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Author: Julie A. Webber
Publisher: Rowman & Littlefield
ISBN: 1498569854
Category : Political Science
Languages : en
Pages : 345
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Book Description
This edited volume brings together scholars of comedy to assess how political comedy encounters neoliberal themes in contemporary media. Central to this task is the notion of genre; under neoliberal conditions (where market logics motivate most actions) genre becomes “mixed.” Once stable, discreet categories such as comedy, horror, drama and news and entertainment have become blurred so as to be indistinguishable. The classic modern paradigm of comedy/tragedy no longer holds, if it ever did. Moreover, as politics becomes more economic and less moral or normative under neoliberalism, we are able to see new resistance to comedic genres that support neoliberal strategies to hide racial and gender injustice such as unlaughter, ambiguity, and anti-comedy. There is also an increasing interest with comedy as a form of entertainment on the political right following both Brexit in the UK and the election of Trump in the U.S. Several essays confront this conservative comedy and place it in context of the larger humor history of these debates over free speech and political correctness. For comedians too, entry into popular media now follows the familiar neoliberal script of the celebration of self-help with the increasing admonishment of those who fail to win in market terms. Laughter plays an important role in shaming and valorizing (often at the same time!) the precarious subject in the aftermath of global recession. Doubling down on austerity, self-help policies and equivocation in the face of extremist challenges (right and left), politics foils the critical comedian’s attempt to satirize and parody its object. Characterized by ambiguity, mixed genre and the increasing use of anti-humor, political comedy mirrors the social and political world it mocks, parodies and celebrates often with lackluster results suggesting that the joke might be on us, as audiences.
Author: Julie A. Webber
Publisher: Rowman & Littlefield
ISBN: 1498569854
Category : Political Science
Languages : en
Pages : 345
Get Book Here
Book Description
This edited volume brings together scholars of comedy to assess how political comedy encounters neoliberal themes in contemporary media. Central to this task is the notion of genre; under neoliberal conditions (where market logics motivate most actions) genre becomes “mixed.” Once stable, discreet categories such as comedy, horror, drama and news and entertainment have become blurred so as to be indistinguishable. The classic modern paradigm of comedy/tragedy no longer holds, if it ever did. Moreover, as politics becomes more economic and less moral or normative under neoliberalism, we are able to see new resistance to comedic genres that support neoliberal strategies to hide racial and gender injustice such as unlaughter, ambiguity, and anti-comedy. There is also an increasing interest with comedy as a form of entertainment on the political right following both Brexit in the UK and the election of Trump in the U.S. Several essays confront this conservative comedy and place it in context of the larger humor history of these debates over free speech and political correctness. For comedians too, entry into popular media now follows the familiar neoliberal script of the celebration of self-help with the increasing admonishment of those who fail to win in market terms. Laughter plays an important role in shaming and valorizing (often at the same time!) the precarious subject in the aftermath of global recession. Doubling down on austerity, self-help policies and equivocation in the face of extremist challenges (right and left), politics foils the critical comedian’s attempt to satirize and parody its object. Characterized by ambiguity, mixed genre and the increasing use of anti-humor, political comedy mirrors the social and political world it mocks, parodies and celebrates often with lackluster results suggesting that the joke might be on us, as audiences.
Author: Milan Kundera
Publisher: Harper Collins
ISBN: 006099505X
Category : Fiction
Languages : en
Pages : 340
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Book Description
All too often, this brilliant novel of thwarted love and revenge miscarried has been read for its political implications. Now, a quarter century after The Joke was first published and several years after the collapse of the Soviet-imposed Czechoslovak regime, it becomes easier to put such implications into perspective in favor of valuing the book (and all Kundera 's work) as what it truly is: great, stirring literature that sheds new light on the eternal themes of human existence. The present edition provides English-language readers an important further means toward revaluation of The Joke. For reasons he describes in his Author's Note, Milan Kundera devoted much time to creating (with the assistance of his American publisher-editor) a completely revised translation that reflects his original as closely as any translation possibly can: reflects it in its fidelity not only to the words and syntax but also to the characteristic dictions and tonalities of the novel's narrators. The result is nothing less than the restoration of a classic.
