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Author: Storm Jameson
Publisher: A&C Black
ISBN: 144820254X
Category : Fiction
Languages : en
Pages : 278
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Book Description
In The Journal of Mary Hervey Russell, Storm Jameson has chosen a form which enables her to use a rich supply both of public occurrences and personal knowledge and experience for the exercise of that imaginative observation which is characteristic of her best work. Whether she describes a chance meeting in Paris with a new French poet, or the reaction of delegates at the international conference of authors on the very eve of war, or her association with innumerable refugee intellectuals in London before and after Dunkirk; whether she is drawing one of her many astute comparisons between her own compatriots and some other people - generally the French - or comforting the wife of an Austrian professor just swept into internment, or bearing with the cynicism of some diplomat at the luncheon, she brings before us a panorama rather than a scene or an incident. But the real human interest of the book is the thread of her own life running through it, revealing in little intimate flashes, sometimes a reminiscence of childhood, sometimes a delicately drawn portrait, like that of her father, the old sea captain, and throughout the story the visionary presence of the mother who for her has never ceased to live.
Author: Storm Jameson
Publisher: A&C Black
ISBN: 144820254X
Category : Fiction
Languages : en
Pages : 278
Get Book Here
Book Description
In The Journal of Mary Hervey Russell, Storm Jameson has chosen a form which enables her to use a rich supply both of public occurrences and personal knowledge and experience for the exercise of that imaginative observation which is characteristic of her best work. Whether she describes a chance meeting in Paris with a new French poet, or the reaction of delegates at the international conference of authors on the very eve of war, or her association with innumerable refugee intellectuals in London before and after Dunkirk; whether she is drawing one of her many astute comparisons between her own compatriots and some other people - generally the French - or comforting the wife of an Austrian professor just swept into internment, or bearing with the cynicism of some diplomat at the luncheon, she brings before us a panorama rather than a scene or an incident. But the real human interest of the book is the thread of her own life running through it, revealing in little intimate flashes, sometimes a reminiscence of childhood, sometimes a delicately drawn portrait, like that of her father, the old sea captain, and throughout the story the visionary presence of the mother who for her has never ceased to live.
Author: Storm Jameson
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Jennifer Birkett
Publisher: OUP Oxford
ISBN: 0191567892
Category : Literary Criticism
Languages : en
Pages : 460
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Book Description
From her childhood in Whitby to her long old age in Cambridge, the life of Margaret Storm Jameson (1891-1986), novelist, autobiographer, and political activist, spanned almost the whole of the twentieth century. A self-styled Little Englander by nature, and European by nurture, equally at home, or out of place, in the North Yorkshire moors and seascape of her birth, metropolitan London, rural France, and the capitals of Central Europe, she wrote of country, cities and the exile from both with equal knowledge and sympathy. Out of the changing landscapes of her present, she fashioned her vision of the future. The title of her autobiography, Journey from the North, is a simultaneous evocation and erasure of nostalgia for lost commonality, and in her long life as writer and activist, President of wartime PEN (the association of Poets, Essayist, Novelists) committed to the values of freedom and social justice, she fought to reconcile the conflicting forms of emergent modernity. Her own journey is the generic experience of twentieth-century Britain, and the England she urges on her contemporaries is one that shares the life and mind of Europe. The present book traces the history of that shared experience. It recovers, through her writing, the aspirations and the disappointments of the generation of socialists that was Class 1914. The soldiers returning from the front in 1918, to unemployment and the General Strike of 1926, fight in 1940 alongside Frenchmen, and against Germans, who are victims of the same system: class conflict, nationalist rivalries, imperialist ambition, all for Jameson have the same defining economic horizon. At the end of the odyssey the stark alternatives take shape: Washington or Moscow, the madness of American capitalism, or the oppression of Stalinist Communism. Alongside the narrative of Jameson's life, and the experiences as daughter, wife, and mother that shaped her personality and her career, the book explores her concern with issues of culture and society, cultural memory, and cultural landscapes, her fascination with aesthetic form and the relation of writing to politics, her insight into the materiality of words, and her persistent probing of the nature of the writing subject. It draws on unpublished archive material and brings new research on neglected areas of cultural history into conjunction with literary-critical analyses of Jameson's novels and studies of her journalism and essays. There is an extensive Bibliography of her work.
Author: Andrew Radford
Publisher: Springer Nature
ISBN: 3030727661
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
This book scrutinizes a range of relatively overlooked post-WWII British women writers who sought to demonstrate that narrative prose fiction offered rich possibilities for aesthetic innovation. What unites all the primary authors in this volume is a commitment to challenging the tenets of British mimetic realism as a literary and historical phenomenon. This collection reassesses how British female novelists operated in relation to transnational vanguard networking clusters, debates and tendencies, both political and artistic. The chapters collected in this volume enquire, for example, whether there is something fundamentally different (or politically dissident) about female experimental procedures and perspectives. This book also investigates the processes of canon formation, asking why, in one way or another, these authors have been sidelined or misconstrued by recent scholarship. Ultimately, it seeks to refine a new research archive on mid-century British fiction by female novelists at least as diverse as recent and longer established work in the domain of modernist studies.
