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Author:
Publisher:
ISBN:
Category : Guitar
Languages : en
Pages : 318
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Book Description
Author:
Publisher:
ISBN:
Category : Guitar
Languages : en
Pages : 318
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Book Description
Author:
Publisher:
ISBN:
Category : Guitar
Languages : en
Pages : 216
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Book Description
Author: Mark Marrington
Publisher: Routledge
ISBN: 1351371401
Category : Music
Languages : en
Pages : 453
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Book Description
Recording the Classical Guitar charts the evolution of classical guitar recording practice from the early twentieth century to the present day, encompassing the careers of many of the instrument’s most influential practitioners from acoustic era to the advent of the CD. A key focus is on the ways in which guitarists’ recorded repertoire programmes have shaped the identity of the instrument, particularly where national allegiances and musical aesthetics are concerned. The book also considers the ways in which changing approaches to recording practice have conditioned guitarists’ conceptions of the instrument’s ideal representation in recorded form and situates these in relation to the development of classical music recording aesthetics more generally. An important addition to the growing body of literature in the field of phonomusicology, the book will be of interest to guitarists and producers as well as students of record production and historians of classical music recording.
Author: Graham Wade
Publisher: Mel Bay Publications
ISBN: 1619115794
Category : Music
Languages : en
Pages : 513
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Book Description
A scholarly edition of over 500 pages written to explore and evaluate Andres Segovia's achievements. Volume One contains a biography of the years of 1893 -1957 and focuses on Segovia's renditions of Renaissance, Baroque and Classical masterpieces by Narvaez, Frescobaldi, Bach, Scarlatti and Sor
Author: John Morrish
Publisher: Hal Leonard Corporation
ISBN: 0879307250
Category : Music
Languages : en
Pages : 134
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Book Description
Offering essays by the world's top experts in a full-color, coffee-table quality book, this is the first work to tell the complete story of the classical guitar and its repertoire, players and makers - from its 19th century European roots to modern international interpretations. This handsome softcover volume features lavish photography of classical guitars made by the best luthiers in the world. Additional essays cover use of the classical guitar in pop music, different playing and teaching techniques, the collectors' market, and the science of the guitar. It also features profiles of legendary artists such as Andres Segovia, Julian Bream and John Williams, plus a full discography, a glossary, an index, a bibliography, and a guitar measurement chart.
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
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Book Description
Author: Graham Wade
Publisher:
ISBN:
Category : Guitarists
Languages : en
Pages : 250
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Book Description
"Julian Bream's influence is apparent in every area of the classical guitar repertoire, He transcribed Baroque works by Scarlatti, Buxtehude, Cimarosa, etc., and is acknowledged as one of the great interpreters of the music of J. S. Bach. He revitalised awareness of the early nineteenth century works of Sor, Giuliani, and Aguado, while bringing to the public the music of Spain from the sixteenth century to the present day and breathing new fire into Latin American music by composers such as Villa-Lobos, Ponce and Brouwer.".
Author:
Publisher: Faber & Faber
ISBN: 9780571538799
Category : Guitar music
Languages : en
Pages : 0
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Book Description
" ... A treasure trove of repertoire, containing 48 classical guitar solos from classical greats such as Mozart, Grieg, Purcell and J.S. Bach alongside all-time guitar favourites such as Asturias and Spanish Romance."--Publisher's description.
Author: Wolf Moser
Publisher:
ISBN:
Category : Guitar music
Languages : en
Pages : 724
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Book Description
Author: Philip James Bone
Publisher: Legare Street Press
ISBN: 9781015748699
Category : History
Languages : en
Pages : 0
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
