory of the music manuscripts on hand at Lambach in that year. The importance of Obermayr's catalog rests in its provision of terminus post quem dating for more than1300 works which are cited not only with bass incipit and particulars of scoring, but in nearly all cases also with composers' names. Our edition presents the Lambach thematic catalog in facsimile, with annotations identifying its entries with melody incipits where possible and indicating (1 whether the corresponding music manuscript is extant or missing; and (2 if extant, describing the source in full-its present-day shelf number whether compete or incomplete, papera nd water-marks, and identification of copyists by name or by internally coherent system (i.e., Copyist 39). An appendix provides similar bibliographical citations for more than 1000 additional manuscripts in the music archive at Lambach but which came to the collection after the thematic catalog had been drawn up
Author: Anton Obermayr
Publisher: Hillsdale, NY : Pendragon Press
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 546
Get Book Here
Book Description
The Benedictine Abbey of Lambach in Upper Austria boasts a long and distinguished history as a center of musical life in Central Europe. The monastery's music tradition flourished most actively and significantly in the 18th century, but especially during the reign (1746 to 1794)of Abbot Amandus Schickmayr. Schickmayr, described by one contemporary as excessivus amator musicae, was an astute patron who maintained close personal ties with leading musicians of the day-in particular, the Mozarts, father and son, and Michael Haydn-as well as an avid collector who no doubt encouraged the acquisition of the greater number of works among the holdings of the abbey's music archive today.The collection at Lambach became in time, and remains to the present day, one of the most extensive repositories of music manuscripts at any of the Austrian monasteries. Its holdings are understandably rich in sacred, theatrical and symphonic works by Michael Haydn, the two Mozarts and others in the Salzburg Kapelle.Equally important, however, are its manuscripts of early symphonies by Joseph Haydn and ofworks in various instrumental genres by Carl Ditters von Dittersdorf; Carlos d'Ordonez, AntonNeumann, Georg Christoph Wagenseil and Johann Baptist Wanhal.In 1768, abbey organist Anton Obermayr compied a351-page inventory of the music manuscripts on hand at Lambach in that year. The importance of Obermayr's catalog rests in its provision of terminus post quem dating for more than1300 works which are cited not only with bass incipit and particulars of scoring, but in nearly all cases also with composers' names. Our edition presents the Lambach thematic catalog in facsimile, with annotations identifying its entries with melody incipits where possible and indicating (1 whether the corresponding music manuscript is extant or missing; and (2 if extant, describing the source in full-its present-day shelf number whether compete or incomplete, papera nd water-marks, and identification of copyists by name or by internally coherent system (i.e., Copyist 39). An appendix provides similar bibliographical citations for more than 1000 additional manuscripts in the music archive at Lambach but which came to the collection after the thematic catalog had been drawn up
Author: Mary Sue Morrow
Publisher: Indiana University Press
ISBN: 025307214X
Category : Music
Languages : en
Pages : 946
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Book Description
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. In his five-volume series The Symphonic Repertoire, the late A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. In Volume 1, The Eighteenth-Century Symphony, 22 of Brown's former students and colleagues collaborate to complete the work that he began on this critical period of development in symphonic history. The work follows Brown's outline, is organized by country, and focuses on major composers. It includes a four-chapter overview and concludes with a reframing of the symphonic narrative. Contributors address issues of historiography, the status of research, and questions of attribution and stylistic traits, and provide background material on the musical context of composition and early performances. The volume features a CD of recordings from the Bloomington Early Music Festival Orchestra, highlighting the largely unavailable repertoire discussed in the book.
Author: Barry S. Brook
Publisher: Pendragon Press
ISBN: 9780918728869
Category : Juvenile Nonfiction
Languages : en
Pages : 658
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Book Description
In 1997, twenty-five years after its first publication, Thematic Catalogues in Music-An Annotated Bibliography (Pendragon Press, 1972) appeared in a completely revised and expanded Second Edition. It contains almost twice as many entries as its predecessor; virtually every one of the original entries has been updated; and the following noteworthy features have been added.1. A second introductory essay detailing trends and innovations in thematic cataloguing brought about by the revolution in technology of the past twenty years. 2. Appendices listing thematic catalogues in series; both by national organizations and publishers; a detailed up-to-date, country-by-country report of activities worldwide; a listing of major computerized databanks. 3. New double-column format. 4. Numerous illustrations and reproductions of pages from thematic catalogues of historical significance. The second edition continues the policy of listing all known thematic catalogues and indexes, including those in doctoral dissertations, masters essays, and computer databanks, as well as in-progress and unpublished works, plus reviews, and literature about thematic cataloguing. The original numbering of the 1972 entries has been retained, with new items appearing in proper alphabetical/chronological sequence but with the addition of decimal numbers and/or letters (363.1 or 960a). Lastly, the original historical introduction and special appendices of the first edition have been retained with emendations where needed.
