The Jig of Forslin A Symphony PDF Download
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Author: Conrad Aiken
Publisher: Branden Books
ISBN:
Category :
Languages : en
Pages : 84
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Book Description
Author: Conrad Aiken
Publisher: Branden Books
ISBN:
Category :
Languages : en
Pages : 84
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Book Description
Author: Conrad Aiken
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 146
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Author: Conrad Aiken
Publisher:
ISBN:
Category :
Languages : en
Pages : 79
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Author: Conrad Aiken
Publisher: Scholar's Choice
ISBN: 9781297166785
Category :
Languages : en
Pages : 128
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Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Alan Shockley
Publisher: Routledge
ISBN: 1351557289
Category : Music
Languages : en
Pages : 201
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Book Description
There is a strong tradition of literary analyses of the musical artwork. Simply put, all musicology - any writing about music - is an attempt at making analogies between what happens within the world of sound and language itself. This study considers this analogy from the opposite perspective: authors attempting to structure words using musical forms and techniques. It's a viewpoint much more rarely explored, and none of the extant studies of novelists' musical techniques have been done by musicians. Can a novel follow the form of a symphony and still succeed as a novel? Can musical counterpoint be mimicked by words on a page? Alan Shockley begins looking for answers by examining music's appeal for novelists, and then explores two brief works, a prose fugue by Douglas Hofstadter, and a short story by Anthony Burgess modeled after a Mozart symphony. Analyses of three large, emblematic attempts at musical writing follow. The much debated 'Sirens' episode of James Joyce's Ulysses, which the author famously likened to a fugue, Burgess' largely ignored Napoleon Symphony: A Novel in Four Movements, patterned on Beethoven's Eroica, and Joyce's Finnegans Wake, which Shockley examines as an attempt at composing a fully musicalized language. After these three larger analyses, Shockley discusses two quite recent brief novels, William Gaddis' novella Agap?gape and David Markson's This is not a novel, proposing that each of these confounding texts coheres elegantly when viewed as a musically-structured work. From the perspective of a composer, Shockley offers the reader fresh tools for approaching these dense and often daunting texts.
Author: Conrad Aiken
Publisher: Theclassics.Us
ISBN: 9781230216492
Category :
Languages : en
Pages : 22
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Book Description
This historic book may have numerous typos and missing text. Purchasers can usually download a free scanned copy of the original book (without typos) from the publisher. Not indexed. Not illustrated. 1916 edition. Excerpt: ... And laughter of virgins; I blew the light, And followed her, heedless of the ending, Into the carnival of that night. Make haste, beloved! the night passes, The day breaks, the cock crows, Mist slinks away in the sunlight, And the thin blood drips from the rose. Black stallions rushed us through the air, Their hooves upon the wind struck fire; Rivers, and hills, and a moonlit spire Glided beneath us, and then a flare Of gusty torches beckoned us down To a palace-gate in a darkened town. She took my hand and led me in Through walls of basalt and walls of jade, And I wondered, to hear a violin Sweetly within that marble played. I heard it sing, a wandering tone, Imprisoned forever in that deep stone. And then upon a coach we lay. And heard invisible spirits play A ghostly music; the candles muttered, Rose-leaves trembled upon the floor, Lay still, or rose on the air and fluttered; And while the moon went dwindling down Poisoning with black web the skies, She narrowed her eyelids, and fixed her eyes, Fiercely upon me; and searched me so With speeding fire in every shred That I, consumed with a witching glow, Knew scarcely if I were alive or dead: But lay upon her breast, and kissed The deep red mouth, and drank the breath, And heard it gasping, how it hissed To mimic the ecstasy of death. Above us in a censer burning Was dust of lotos-flowers, and there Ghosts of smoke were ever turning, And gliding along the sleepy air, And reaching hands, and showing faces, Or coiling slowly like blue snakes, To charm us moveless in our places... But then she softly raised her head And smiled through brooding eyes, and said 'O lover, I have seen you twice. You changed my veins to veins of ice. The first time, it was Easter Eve, --By the church door you..
Author: Harriet Monroe
Publisher:
ISBN:
Category : American poetry
Languages : en
Pages : 386
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Book Description
Author: James Grant Wilson
Publisher:
ISBN:
Category : America
Languages : en
Pages : 918
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Book Description
Author: Conrad Aiken
Publisher: Forgotten Books
ISBN: 9780332653228
Category : Poetry
Languages : en
Pages : 128
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Book Description
Excerpt from The Jig of Forslin: A Symphony As far as the technique of the verse is concerned, the harmony and counterpoint, if I may use the terms in a general sense, - it has been governed as much, al ways, by consideration of the whole as of the part. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Sherrill E. Grace
Publisher: UBC Press
ISBN: 0774843454
Category : Literary Criticism
Languages : en
Pages : 170
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Book Description
Sherrill Grace shows how Malcolm Lowry's theme of a cyclical pattern of initiation, repeated ordeals with failure and retreat, followed by success and development, which in turn gave way to fresh defeat, influenced the structure, narrative style, and the symbolic pattern in his writing. The author also includes an appendix in which she examines the elements of Conrad Aiken's fiction and prose that had a significant impact on Lowry's work.
