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Author: Alfred Lord Tennyson
Publisher: Lulu.com
ISBN: 1447549163
Category : Poetry
Languages : en
Pages : 66
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Book Description
The Lady of Shalott is one of the best-loved poems in the English language. The tale of the mysterious, enigmatic Lady seems to captivate everyone's imagination. Over a century and a half after it was written, men still desire the Lady, and women identify with her. In this edition, the work is embellished by four Victorian illustrations.A new Introduction by Jocelyn Almond explores the poem's perennial appeal. For the first time, The Lady of Shalott has been typeset in the beautiful Doves Type of the early twentieth century, designed for the quality, hand-made editions of a private press. Doves Type was made in only one size, the size used in this book.
Author: Alfred Lord Tennyson
Publisher: Lulu.com
ISBN: 1447549163
Category : Poetry
Languages : en
Pages : 66
Get Book Here
Book Description
The Lady of Shalott is one of the best-loved poems in the English language. The tale of the mysterious, enigmatic Lady seems to captivate everyone's imagination. Over a century and a half after it was written, men still desire the Lady, and women identify with her. In this edition, the work is embellished by four Victorian illustrations.A new Introduction by Jocelyn Almond explores the poem's perennial appeal. For the first time, The Lady of Shalott has been typeset in the beautiful Doves Type of the early twentieth century, designed for the quality, hand-made editions of a private press. Doves Type was made in only one size, the size used in this book.
Author: Alfred Tennyson Baron Tennyson
Publisher:
ISBN:
Category : Arthurian romances
Languages : en
Pages : 96
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Book Description
A narrative poem about the death of Elaine, "the lily maid of Astolat".
Author: Ann F. Howey
Publisher: Springer Nature
ISBN: 3030476901
Category : Literary Criticism
Languages : en
Pages : 338
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Book Description
This book investigates adaptations of The Lady of Shalott and Elaine of Astolat in Victorian and post-Victorian popular culture to explore their engagement with medievalism, social constructions of gender, and representations of the role of art in society. Although the figure of Elaine first appeared in medieval texts, including Malory’s Le Morte Darthur, Tennyson’s poems about the Lady and Elaine drew unprecedented response from musicians, artists, and other authors, whose adaptations in some cases inspired further adaptations. With chapters on music, art, and literature (including parody, young people’s literature, and historical fiction and fantasy), this book seeks to trace the evolution of these characters and the ways in which they reinforce or challenge conventional gender roles, represent the present’s relationship to the past, and highlight the power of art.
Author: Joseph Bristow
Publisher: Cambridge University Press
ISBN: 9780521646802
Category : Literary Criticism
Languages : en
Pages : 364
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Book Description
This Companion to Victorian Poetry provides an introduction to many of the pressing issues that absorbed the attention of poets from the 1830s to the 1890s. It introduces readers to a range of topics - including historicism, patriotism, prosody, and religious belief. The thirteen specially-commissioned chapters offer insights into the works of well-known figures such as Matthew Arnold, Robert Browning and Alfred Tennyson, and the writings of women poets - like Michael Field, Amy Levy and Augusta Webster - whose contribution to Victorian culture has in more recent years been acknowledged by modern scholars. Revealing the breadth of the Victorians' experiments with poetic form, this Companion also discloses the extent to which their writings addressed the prominent intellectual and social questions of the day. The volume, which will be of interest to scholars and students alike, features a detailed chronology of the Victorian period and a comprehensive guide to further reading.
Author: Laura Sebastian
Publisher: Penguin
ISBN: 0593200527
Category : Fiction
Languages : en
Pages : 449
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Book Description
"Laura Sebastian is the next Madeline Miller. . . . a fierce, fresh, lyrical tale that will enthrall until the last page."--Kate Quinn, New York Times bestselling author of The Huntress A Popsugar Best Summer Read of 2021 A Bibliolifestyle Most Anticipated Summer 2021 Sci-fi and Fantasy Book "Magical, haunting, unique--I haven't been so excited about an Arthur book since I read The Once and Future King ."--Tamora Pierce, #1 New York Times bestselling author The Lady of Shalott reclaims her story in this bold feminist reimagining of the Arthurian myth from the New York Times bestselling author of Ash Princess. Everyone knows the legend. Of Arthur, destined to be a king. Of the beautiful Guinevere, who will betray him with his most loyal knight, Lancelot. Of the bitter sorceress, Morgana, who will turn against them all. But Elaine alone carries the burden of knowing what is to come--for Elaine of Shalott is cursed to see the future. On the mystical isle of Avalon, Elaine runs free and learns of the ancient prophecies surrounding her and her friends--countless possibilities, almost all of them tragic. When their future comes to claim them, Elaine, Guinevere, Lancelot, and Morgana accompany Arthur to take his throne in stifling Camelot, where magic is outlawed, the rules of society chain them, and enemies are everywhere. Yet the most dangerous threats may come from within their own circle. As visions are fulfilled and an inevitable fate closes in, Elaine must decide how far she will go to change destiny--and what she is willing to sacrifice along the way.
