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Author: Dong-Yeon Koh
Publisher: Routledge
ISBN: 1000407551
Category : History
Languages : en
Pages : 198
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Book Description
This pioneering volume navigates cultural memory of the Korean War through the lens of contemporary arts and film in South Korea for the last two decades. Cultural memory of the Korean War has been a subject of persistent controversy in the forging of South Korean postwar national and ideological identity. Applying the theoretical notion of “postmemory,” this book examines the increasingly diversified attitudes toward memories of the Korean War and Cold War from the late 1990s and onward, particularly in the demise of military dictatorships. Chapters consider efforts from younger generation artists and filmmakers to develop new ways of representing traumatic memories by refusing to confine themselves to the tragic experiences of survivors and victims. Extensively illustrated, this is one of the first volumes in English to provide an in-depth analysis of work oriented around such themes from 12 renowned and provocative South Korean artists and filmmakers. This includes documentary photographs, participatory public arts, independent women’s documentary films, and media installations. The Korean War and Postmemory Generation will appeal to students and scholars of film studies, contemporary art, and Korean history.
Author: Dong-Yeon Koh
Publisher: Routledge
ISBN: 1000407551
Category : History
Languages : en
Pages : 198
Get Book Here
Book Description
This pioneering volume navigates cultural memory of the Korean War through the lens of contemporary arts and film in South Korea for the last two decades. Cultural memory of the Korean War has been a subject of persistent controversy in the forging of South Korean postwar national and ideological identity. Applying the theoretical notion of “postmemory,” this book examines the increasingly diversified attitudes toward memories of the Korean War and Cold War from the late 1990s and onward, particularly in the demise of military dictatorships. Chapters consider efforts from younger generation artists and filmmakers to develop new ways of representing traumatic memories by refusing to confine themselves to the tragic experiences of survivors and victims. Extensively illustrated, this is one of the first volumes in English to provide an in-depth analysis of work oriented around such themes from 12 renowned and provocative South Korean artists and filmmakers. This includes documentary photographs, participatory public arts, independent women’s documentary films, and media installations. The Korean War and Postmemory Generation will appeal to students and scholars of film studies, contemporary art, and Korean history.
Author: Suji Kwock Kim
Publisher: LSU Press
ISBN: 9780807128725
Category : Poetry
Languages : en
Pages : 96
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Book Description
Offers poems of family, history, love, and vision.
Author: Suejin Shin
Publisher: Hatje Cantz Verlag
ISBN: 9783775740401
Category : Korea (South)
Languages : en
Pages : 0
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Book Description
"In recent years, a generation of photographers from South Korea who can justifiably be referred to as pioneers has caused quite a sensation on the global photo scene. Since the late 1980s, the visual arts in South Korea have quantitatively expanded against the background of rapid economic growth. The seventy-seven photographic artists selected in this project observe and interpret social and cultural changes in Korea from their own perspectives. Korea is expressed through intense portraits, beautiful sceneries, strategic cityscapes, records of daily life, and digitally reconstructed time and space. It is marked by a fascinating variety that has been captured in the volume 'Contemporary Korean photography': the meditative black-and-white nature studies by Bien-U BAE contrast strongly with the pseudo-American plastic world of Sungsoo KOO; the psychologizing, intense portraits by Soonchoel BYUN respond to Sanghyun LEE and his garish, ironizing quotes of Korean history"--Publisher.
Author: Boreth Ly
Publisher: University of Hawaii Press
ISBN: 0824856090
Category : Political Science
Languages : en
Pages : 209
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Book Description
How do the people of a morally shattered culture and nation find ways to go on living? Cambodians confronted this challenge following the collective disasters of the American bombing, the civil war, and the Khmer Rouge genocide. The magnitude of violence and human loss, the execution of artists and intellectuals, the erasure of individual and institutional cultural memory all caused great damage to Cambodian arts, culture, and society. Author Boreth Ly explores the “traces” of this haunting past in order to understand how Cambodians at home and in the diasporas deal with trauma on such a vast scale. Ly maintains that the production of visual culture by contemporary Cambodian artists and writers—photographers, filmmakers, court dancers, and poets—embodies traces of trauma, scars leaving an indelible mark on the body and the psyche. Her book considers artists of different generations and family experiences: a Cambodian-American woman whose father sent her as a baby to the United States to be adopted; the Cambodian-French filmmaker, Rithy Panh, himself a survivor of the Khmer Rouge, whose film The Missing Picture was nominated for an Oscar in 2014; a young Cambodian artist born in 1988—part of the “post-memory” generation. The works discussed include a variety of materials and remnants from the historical past: the broken pieces of a shattered clay pot, the scarred landscape of bomb craters, the traditional symbolism of the checkered scarf called krama, as well as the absence of a visual archive. Boreth Ly’s poignant book explores obdurate traces that are fragmented and partial, like the acts of remembering and forgetting. Her interdisciplinary approach, combining art history, visual studies, psychoanalysis, cultural studies, religion, and philosophy, is particularly attuned to the diverse body of material discussed, including photographs, video installations, performance art, poetry, and mixed media. By analyzing these works through the lens of trauma, she shows how expressions of a national trauma can contribute to healing and the reclamation of national identity.
