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Author: Earle Ernst
Publisher: University of Hawaii Press
ISBN: 9780824803193
Category : Performing Arts
Languages : en
Pages : 368
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Book Description
Studies the production and psychology of this Japanese drama form and compares its techniques with those of the Western theater
Author: Earle Ernst
Publisher: University of Hawaii Press
ISBN: 9780824803193
Category : Performing Arts
Languages : en
Pages : 368
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Book Description
Studies the production and psychology of this Japanese drama form and compares its techniques with those of the Western theater
Author: Adolphe Clarence Scott
Publisher:
ISBN:
Category : Japanese drama
Languages : en
Pages : 319
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Book Description
Author: Adolphe Clarence Scott
Publisher: Courier Corporation
ISBN: 0486406458
Category : Performing Arts
Languages : en
Pages : 338
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Book Description
One of the most comprehensive handbooks available on Kabuki theatre. Text describes the theater's development in the context of Japanese history, with detailed analyses of actors' techniques, music and dance, plays and playwrights, the playhouse's design evolution, and six representative Kabuki plays. Includes glossary of Japanese terms. "Highly recommended." — Library Journal.
Author: Karen Brazell
Publisher: Columbia University Press
ISBN: 9780231108737
Category : Drama
Languages : en
Pages : 580
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Book Description
The first book of its kind: a collection of the most important genres of Japanese performance--noh, kyogen, kabuki, and puppet theater--in one comprehensive, authoritative volume.
Author: A.L. Sadler
Publisher: Tuttle Classics
ISBN:
Category : Drama
Languages : en
Pages : 324
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Book Description
Classic Noh, Kyogen and Kabuki Works Nothing reflects the beauty of life as much as Japanese theater. It is here that reality is held suspended and emptiness can fill the mind with words, music, dance, and mysticism. A.L. Sadler translates the mysteries of Noh, Kyogen, and Kabuki in his groundbreaking book, Japanese Plays. A seminal classic in its time, it provides a cross-section of Japanese theater that gives the reader a sampler of its beauty and power. The power of Noh is in its ability to create an iconic world that represents the attributes that the Japanese hold in highest esteem: family, patriotism, and honor. Kyogen plays provide comic relief often times performed between the serious and stoic Noh plays. Similarly, Sadler's translated Kyogen pieces are layered between the Noh and the Kabuki plays. The Kabuki plays were the theater of the common people of Japan. The course of time has given them the patina of folk art making them precious cultural relics of Japan. Sadler selected these pieces for translation because of their lighter subject matter and relatively upbeat endings—ideal for a western readership. More linear in their telling and pedestrian in the lessons learned these plays show the difficulties of being in love when a society is bent on conformity and paternal rule. The end result found in Japanese Plays is a wonderful selection of classic Japanese dramatic literature sure to enlighten and delight.
Author: Jonah Salz
Publisher: Cambridge University Press
ISBN: 1316395324
Category : Drama
Languages : en
Pages : 1066
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Book Description
Japan boasts one of the world's oldest, most vibrant and most influential performance traditions. This accessible and complete history provides a comprehensive overview of Japanese theatre and its continuing global influence. Written by eminent international scholars, it spans the full range of dance-theatre genres over the past fifteen hundred years, including noh theatre, bunraku puppet theatre, kabuki theatre, shingeki modern theatre, rakugo storytelling, vanguard butoh dance and media experimentation. The first part addresses traditional genres, their historical trajectories and performance conventions. Part II covers the spectrum of new genres since Meiji (1868–), and Parts III to VI provide discussions of playwriting, architecture, Shakespeare, and interculturalism, situating Japanese elements within their global theatrical context. Beautifully illustrated with photographs and prints, this history features interviews with key modern directors, an overview of historical scholarship in English and Japanese, and a timeline. A further reading list covers a range of multimedia resources to encourage further explorations.
