The Italian Romance Epic in the Age of Humanism PDF Download
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Author: Jane E. Everson
Publisher: OUP Oxford
ISBN: 9780198160151
Category : Literary Criticism
Languages : en
Pages : 410
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Book Description
The romance or chivalric epic was the most popular form of literature in Renaissance Italy. This book shows how it owed its appeal to a successful fusion of traditional, medieval tales of Charlemagne and Arthur with the newer cultural themes developed by the revival in classical antiquity that constitutes the key to Renaissance culture.
Author: Jane E. Everson
Publisher: OUP Oxford
ISBN: 9780198160151
Category : Literary Criticism
Languages : en
Pages : 410
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Book Description
The romance or chivalric epic was the most popular form of literature in Renaissance Italy. This book shows how it owed its appeal to a successful fusion of traditional, medieval tales of Charlemagne and Arthur with the newer cultural themes developed by the revival in classical antiquity that constitutes the key to Renaissance culture.
Author: Jane E. Everson
Publisher:
ISBN: 9780191716386
Category : Epic literature, Italian
Languages : en
Pages : 386
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Book Description
The romance of chivalric epic was the most popular form of literature in Renaissance Italy. This book shows how it owed its appeal to a successful fusion of traditional, medieval tales with the newer cultural themes
Author: Jo Ann Cavallo
Publisher: University of Toronto Press
ISBN: 9780802089151
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
In The Romance Epics of Boiardo, Ariosto, and Tasso, Jo Ann Cavallo attempts a new interpretation of the history of the renaissance romance epic in northern Italy, focusing on the period's three major chivalric poets. Cavallo challenges previous critical assumptions about the trajectory of the romance genre, especially regarding questions of creative imitation, allegory, ideology, and political engagement. In tracing the development of the romance epic against the historical context of the Ferrarese court and the Italian peninsula, Cavallo moves from a politically engaged Boiardo, whose poem promotes the tenets of humanism, to an individualistic Tasso, who opposed the repressive aspects of the counter-reformation culture he is often thought to represent. Ariosto is read from the vantage of his predecessor Boiardo, and Cavallo describes his cynicism and later mellowing attitude toward the real-world relevance of his and Boiardo's fiction. The Romance Epics of Boiardo, Ariosto, and Tasso is the first critical study to bring together the three poets in a coherent vision that maps changes while uncovering continuities.
Author: Gerry Milligan
Publisher: University of Toronto Press
ISBN: 1487517289
Category : Literary Criticism
Languages : en
Pages : 345
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Book Description
The Italian sixteenth century offers the first sustained discussion of women’s militarism since antiquity. Across a variety of genres, male and female writers raised questions about women’s right and ability to fight in combat. Treatise literature engaged scientific, religious, and cultural discourses about women’s virtues, while epic poetry and biographical literature famously featured examples of women as soldiers, commanders, observers, and victims of war. Moral Combat asks how and why women’s militarism became one of the central discourses of this age. Gerry Milligan discusses the armed heroines of biography and epic within the context of contemporary debates over women’s combat abilities and men’s martial obligations. Women are frequently described as fighting because men have failed their masculine duty. A woman’s prowess at arms was asserted to be a cultural symptom of men’s shortcomings. Moral Combat ultimately argues that the popularity of the warrior woman in sixteenth-century Italian literature was due to her dual function of shame and praise: calling men to action and signaling potential victory to a disempowered people.
Author: Deborah Nelson-Campbell
Publisher: Springer
ISBN: 3319607294
Category : Literary Criticism
Languages : en
Pages : 241
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Book Description
This fascinating volume examines the enduring influence of courtly tradition and courtly love, particularly in contemporary popular culture. The ten chapters explore topics including the impact of the medieval troubadour in modern love songs, the legacy of figures such as Tristan, Iseult, Lancelot, Guinevere, and Merlin in modern film and literature, and more generally, how courtly and chivalric conceptions of love have shaped the Western world’s conception of love, loyalty, honor, and adultery throughout history and to this day.
Author: Antony Augoustakis
Publisher: BRILL
ISBN: 9004217118
Category : History
Languages : en
Pages : 534
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Book Description
Only recently have scholars turned their attention to Silius Italicus' Punica, a poem the reputation of which was eclipsed by the emergence of Virgil’s Aeneid as the canonical Latin epos of Augustan Rome. This collection of essays aims at examining the importance of Silius' historical epic in Flavian, Domitianic Rome by offering a detailed overview of the poem's context and intertext, its themes and images, and its reception from antiquity through Renaissance and modern philological criticism. This pioneering volume is the first comprehensive, collaborative study on the longest epic poem in Latin literature.
