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Author: Ben Jonson
Publisher: Yale University Press
ISBN: 9780300012590
Category : Drama
Languages : en
Pages : 396
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Book Description
The Renaissance court masque, traditionally an entertainment of music, dancing, pageantry, and spectacular scenic effects was transformed by Ben Jonson into a serious mode of literary expression. Because its flexibility provided a forum for his dramatic imagination, Jonson was able to resolve and transcend the satiric vision that was in many ways the substance of his drama. He instructed as well as applauded his courtly audience and, with the aid of the great theatrical designer Inigo Jones, brought unity to the diverse elements of the masque, infusing them with a moral and poetic life. In early 1969, Yale University Press published The Complete Masques, the first one-volume edition and the most carefully edited and annotated text available. A modernized version, the 576 page Complete Masques includes the faithful reprinting of Jonson’s own glosses and notes, translated and annotated, as well as explanatory notes which offer the most detailed critical commentary ever undertaken. This abridged collection contains the most important of the works included in the large edition, and Mr. Orgel’s introduction which discusses Jonson’s development of the masque in relation to Inigo Jones’s development of the illusionistic stage. Mr. Orgel is associate professor of English at the University of California at Berkeley.
Author: Ben Jonson
Publisher: Yale University Press
ISBN: 9780300012590
Category : Drama
Languages : en
Pages : 396
Get Book Here
Book Description
The Renaissance court masque, traditionally an entertainment of music, dancing, pageantry, and spectacular scenic effects was transformed by Ben Jonson into a serious mode of literary expression. Because its flexibility provided a forum for his dramatic imagination, Jonson was able to resolve and transcend the satiric vision that was in many ways the substance of his drama. He instructed as well as applauded his courtly audience and, with the aid of the great theatrical designer Inigo Jones, brought unity to the diverse elements of the masque, infusing them with a moral and poetic life. In early 1969, Yale University Press published The Complete Masques, the first one-volume edition and the most carefully edited and annotated text available. A modernized version, the 576 page Complete Masques includes the faithful reprinting of Jonson’s own glosses and notes, translated and annotated, as well as explanatory notes which offer the most detailed critical commentary ever undertaken. This abridged collection contains the most important of the works included in the large edition, and Mr. Orgel’s introduction which discusses Jonson’s development of the masque in relation to Inigo Jones’s development of the illusionistic stage. Mr. Orgel is associate professor of English at the University of California at Berkeley.
Author: Stephen Orgel
Publisher:
ISBN:
Category : Great Britain
Languages : en
Pages : 248
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Book Description
Author: Stephen Orgel
Publisher: Cambridge, Harvard University Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 240
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Book Description
Author: Naomi Andre
Publisher: University of Illinois Press
ISBN: 0252093895
Category : Music
Languages : en
Pages : 306
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Book Description
Blackness in Opera critically examines the intersections of race and music in the multifaceted genre of opera. A diverse cross-section of scholars places well-known operas (Porgy and Bess, Aida, Treemonisha) alongside lesser-known works such as Frederick Delius's Koanga, William Grant Still's Blue Steel, and Clarence Cameron White's Ouanga! to reveal a new historical context for re-imagining race and blackness in opera. The volume brings a wide-ranging, theoretically informed, interdisciplinary approach to questions about how blackness has been represented in these operas, issues surrounding characterization of blacks, interpretation of racialized roles by blacks and whites, controversies over race in the theatre and the use of blackface, and extensions of blackness along the spectrum from grand opera to musical theatre and film. In addition to essays by scholars, the book also features reflections by renowned American tenor George Shirley. Contributors are Naomi André, Melinda Boyd, Gwynne Kuhner Brown, Karen M. Bryan, Melissa J. de Graaf, Christopher R. Gauthier, Jennifer McFarlane-Harris, Gayle Murchison, Guthrie P. Ramsey Jr., Eric Saylor, Sarah Schmalenberger, Ann Sears, George Shirley, and Jonathan O. Wipplinger.
Author: A. D. Cousins
Publisher: Cambridge University Press
ISBN: 0521513782
Category : Literary Criticism
Languages : en
Pages : 231
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Book Description
This study considers how Jonson threaded his political views into the various literary genres in which he wrote. Renowned scholars offer perspectives on many of Jonson's major works, and together they reassess his political life in Jacobean and Caroline Britain.
Author: David Bevington
Publisher: Cambridge University Press
ISBN: 9780521594363
Category : Drama
Languages : en
Pages : 358
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Book Description
A 1998 collection which takes an alternative look at the courtly masque in early seventeenth-century England.
Author: Ben Jonson
Publisher:
ISBN: 9781849021135
Category : Drama
Languages : en
Pages : 44
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Book Description
A modern edition of two of Ben Jonson's Masques.
Author: Martin Butler
Publisher: Cambridge University Press
ISBN: 110890663X
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Bringing together leading Jonson scholars, Ben Jonson and Posterity provides new insights into this remarkable writer's reception and legacy over four centuries. Jonson was recognised as the outstanding English writer of his day and has had a powerful influence on later generations, yet his reputation is one of the most multifaceted and conflicted for any writer of the early modern period. The volume brings together multiple critical perspectives, addressing book history, the practice of reading, theatrical influence and adaptation, the history of performance, cultural representation in portraiture, film, fiction, and anecdotes to interrogate Jonson's 'myth'. The collection will be of great interest to all Jonson scholars, as well as having a wider appeal among early modern literary scholars, theatre historians, and scholars interested in intertextuality and reception from the Renaissance to the present day.
Author: Ben Jonson
Publisher:
ISBN:
Category :
Languages : en
Pages : 106
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Book Description
Author: Stephen Orgel
Publisher: Univ of California Press
ISBN: 9780520025059
Category : Art
Languages : en
Pages : 116
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Book Description
Presents a study of political theater in the English Renaissance, discussing the differences between a public playhouse and a private, or court theater, and looking at masques and the role of king in the Renaissance court.