Author: Maki Isaka
Publisher: University of Washington Press
ISBN: 0295806249
Category : History
Languages : en
Pages : 273
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Book Description
Kabuki is well known for its exaggerated acting, flamboyant costumes and makeup, and unnatural storylines. The onnagata, usually male actors who perform the roles of women, have been an important aspect of kabuki since its beginnings in the 17th century. In a “labyrinth” of gendering, the practice of men playing women’s roles has affected the manifestations of femininity in Japanese society. In this case study of how gender has been defined and redefined through the centuries, Maki Isaka examines how the onnagata’s theatrical gender “impersonation” has shaped the concept and mechanisms of femininity and gender construction in Japan. The implications of the study go well beyond disciplinary and geographic cloisters.
Author: Faubion Bowers
Publisher: Tuttle Publishing
ISBN: 1462912184
Category : Drama
Languages : en
Pages : 339
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Book Description
Japanese Theatre presents a full historical account for Westerners of the theater arts that have flourished for centuries in Japan. Kabuki, arising in the late seventeenth century, is the theater of the commoner. The successive syllables of Kabuki mean "song – dance – skill." The precursors of Kabuki were the puppet theater and the comic interludes in the stately, aristocratic Noh drama – all fully described by the author. In the modem era the Japanese have broken away from Kabuki, and their stage has shown a realistic trend. Left–wing theater groups arose in the 1920’s, were suppressed by the militarists, and then revived during the occupation. Appended to the historical chapters are Mr. Bowers's translations of three Kabuki plays: The Monstrous Spider, Gappo and His Daughter Tsuji, and the bombastic Sukeroku. This book, with its many excellent photographs, is a permanent addition to the West's knowledge of the exotic, exciting theater of Japan and its tradition of great acting.
Author: Ronald Cavaye
Publisher: Tuttle Publishing
ISBN: 1462903991
Category : Drama
Languages : en
Pages : 188
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Book Description
Kabuki A Pocket Guide introduces readers to the foundations of Kabuki--its history and its actors, its acting styles and its performance, its color and music--to the sheer beauty and joy of Kabuki. Kabuki, the popular theatre of Japan, began in about 1603 and is still flourishing today. It was the entertainment of the common people as opposed to Noh, the refined theatre of the aristocracy, and is a close relative of the Bunraku puppet theater. All the actors in Kabuki, even those who play female roles, are men and plays and dances deal with the love of the heroes and villains form Japans real or legendary past. Concise enough to take to performance, this pocket guide to Kabuki provides a wealth of fascinating information about plays, the actors, and their history. As only an insider can do, the author takes us behind the scene to meet the actors, attend rehearsal, and get a first-hand look at the makeup, costumes, sets and props that go into a Kabuki performance.
Author: James R. Brandon
Publisher: University of Hawaii Press
ISBN: 9780824827885
Category : Drama
Languages : en
Pages : 372
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Book Description
Masterpieces of Kabuki contains eighteen outstanding dramas taken from the landmark four-volume series Kabuki Plays On Stage. Together they cover the entire spectrum of kabuki drama from 1697 to 1905, the period during which kabuki’s dramaturgy flourished prior to the onset of Western dramatic influence. Major playwrights, chronological periods of playwriting, and a variety of play types (history, domestic, and dance dramas) and performance styles are represented. All but one are in the current repertory and regularly staged. The volume includes introductions to each play and a new general introduction highlighting kabuki’s historical development and relating the plays to their performance context. As the subtitle implies, the plays are translated as if "on stage." Stage directions indicate major scenic effects, stage action, costuming, makeup, music, and sound effects. In some cases, complex stage actions such as stage fights are given in detail. The plays collected here are all marvelous examples of dramatic writing, intended to be acted on the stage before audiences. They reveal kabuki’s eras of brilliance and bravado, villainy and vengeance, darkness and desire, and restoration and reform. All continue to stir audiences to admiration and excitement.
