Author: Ronald Bernard Collins
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 298

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Book Description

Author: Enrico Savazzi
Publisher: Lulu.com
ISBN: 0557911338
Category : Art
Languages : en
Pages : 705

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Book Description
Photography is the primary tool for visually documenting specimens, experimental findings and laboratory setups in many scientific fields. Photographic illustrations in these fields must satisfy criteria of clarity, objectivity and adherence to accepted standards, in addition to a pleasant but not distracting composition and illumination. This book concentrates on the choice and practical use of digital cameras, lenses and related equipment of types commonly available at research institutions and museums. The described techniques are suitable for subject sizes between approximately half a millimeter and half a meter, and differ from those used in general photography and microscopy. The intended audience of this book includes professional scientific photographers, scientists and students who need to carry out photography in support of their own research or as part-time scientific photographers at a research institution, and advanced amateur photographers who wish to master these techniques.

Author: ANDY. ROWLANDS
Publisher: IOP Publishing Limited
ISBN: 9780750325592
Category :
Languages : en
Pages : 330

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Book Description
Physics is fundamental to all aspects of digital photography. This book works through the physics underlying the photographic imaging chain, from image capture through to the production of a viewable output digital image. It provides an invaluable insight into the connections between imaging science and photographic practice and is intended for use by both graduate students and established researchers. In this updated and expanded new edition, the material has been re-organised and extensively rewritten and the figures have been enhanced.

Author: Kelley Elizabeth Wilder
Publisher: Reaktion Books
ISBN:
Category : Art and science
Languages : en
Pages : 148

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Book Description
How do we know what an amoeba looks like? How can doctors see the details of our skeletons and internal organs? All of these things are made possible through the innovations of photography. The author provides a primer on the applications of photography to science as she explores the multiple facets of this complex relationship.

Author: Andrew Dewdney
Publisher: MIT Press
ISBN: 1912685817
Category : Photography
Languages : en
Pages : 276

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Book Description
Why we must forget photography and reject the frame of reality it prescribes and delineates. The central paradox this book explores is that at the moment of photography's replacement by the algorithm and data flow, photographic cultures proliferate as never before. The afterlife of photography, residual as it may technically be, maintains a powerful cultural and representational hold on reality, which is important to understand in relationship to the new conditions. Forgetting photography is a strategy to reveal the redundant historicity of the photographic constellation and the cultural immobility of its epicenter. It attempts to liberate the image from these historic shackles, forged by art history and photographic theory. More important, perhaps, forgetting photography also entails rejecting the frame of reality it prescribes and delineates, and in doing so opens up other relationships between bodies, times, events, materials, memory, representation and the image. Forgetting photography attempts to develop a systematic method for revealing the limits and prescriptions of thinking with photography, which no amount of revisionism of post-photographic theory can get beyond. The world urgently needs to unthink photography and go beyond it in order to understand the present constitution of the image as well as the reality or world it shows. Forgetting photography will require a different way of organizing knowledge about the visual in culture that involves crossing different knowledges of visual culture, technologies, and mediums. It will also involve thinking differently about routine and creative labor and its knowledge practices within the institutions and organization of visual reproduction.

Author: Felice Frankel
Publisher: MIT Press
ISBN: 9780262062251
Category : Photography
Languages : en
Pages : 350

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Book Description
A complete guide to the creation of compelling science photographs.

Author: Tomás Dvo?ák
Publisher: Technicities
ISBN: 9781474478816
Category :
Languages : en
Pages : 312

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Book Description
These essays address the epistemological, aesthetic and political implications of scale in both scholarly and artistic work. From the mass image in vernacular culture to transformations of photography in contexts of big data and artificial intelligence, they explore the massification of photography.

Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 628

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Book Description
Vols. for 1853- include the transactions of the Royal Photographic Society of Great Britain.

Author:
Publisher:
ISBN:
Category : Photography
Languages : en
Pages : 344

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Book Description

Author: John Hannavy
Publisher: Routledge
ISBN: 1135873267
Category : Photography
Languages : en
Pages : 1630

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Book Description
The Encyclopedia of Nineteenth-Century Photography is the first comprehensive encyclopedia of world photography up to the beginning of the twentieth century. It sets out to be the standard, definitive reference work on the subject for years to come. Its coverage is global – an important ‘first’ in that authorities from all over the world have contributed their expertise and scholarship towards making this a truly comprehensive publication. The Encyclopedia presents new and ground-breaking research alongside accounts of the major established figures in the nineteenth century arena. Coverage includes all the key people, processes, equipment, movements, styles, debates and groupings which helped photography develop from being ‘a solution in search of a problem’ when first invented, to the essential communication tool, creative medium, and recorder of everyday life which it had become by the dawn of the twentieth century. The sheer breadth of coverage in the 1200 essays makes the Encyclopedia of Nineteenth-Century Photography an essential reference source for academics, students, researchers and libraries worldwide.