Author: Don Mee Choi
Publisher:
ISBN: 9781940696966
Category : Literary Criticism
Languages : en
Pages : 0
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Book Description
"A new book by Don Mee Choi that includes poems, prose, and images" --
Author: Hyunseon Lee
Publisher: Taylor & Francis
ISBN: 1000960102
Category : Performing Arts
Languages : en
Pages : 239
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Book Description
Cinema has become a battleground upon which history is made—a major mass medium of the twentieth century dealing with history. The re-enactments of historical events in film straddle reality and fantasy, documentary and fiction, representation and performance, entertainment and education. This interdisciplinary book examines the relationship between film and history and the links between historical research and filmic (re-)presentations of history with special reference to South Korean cinema. As with all national film industries, Korean cinema functions as a medium of inventing national history and identity, and also establishing their legitimacy—in both forgetting the past and remembering history. Korean films also play a part in forging cultural collective memory. Korea as a colonised and divided nation clearly adopted different approaches to the filmic depiction of history compared to colonial powers such as Western or Japanese cinema. The Colonial Period (1910–1945) and Korean War (1950–1953) draw particular attention as they have been major topics shaping the narrative of nation in North and South Korean films. Exploring the changing modes, impacts and functions of screen images dealing with history in Korean cinema, this book will be of huge interest to students and scholars of Korean history, film, media and cultural studies.
Author: Clark W. Sorensen
Publisher: Rowman & Littlefield
ISBN: 1442233362
Category : History
Languages : en
Pages : 257
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Book Description
The University of Washington-Korea Studies Program, in collaboration with Rowman & Littlefield Publishers, is proud to publish the Journal of Korean Studies. In 1979 Dr. James Palais (PhD Harvard 1968), former UW professor of Korean History edited and published the first volume of the Journal of Korean Studies. For thirteen years it was a leading academic forum for innovative, in-depth research on Korea. In 2004 former editors Gi-Wook Shin and John Duncan revived this outstanding publication at Stanford University. In August 2008 editorial responsibility transferred back to the University of Washington. With the editorial guidance of Clark Sorensen and Donald Baker, the Journal of Korean Studies (JKS) continues to be dedicated to publishing outstanding articles, from all disciplines, on a broad range of historical and contemporary topics concerning Korea. In addition the JKS publishes reviews of the latest Korea-related books. To subscribe to the Journal of Korean Studies or order print back issues, please click here.
Author: Suhi Choi
Publisher: Oxford University Press
ISBN: 0190855258
Category : Social Science
Languages : en
Pages : 181
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Book Description
In the highly politicized memory space of postwar South Korea, many families have been deprived of their right to mourn loved ones lost in the Korean War. Only since the 1990s has the government begun to acknowledge the atrocities committed by South Korean and American troops that resulted in large numbers of civilian casualties. The Truth and Reconciliation Committee, new laws honoring victims, and construction of monuments and memorials have finally opened public spaces for mourning. In Right to Mourn, Suhi Choi explores this new context of remembering in which memories that have long been private are brought into official sites. As the generation that once carried these memories fades away, Choi poses an increasingly critical question: can a memorial communicate trauma and facilitate mourning? Through careful examination of recently built Korean War memorials (the Jeju April 3 Peace Park, the Memorial for the Gurye Victims of Yosun Killings, and the No Gun Ri Peace Park), Right to Mourn provokes readers to look at the nearly seven-decade-old war within the most updated context, and shows how suppressed trauma manifests at the transient interactions among bodies, objects, and rituals at the sites of these memorials.
Author: Nani Park
Publisher: Tuttle Publishing
ISBN: 1462915140
Category : House & Home
Languages : en
Pages : 184
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Book Description
ING_08 Review quote
Author: Seo-Young Chu
Publisher: Harvard University Press
ISBN: 0674059220
Category : Literary Criticism
Languages : en
Pages : 317
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Book Description
In culture and scholarship, science-fictional worlds are perceived as unrealistic and altogether imaginary. Seo-Young Chu offers a bold challenge to this perception of the genre, arguing instead that science fiction is a form of “high-intensity realism” capable of representing non-imaginary objects that elude more traditional, “realist” modes of representation. Powered by lyric forces that allow it to transcend the dichotomy between the literal and the figurative, science fiction has the capacity to accommodate objects of representation that are themselves neither entirely figurative nor entirely literal in nature. Chu explores the globalized world, cyberspace, war trauma, the Korean concept of han, and the rights of robots, all as referents for which she locates science-fictional representations in poems, novels, music, films, visual pieces, and other works ranging within and without previous demarcations of the science fiction genre. In showing the divide between realism and science fiction to be illusory, Do Metaphors Dream of Literal Sleep? sheds new light on the value of science fiction as an aesthetic and philosophical resource—one that matters more and more as our everyday realities grow increasingly resistant to straightforward representation.