Author: Beate Kutschke
Publisher: Boydell & Brewer
ISBN: 1783276894
Category : Music
Languages : en
Pages : 303
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Book Description
Reconstructs the socio-political history of the heroic in music through case studies spanning the middle ages to the twenty-first century The first part of this volume reconstructs the various musical strategies that composers of medieval chant, Renaissance madrigals, and Baroque operas, cantatas or oratorios employed when referring to heroic ideas exemplifying their personal moral and political values. A second part investigating the eighteenth and nineteenth centuries expands the previous narrow focus on Beethoven's heroic middle period and the cult of the virtuoso. It demonstrates the wide spectrum of heroic positions - national, ethnic, revolutionary, bourgeois and spiritual - that filtered not only into 'classical' large-scale heroic symphonies and virtuoso solo concerts, but also into chamber music and vernacular dance music. The third part documents the forced heroization of music in twentieth-century totalitarian regimes such as Nazi-Germany and the Soviet Union and its consequences for heroic thinking and musical styles in the time thereafter. Final chapters show how recent rock-folk and avant-garde musicians in North America and Europe feature new heroic models such as the everyday hero and the scientific heroine revealing new confidence in the idea of the heroic.
Author: Selene Scarsi
Publisher: Routledge
ISBN: 131700714X
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Situating itself in a long tradition of studies of Anglo-Italian literary relations in the Renaissance, this book consists of an analysis of the representation of women in the extant Elizabethan translations of the three major Italian Renaissance epic poems (Matteo Maria Boiardo's Orlando Innamorato, Ludovico Ariosto's Orlando Furioso and Torquato Tasso's Gerusalemme Liberata), as well as of the influence of these works on Elizabethan Literature in general, in the form of creative imitation on the part of poets such as Edmund Spenser, Peter Beverley, William Shakespeare and Samuel Daniel, and of prose writers such as George Whetstone and George Gascoigne. The study emphasises the importance of European writers' influence on English Renaissance Literature and raises questions pertaining to the true essence of translation, adaptation and creative imitation, with a specific emphasis on gender issues. Its originality lies in its exhaustiveness, as well as in its focus on the epics' female figures, both as a source of major modifications and as an evident point of interest for the Italian works' 'translatorship'.
Author: Luke Sunderland
Publisher: Oxford University Press
ISBN: 0198788487
Category : History
Languages : en
Pages : 319
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Book Description
Ambivalence towards kings, and other sovereign powers, is deep-seated in medieval culture: sovereigns might provide justice, but were always potential tyrants, who usurped power and 'stole' through taxation. Rebel Barons writes the history of this ambivalence, which was especially acute in England, France, and Italy in the twelfth to fifteenth centuries, when the modern ideology of sovereignty, arguing for monopolies on justice and the legitimate use of violence, was developed. Sovereign powers asserted themselves militarily and economically provoking complex phenomena of resistance by aristocrats. This volume argues that the chansons de geste, the key genre for disseminating models of violent noble opposition to sovereigns, offer a powerful way of understanding acts of resistance. Traditionally seen as France's epic literary monuments - the Chanson de Roland is often presented as foundational of French literature - chansons de geste in fact come from areas antagonistic to France, such as Burgundy, England, Flanders, Occitania, and Italy, where they were reworked repeatedly from the twelfth century to the fifteenth and recast into prose and chronicle forms. Rebel baron narratives were the principal vehicle for aristocratic concerns about tyranny, for models of violent opposition to sovereigns and for fantasies of escape from the Carolingian world via crusade and Oriental adventures. Rebel Barons reads this corpus across its full range of historical and geographical relevance, and through changes in form, as well as placing it in dialogue with medieval political theory, to bring out the contributions of literary texts to political debates. Revealing the widespread and long-lived importance of these anti-royalist works supporting regional aristocratic rights to feud and revolt, Rebel Barons reshapes our knowledge of reactions to changing political realities at a crux period in European history.
Author: Gaetana Marrone
Publisher: Taylor & Francis
ISBN: 1579583903
Category : Italian literature
Languages : en
Pages : 2258
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Book Description
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