Author: Stanley Sadie
Publisher: Oxford University Press
ISBN: 9780198164432
Category : Biography & Autobiography
Languages : en
Pages : 538
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Book Description
This volume is a collection based on the Royal Musical Association's Mozart Conference of 1991, the principal scholarly event in the English-speaking world in commemoration of the bicentenary. It includes essays placing Mozart in the context, in Salzburg and Vienna, in which he worked, explaining aspects of his life and work hitherto obscure; essays interpreting his instrumental music; and a substantial series of studies on different aspects of his operas, from Lucio Silla to La clemenza di Tito, with particular stress on the creative processes in the Da Ponte operas.
Author: Owain Tudor Edwards
Publisher:
ISBN:
Category : Juvenile Nonfiction
Languages : en
Pages : 298
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Book Description
The repertory he cites is virtually unknown, says Edwards, and was written by equally unknown composers, most of whom never rose above local fame and none of whom made a fortune. He lists sources, concertos for various solo instruments, works by publisher, information about lost concertos, and the work of the prolific composers such as Charles Avison and William Corbell.
Author: Maciej Jochymczyk
Publisher: Musica Iagellonica
ISBN: 8370992072
Category : Music
Languages : en
Pages : 531
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Book Description
The ensembles associated with monastery and parish churches were a very important element of musical life in Central Europe around the mid-eighteenth century. Yet the music created by early Classical composers, which constituted the core of their repertoire, remains poorly explored. Fr. Amandus Ivanschiz OSPPE (1727–1758) was one of such musicians, active in monasteries in Ranna, Wiener Neustadt, Rome, and Graz. Recent findings reveal that he died in 1758 at the young age of 31, which is much earlier than previously thought. Consequently, the dating of his compositions and their position in the context of the transformation of musical language in the middle of the eighteenth century needs to be revisited. This volume is the first to provide a critical evaluation of the attribution of works ascribed to Ivanschiz, which brought to light the true scope and reception of his oeuvre. The fact that there are nearly 300 copies of his works preserved in various archives across eleven European countries indicates that his music was readily performed and disseminated, and places Ivanschiz among the most popular monk-composers of his epoch. (From the Epilogue)
Author: Barry S. Brook
Publisher: Hillsdale, N.Y. : Pendragon Press
ISBN:
Category : Music
Languages : en
Pages : 392
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Book Description
In 1997, twenty-five years after its first publication, Thematic Catalogues in Music-An Annotated Bibliography (Pendragon Press, 1972) appeared in a completely revised and expanded Second Edition. It contains almost twice as many entries as its predecessor; virtually every one of the original entries has been updated; and the following noteworthy features have been added. A second introductory essay detailing trends and innovations in thematic cataloguing brought about by the revolution in technology of the past twenty years. Appendices listing thematic catalogues in series; both by national organizations and publishers; a detailed up-to-date, country-by-country report of activities worldwide; a listing of major computerized databanks. New double-column format. Numerous illustrations and reproductions of pages from thematic catalogues of historical significance. The second edition continues the policy of listing all known thematic catalogues and indexes, including those in doctoral dissertations, masters essays, and computer databanks, as well as in-progress and unpublished works, plus reviews, and literature about thematic cataloguing. The original numbering of the 1972 entries has been retained, with new items appearing in proper alphabetical/chronological sequence but with the addition of decimal numbers and/or letters (363.1 or 960a). Lastly, the original historical introduction and special appendices of the first edition have been retained with emendations where needed.
Author: Music Library Association
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 552
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Book Description
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 2744
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Book Description
Author: Newell Jenkins
Publisher: Cambridge, Mass. : Harvard University Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 344
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Book Description
