The Islamic Ruling on Music and Singing PDF Download
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Author: Abu Bilaal Mustafa al-Kanadi
Publisher: Hussain Rizvi
ISBN: 9787940246026
Category : Education
Languages : en
Pages : 0
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Book Description
The legality of music and singing in the Islamic shari'ah (the divinely-revealed law) is an issue which is hotly debated among individuals and scholars in Islamic societies of our present day. Arriving at the correct view requires unbiased, scholarly research of the available literature which must be supported by authentic, decisive proof.
Author: Abu Bilaal Mustafa al-Kanadi
Publisher: Hussain Rizvi
ISBN: 9787940246026
Category : Education
Languages : en
Pages : 0
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Book Description
The legality of music and singing in the Islamic shari'ah (the divinely-revealed law) is an issue which is hotly debated among individuals and scholars in Islamic societies of our present day. Arriving at the correct view requires unbiased, scholarly research of the available literature which must be supported by authentic, decisive proof.
Author:
Publisher:
ISBN: 9786035002707
Category :
Languages : en
Pages : 288
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Book Description
Author: Ismāʻīl ibn ʻUmar Ibn Kathīr
Publisher: Maktaba Darussalam
ISBN:
Category : Religion
Languages : en
Pages : 732
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Book Description
Author: Yusuf al-Qaradawi
Publisher: The Other Press
ISBN: 9670526000
Category : Islam
Languages : en
Pages : 429
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Book Description
Since its first publication in 1960, this famous work by Yusuf al-Qaradawi has enjoyed a huge readership in the Muslim world, and has been translated into many languages. It dispels the ambiguities surrounding the Sharī‘ah to fulfil the essential needs of the Muslims in this age. It clarifies the ḥalāl (lawful) and why it is ḥalāl, and the ḥarām (prohibited) and why it is ḥarām, referring to the Qur’an and the Sunnah of the Prophet. It answers questions which may face the Muslims today, and refutes the ambiguities and lies about Islam. Dr al-Qaradawi delves into the authentic references in Islamic jurisprudence, extracting judgements of interest to contemporary Muslims in the areas of worship, business dealings, family life, food and drink, dress and ornaments, patterns of behaviour, individual and group relations, family and social ethics, habits and social customs.
Author: Ibn Kathir
Publisher:
ISBN: 9781365530708
Category : Caliphs
Languages : en
Pages : 402
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Book Description
The four Rightly guided Caliphs (Khaliph's) Abu Bakr As-Sideeq, Umar ibn Al-Khattaab, Uthmaan Ibn Affaan and Ali Ibn Abi Taalib. The Biography of Umar Ibn Abdel-Azeez who is regarded as one of the Rightly Guided Khaliphs is also included in this book.
Author: Amnon Shiloah
Publisher: Wayne State University Press
ISBN: 9780814329702
Category : Literary Criticism
Languages : en
Pages : 276
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Book Description
The story of music told in this book begins in pre-Islamic times with musical forms that bear strong imprints of the Bedouin's tribal way of life. Pre-Islamic music can be viewed as the forerunner of the art music that acquired a foothold after the advent of Islam. The history of Arab music then became inextricably entwined with the musical traditions of the conquered lands. The merging of diverse forms into a unique common style marked the advent of the Great Musical Tradition that gained favor throughout an extensive geographical area. By the end of Islam's third century, distinct autonomous styles began to appear involving Persians and Turks in particular.
Author: Kamal Salhi
Publisher: Routledge
ISBN: 1317963091
Category : Social Science
Languages : en
Pages : 349
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Book Description
In contrast to many books on Islam that focus on political rhetoric and activism, this book explores Islam's extraordinarily rich cultural and artistic diversity, showing how sound, music and bodily performance offer a window onto the subtleties and humanity of Islamic religious experience. Through a wide range of case studies from West Asia, South Asia and North Africa and their diasporas - including studies of Sufi chanting in Egypt and Morocco, dance in Afghanistan, and "Muslim punk" on-line - the book demonstrates how Islam should not be conceived of as being monolithic or monocultural, how there is a large disagreement within Islam as to how music and performance should be approached, such disagreements being closely related to debates about orthodoxy, secularism, and moderate and fundamental Islam, and how important cultural activities have been, and continue to be, for the formation of Muslim identity.
Author: Khalid Baig
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 392
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Book Description
What does Islam say about poetry, singing, musical instruments, musicians, and the business of music? What is the truth about the much-publicized "music controversy" in Islam? This book demystifies the issue of music in Islam. More than six hundred references and more than a hundred twenty biographical notes on the authorities quoted add to the value of a discussion that is comprehensive without being boring, and detailed without being confusing. New reprint contains foreword by late Dr. Mahmud Ahmad Ghazi.
Author: Abu Rumasah
Publisher: IslamKotob
ISBN:
Category : God (Islam)
Languages : en
Pages : 250
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Book Description
Author: Ryan Thomas Skinner
Publisher: U of Minnesota Press
ISBN: 1452944415
Category : Social Science
Languages : en
Pages : 215
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Book Description
Bamako Sounds tells the story of an African city, its people, their values, and their music. Centered on the music and musicians of Bamako, Mali’s booming capital city, this book reveals a community of artists whose lives and works evince a complex world shaped by urban culture, postcolonialism, musical expression, religious identity, and intellectual property. Drawing on years of ethnographic research with classically trained players of the kora (a twenty-one-string West African harp) as well as more contemporary, hip-hop influenced musicians and producers, Ryan Thomas Skinner analyzes how Bamako artists balance social imperatives with personal interests and global imaginations. Whether performed live on stage, broadcast on the radio, or shared over the Internet, music is a privileged mode of expression that suffuses Bamako’s urban soundscape. It animates professional projects, communicates cultural values, pronounces public piety, resounds in the marketplace, and quite literally performs the nation. Music, the artists who make it, and the audiences who interpret it thus represent a crucial means of articulating and disseminating the ethics and aesthetics of a varied and vital Afropolitanism, in Bamako and beyond.
