The Jazz Musician's Guide to Creative Practicing PDF Download
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Author: David Berkman
Publisher:
ISBN:
Category :
Languages : en
Pages : 262
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Book Description
Author: David Berkman
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 170
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Book Description
Author: David Berkman
Publisher:
ISBN:
Category :
Languages : en
Pages : 262
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Book Description
Author: PETER SPITZER
Publisher: Mel Bay Publications
ISBN: 1619115182
Category : Music
Languages : en
Pages : 136
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Book Description
Jazz Theory Handbook is a complete guide to all the essential topics of jazz theory, suitable for all treble instruments. Its approach is clear and concise,realistic and practical. This book will help you to understand how contemporaryjazz players think, and to apply theory concepts in your own playing. Subjects are introduced progressively, with each new one based on those introduced before. Topics include chord building, harmonic movement, modes, II-V-I licks, polychords, blues, rhythm changes, how to learn tunes, practice techniques,playing outside, and more. All of the book's musical examples are performed on the accompanying audio, along with sample solos and 3 play-along tracks with a great rhythm section. Jazz Theory Handbook is designed for both self- study andclassroom use. Audio download available online
Author: David Berkman
Publisher:
ISBN: 9781883217792
Category : Chords (Music)
Languages : en
Pages : 206
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Book Description
This book teaches the ideas behind adding chords to melodies. It begins with basic chords and progressions, and moves to more complex ideas. With an introduction and two appendices. Two CDs of additional material.
Author: Jeb Patton
Publisher:
ISBN: 9780997661750
Category :
Languages : en
Pages :
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Book Description
All the information needed to become a functional jazz pianist
Author: Kenny Werner
Publisher: Alfred Music
ISBN: 9781562240035
Category : Music
Languages : en
Pages : 192
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Book Description
My story -- Why do we play? -- Beyond limited goals -- Fear, the mind and the ego -- Fear-based practicing -- Teaching dysfunctions: fear-based teaching -- Hearing dysfunctions: fear-based listening -- Fear-based composing -- "The space"--"There are no wrong notes" -- Meditation #1 -- Effortless mastery -- Meditation #2 -- Affirmations -- The steps to change -- Step one -- Step two -- Step three -- Step four -- An afterthought -- I am great, I am a master -- Stretching the form -- The spiritual (reprise) -- One final meditation.
Author: Andy McWain
Publisher: Fuller Street Music & Media
ISBN:
Category : Music
Languages : en
Pages : 114
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Book Description
Thirty-Six Jazz Practice Ideas to Get the Most from Your Real Book You may know about the REAL BOOK, but what you probably don’t know is how much MUSICAL PROGRESS can be accomplished with only a single fake book! Don’t know what to practice? Don’t want to waste valuable time? Based on years of university-level teaching, the author of this book gives jazz musicians: Simple, focused melodic, harmonic, and rhythmic strategies on how to use their limited practicing time more efficiently Easy-to-understand practice ideas for any jazz musician to apply over any real book tunes A blueprint of improvisation tips to avoid the pitfalls of directionless practicing Here’s the beginner/intermediate jazz strategy list you’ve never seen before: Thirty-six actionable melodic ideas, harmonic ideas, rhythmic and metric tips, ear training exercises, and basic arranging and composition blueprints, and more… Do you know why many young musicians fail? Why intermediate-level musicians get stuck? Do you feel like the secrets of WHAT and HOW to practice jazz improvisation are out of your reach? Do you want to really deepen your connection to the music you play? Sometimes jazz musicians want to get better, but don’t always know how — even with the help of a teacher. These thirty-six jazz practice ideas cover a wide range of modern jazz improvisation strategies, presented in clear topic chapters to provide the most effective results for beginner and intermediate players. You want to know what to practice? Any real book or fake book tune. Okay, now what? Choose one or more of these 36 actionable practice ideas and make real progress with your musical abilities: improvisation and soloing, ear training, connecting harmony, and more. For jazz piano, jazz guitar, jazz saxophone, jazz trumpet, jazz bass, jazz voice, jazz trombone, jazz drums, and all other improvising instruments.
Author: Scott D. Reeves
Publisher: Prentice Hall
ISBN: 9780131776395
Category : Improvisation (Music)
Languages : en
Pages : 0
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Book Description
This well-organized book combines all of the techniques that jazz musicians practice into a comprehensive whole. It covers practice patterns and scales in all keys and tempos, transcribing solos of master improvisers, learning the jazz repertoire, and playing with other musicians. Chapter topics include how to practice, creatively improvise, and teach improvisation; major innovators; important contributors; women in jazz; chord substitutions; scales; and form. Each chapter also contains theory and ear exercises. Applicable to any instrument-or a classroom of varied instruments-this book is for jazz students and professionals at all levels of proficiency.
Author: Chad West
Publisher: Oxford University Press, USA
ISBN: 0190462574
Category : Education
Languages : en
Pages : 297
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Book Description
Written by an experienced and diverse lineup of veteran jazz educators, Teaching School Jazz presents a comprehensive approach to teaching beginning through high school-level jazz. Thoroughly grounded in the latest research, chapters are supported by case studies woven into the narrative. The book therefore provides not only a wealth of school jazz teaching strategies but also the perspectives and principles from which they are derived. The book opens with a philosophical foundation to describe the current landscape of school jazz education. Readers are introduced to two expert school jazz educators who offer differing perspectives on the subject. The book concludes with an appendix of recommended audio, visual, digital, and written resources for teaching jazz. Accompanied by a website of playing exercises and audio examples, the book is invaluable resource for pre- and in-service music educators with no prior jazz experience, as well as those who wish to expand their knowledge of jazz performance practice and pedagogy.
Author: Jerry Coker
Publisher: Alfred Music
ISBN: 9781562240523
Category : Music
Languages : en
Pages : 64
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Book Description
Why do musicians choose jazz Improvisation as an outlet for creativity? Why are we creating this music and who are we creating it for? All you need is a little information. This book explores the "hows, whats, and whys" of practice, performance, technique, and musicianship. Sometimes, it only takes a nudge to move your playing to the next level. Master Jazz Educator Jerry Coker has put together this wonderfully-structured text summarizing several important topics regarding jazz and jazz improvisatio---giving us all that much needed nudge. 6"x9" paperback. Features: Jazz Study Preparation * Achieving Maximum Results * Vehicle / Tune Types * Instrumental Techniques and Tone * Scales and Keyboard Activities * Listening and Ear Training * Teaching Jazz * Repertoire * and much more. "Jerry Coker's Creative Nudge is an HGH (human growth harmone) for jazz musicians---only legal and void of dangerous side effects. It is an improviser's steroid that stimulates artistic growth by refocusing energy into specific areas of study and practice. Coker speaks candidly to all jazz musicians---from beginners to advanced players---in a manner that is structured, but not pedantic---conversational, yet impassioned. Its 63 pages contain wisdom gleaned by a life dedicated to and enriched by jazz improvisation." ---Steve Crews, master Jazz Pianist and member of the Jamey Aebersold Jazz Quartet "I'm all of one chapter into this pamphlet and am blown away by the positive nature of Coker's outlook. I am so glad I bought this and cannot put it down!" ---Rick Schrenker, Jamey Aebersold Jazz customer from Massachussetts "I love your new book! I just read it and really identified with much of the book---particularly "melodies and tunes in my head" all day and night. I have also always felt that the pinnacle of playing is not a performance but the practicing. I get a lot more pleasure practicing that I do performing---often because it's my escape into a