Author: Robert Browning
Publisher: Good Press
ISBN:
Category : Poetry
Languages : en
Pages : 185
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Book Description
This carefully crafted ebook: "My Last Duchess (Unabridged)" is formatted for your eReader with a functional and detailed table of contents. "My Last Duchess" is a poem, frequently anthologised as an example of the dramatic monologue. It first appeared in 1842 in Browning's Dramatic Lyrics. The poem is written in 28 rhymed couplets of iambic pentameter. The poem is set during the late Italian Renaissance. The speaker (presumably the Duke of Ferrara) is giving the emissary of the family of his prospective new wife (presumably a third or fourth since Browning could have easily written 'second' but did not do so) a tour of the artworks in his home. He draws a curtain to reveal a painting of a woman, explaining that it is a portrait of his late wife; he invites his guest to sit and look at the painting. Robert Browning (1812 - 1889) was an English poet and playwright whose mastery of dramatic verse, and in particular the dramatic monologue, made him one of the foremost Victorian poets. His poems are known for their irony, characterization, dark humor, social commentary, historical settings, and challenging vocabulary and syntax. The speakers in his poems are often musicians or painters whose work functions as a metaphor for poetry.
Author: Jacob Monroe
Publisher:
ISBN: 9781735501925
Category :
Languages : en
Pages :
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Book Description
Author: John Batchelor
Publisher: Simon and Schuster
ISBN: 1639360824
Category : Biography & Autobiography
Languages : en
Pages : 715
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Book Description
Alfred Lord Tennyson, Queen Victoria's favorite poet, commanded a wider readership than any other of his time. His ascendancy was neither the triumph of pure genius nor an accident of history: he skillfully crafted his own career and his relationships with his audience. Fame and recognition came, lavishly and in abundance, but the hunger for more never left him. Resolving never to be anything except 'a poet', he wore his hair long, smoked incessantly, and sported a cloak and wide-brimmed Spanish hat.Tennyson ranged widely in his poetry, turning his interests in geology, evolution and Arthurian legend into verse, but much of his work relates to his personal life. The poet who wrote The Lady of Shalott and The Charge of the Light Brigade has become a permanent part of our culture. This enjoyable and thoughtful new biography shows him as a Romantic as well as a Victorian, exploring both the poems and the pressures of his era, and the personal relationships that made the man.
Author: Alfred Tennyson Baron Tennyson
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 156
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Book Description
Author: Robert Dennhardt
Publisher: GRIN Verlag
ISBN: 363869464X
Category : Language Arts & Disciplines
Languages : en
Pages : 69
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Book Description
Seminar paper from the year 2002 in the subject English Language and Literature Studies - Literature, grade: 2,0, Humboldt-University of Berlin, 32 entries in the bibliography, language: English, abstract: Once upon a time Umbert Eco quoted Tennyson's continental contemporary Mallarm who wrote about avoiding a single absolute word sense concerning the typo-logographic space and epistemic-symbolic landscape: "Einen Gegenstand benennen bedeutet, die drei Viertel des Genusses am Gedicht zu unterdr cken, welche aus dem Gl ck bestehen, nach und nach zu entschl sseln, es hervorzubringen ...] dies ist der Traum ...] Es mu vermieden werden, da ein einziger Sinn sich aufdr ngt: der leere Raum um das Wort herum, (...), die r umliche Komposition des Textes tragen dazu bei, dem Wort eine Aura des Unbestimmten zu verleihen und es auf tausend verschiedene Dinge hindeuten zu lassen." (Eco 1989, 121f.) Various literary critics describe a rather psychological dilemma within Tennyson's work in general which seems important for the understanding of The Lady of Shalott which in my opinion is not theme of this work. Once with-in the discourse of art and mythopoetics this dilemma resembles Tennyson's struggle for both artistic strategy as well as rhetorical and logical validity (Alaya 1970, 289.) Another remark refers to Tennyson's "difficulty in leaving the world and passing into "a Nameless, shadow-less realm" which insert the reader into autopoietic ordering "spaces between images and words." (Colley 1985, 370 and 377.) An expression of this dilemma we find in Tennyson's The Lady of Shalott with the metaphorical presence in absence of sword and primarily window which will be discussed later on. But the expressive representing or non-symbolic Nameless cannot exist if the symbolic is the only associative between the imaginary and the real which is the other side of the symbolic per se.