Author: Todd McGowan
Publisher: Northwestern University Press
ISBN: 0810135825
Category : Philosophy
Languages : en
Pages : 326
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Book Description
Only a Joke Can Save Us presents an innovative and comprehensive theory of comedy. Using a wealth of examples from high and popular culture and with careful attention to the treatment of humor in philosophy, Todd McGowan locates the universal source of comedy in the interplay of the opposing concepts lack and excess. After reviewing the treatment of comedy in the work of philosophers as varied as Aristotle, G. W. F. Hegel, Sigmund Freud, Henri Bergson, and Alenka Zupancic, McGowan, working in a psychoanalytic framework, demonstrates that comedy results from the deployment of lack and excess, whether in contrast, juxtaposition, or interplay. Illustrating the power and flexibility of this framework with analyses of films ranging from Buster Keaton and Marx Brothers classics to Dr. Strangelove and Groundhog Day, McGowan shows how humor can reveal gaps in being and gaps in social order. Scholarly yet lively and readable, Only a Joke Can Save Us is a groundbreaking examination of the enigmatic yet endlessly fascinating experience of humor and comedy.
Author: Gordon Korman
Publisher: Apple
ISBN: 9780590255226
Category : Juvenile Fiction
Languages : en
Pages : 198
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Book Description
Just as the Headmaster of Macdonald Hall is on the verge of retirement, a wave of practical jokes hits the school, and roommates Bruno and Boots become prime suspects.
Author: McSweeney's
Publisher: Vintage
ISBN: 030738733X
Category : Humor
Languages : en
Pages : 226
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Book Description
A hilarious collection of the best book-related humor from the humor-laden archives of McSweeney's Internet Tendency. As John Hodgman says in this book's introduction, “We all know that books are funny. First, they are made of paste and cloth, which is funny, as is the fact that people still buy and read them.” Open McSweeney's Joke Book of Book Jokes and be regaled by such sketches, lists, letters, and spoofs as: Postcards from James Joyce to his Brother Stan Winnie-the-Pooh is My Coworker Ikea Product or Lord of the Rings Character? Popular Children's Fairy Tales Reimagined Using Members of My Family The Very Unauthorized Biography of Steven Seagal Chuck Norris Erotica John Updike, Television Writer Jane Eyre Runs for President Cormac McCarthy Writes to the Editor of the Santa Fe New Mexican Holden Caulfield Gives the Commencement Speech to a High School Letters from Odysseus's College Roommate And many dozens more.
Author: Ralph Steadman
Publisher: Houghton Mifflin Harcourt
ISBN: 9780151012824
Category : Art
Languages : en
Pages : 460
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Book Description
A rollicking, no-holds-barred memoir, "The Jokes Over" is the definitive inside story of Hunter S. Thompson and the Gonzo years.
Author: Gordon Korman
Publisher: Scholastic Canada
ISBN: 9780439967211
Category : Boarding schools
Languages : en
Pages : 179
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Book Description
There is nothing new about practical jokes at Macdonald Hall. The latest round includes water in the swimming pool being turnedblue, the statue of Sir John A. getting a snazzy new outfit, and extra soap being snuck into the dishwasher just for fun. Of course, all fingers point to the usual suspects – Bruno Walton and Boots O'Neal. The funny thing – they are not the ones pulling the pranks this time! But they are unsure just who the new prankster is, and they have to prove they're innocent before they get expelled.
Author: Daniella Burr
Publisher:
ISBN: 9780590995528
Category : Juvenile Nonfiction
Languages : en
Pages : 84
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Book Description
A collection of jokes and riddles about the weird figures living in Bailey City.
Author: Mark Romel
Publisher: Magus Books
ISBN:
Category : Psychology
Languages : en
Pages : 877
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Book Description
Salman Rushdie wrote, "DC: Washington is being taken over by DC: Comics." The world is increasingly understood as a comic story, involving superheroes and supervillains. Confusingly, they are often one and the same. Donald Trump is the superhero for conservatives and the supervillain for liberals. Heroes and villains are now shapeshifters. They no longer reflect a common narrative. Their heroism or villainy depends on where you stand in the culture wars. Next time you go to watch a superhero movie, imagine what it would be like if the superhero kept "flickering" into his opposite – the supervillain. Would you be able to follow the story? Whom would you be rooting for? Wouldn't the plot be all over the place? You wouldn't understand anyone's motivation. The story would be pure chaos. Welcome to the Cosmic Jest. Read this book if you don't want the joke to be on you.
Author: Nick Butler
Publisher: Policy Press
ISBN: 1529232546
Category : Social Science
Languages : en
Pages : 187
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Book Description
We’re accustomed to seeing humour as a diversion from the serious side of life, but humour also permeates some of the most troubling political developments in recent years. From the resurgence of white nationalism to the erosion of democratic norms, jokes force-feed us objectionable ideologies while we gasp and splutter at all the side-splitting shenanigans. This book explores the relationship between humour and offensiveness in contemporary society. Drawing on examples from philosophical thinkers and popular culture, it invites readers to consider the dark side of humour. Weaving together cultural analysis, political discussion and philosophical reflection, the book provides an antidote to positive thinking about laughter and a roadmap for navigating different types of offensive humour.