Author: P. Lassner
Publisher: Springer
ISBN: 0230503780
Category : Literary Criticism
Languages : en
Pages : 304
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Book Description
In British Women Writers of World War II , Phyllis Lassner offers a challenging analysis of politicized literature in which such British women writers as Virginia Woolf, Elizabeth Bowen, Stevie Smith and Storm Jameson debated the `justness' of World War II. Lassner questions prevailing approaches to women's war writing by exploring the complex range of pacifist and activist literary forms of women who redefined such pieties as patriotism and duty and heroism and victimization.
Author: Elizabeth Maslen
Publisher: Northwestern University Press
ISBN: 0810167670
Category : Biography & Autobiography
Languages : en
Pages : 494
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Book Description
Margaret Storm Jameson (1891–1986) is primarily known as a compelling essayist; her stature as a novelist and champion of the dispossessed is largely forgotten. In Life in the Writings of Storm Jameson, Elizabeth Maslen reveals a figure who held her own beside fellow British women writers, including Virginia Woolf; anticipated the Angry Young Women, such as Doris Lessing; and was an early champion of such European writers as Arthur Koestler and Czesław Miłosz. Jameson was a complex character whose politics were grounded in social justice; she was passionately antifascist—her novel In the Second Year (1936) raised the alarm about Nazism—but always wary of communism. An eloquent polemicist, Jameson was, as president of the British P.E.N. during the 1930s and 1940s, of invaluable assistance to refugee writers. Elizabeth Maslen’s biography introduces a true twentieth century hedgehog, whose essays and subtly experimental fiction were admired in Europe and the States.
Author: Storm Jameson
Publisher: A&C Black
ISBN: 1448201756
Category : Biography & Autobiography
Languages : en
Pages : 500
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Book Description
The second volume in Storm Jameson s autobiography starts on the eve of the Second World War, and encompasses Jameson's involvement as the first female president of PEN, where she met all of the writers and artists of her day, and was pivotal in helping refugee families get to Britain.
Author: Deirdre David
Publisher: OUP Oxford
ISBN: 0191655058
Category : Biography & Autobiography
Languages : en
Pages : 424
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Book Description
Olivia Manning: A Woman at War is the first literary biography of the twentieth-century novelist Olivia Manning. It tells the story of a writer whose life and work were shaped by her own fierce ambition, and, like many of her generation, the events and aftermath of the Second World War. From the time she left Portsmouth for London in the mid-1930s determined to become a famous writer, through her wartime years in the Balkans and the Middle East, and until her death in London in 1980, Olivia Manning was a dedicated and hard-working author. Married to a British Council lecturer stationed in Bucharest, Olivia Manning arrived in Romania on the 3rd September 1939, the fateful day when Allied forces declared war on Germany. For the duration of World War Two, she kept one step ahead of invading German forces as she and her husband fled Romania for Greece, and then Greece for the Middle East, where they stayed until the end of the war. These tumultuous wartime years are the subject of her best-known and most transparently autobiographical novels, The Balkan Trilogy and The Levant Trilogy. Olivia Manning refused to be labelled a 'feminist,' but her novels depict with cutting insight and sardonic wit the marginal position of women striving for independent identity in arenas frequently controlled by men, whether on the frontlines of war or in the publishing world of the 1950s. However, she did not just write about World War Two and women's lives. Amongst other things, Manning published fiction about making do in Britain's post-war Age of Austerity, about desecration of the environment through uncontrolled development, and about the painful adjustment to post-war British life for young men. As the author of thirteen published novels, two volumes of short stories, several works of non-fiction, and a regular reviewer of contemporary fiction, she was a visible presence on the British literary scene throughout her life and her work provides a detailed insight into the period. Grounded in thorough research and enriched by discussion of previously unexamined manuscripts and letters, Olivia Manning: A Woman at War is a timely study of Olivia Manning's remarkable life. Deirdre David integrates incisive critical analysis of Manning's writing with extensive discussion of the historical contexts of her fiction.
Author: Kristin Bluemel
Publisher: Edinburgh University Press
ISBN: 0748688560
Category : Literary Criticism
Languages : en
Pages : 399
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Book Description
This collection of original critical essays, newly available in paperback, launches an ambitious, long-term project marking out a new period and style in twentieth-century literary history.
Author: Ralf Schneider
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110422468
Category : Literary Criticism
Languages : en
Pages : 540
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Book Description
The First World War has given rise to a multifaceted cultural production like no other historical event. This handbook surveys British literature and film about the war from 1914 until today. The continuing interest in World War I highlights the interdependence of war experience, the imaginative re-creation of that experience in writing, and individual as well as collective memory. In the first part of the handbook, the major genres of war writing and film are addressed, including of course poetry and the novel, but also the short story; furthermore, it is shown how our conception of the Great War is broadened when looked at from the perspective of gender studies and post-colonial criticism. The chapters in the second part present close readings of important contributions to the literary and filmic representation of World War I in Great Britain. All in all, the contributions demonstrate how the opposing forces of focusing and canon-formation on the one hand, and broadening and revision of the canon on the other, have characterised British literature and culture of the First World War.
