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Author: Paul Badura-Skoda
Publisher:
ISBN:
Category : Embellishment (Music)
Languages : en
Pages : 596
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Book Description
The ever-increasing number of performances of Bach's music is a sign of its enduring vitality. But perhaps no other composer is subject to such a wide diversity of interpretation--assessing the merits of these many interpretations and unravelling the sources and documents on which they are based can be extremely difficult for the modern performer. In this important book, Paul Badura-Skoda draws on forty years of studying and performing Bach to present startling new insights into many different aspects of Bach's music. He looks at rhythm, tempo, articulation, and dynamics; examines the instruments for which Bach's music was intended, and considers problems of sonority. He then discusses ornamentation in depth, analyzing each of the signs and symbols used by Bach, and argues that much of Bach's ornamentation in current performance is monotonous and fails to reflect the actual Baroque style. Sometimes contentious, always stimulating, Badura-Skoda's book conveys a passion for an informed interpretation of Bach's music based on a recognition and respect for Bach's actual intentions. Copiously illustrated with musical examples, the book will take its place as a standard work for all students and performers of Bach's ever-popular keyboard music.
Author: Paul Badura-Skoda
Publisher:
ISBN:
Category : Embellishment (Music)
Languages : en
Pages : 596
Get Book Here
Book Description
The ever-increasing number of performances of Bach's music is a sign of its enduring vitality. But perhaps no other composer is subject to such a wide diversity of interpretation--assessing the merits of these many interpretations and unravelling the sources and documents on which they are based can be extremely difficult for the modern performer. In this important book, Paul Badura-Skoda draws on forty years of studying and performing Bach to present startling new insights into many different aspects of Bach's music. He looks at rhythm, tempo, articulation, and dynamics; examines the instruments for which Bach's music was intended, and considers problems of sonority. He then discusses ornamentation in depth, analyzing each of the signs and symbols used by Bach, and argues that much of Bach's ornamentation in current performance is monotonous and fails to reflect the actual Baroque style. Sometimes contentious, always stimulating, Badura-Skoda's book conveys a passion for an informed interpretation of Bach's music based on a recognition and respect for Bach's actual intentions. Copiously illustrated with musical examples, the book will take its place as a standard work for all students and performers of Bach's ever-popular keyboard music.
Author: Erwin Bodky
Publisher: Franklin Classics Trade Press
ISBN: 9780353241701
Category : History
Languages : en
Pages : 444
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Erwin Bodky
Publisher: Cambridge, Mass. : Harvard University Press
ISBN:
Category : Music
Languages : en
Pages : 450
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Book Description
With scholarship and the musical intuition of practiced performance, the author presents an internal reading of Bach's keyboard works. In the absence of interpretive directions, he seeks for clues to performance in the texture of the music itself, and his readings supply striking evidence that Bach was an accomplished law-breaker whenever tradition threatened to hamper his artistic insights. The eighty years from Bach's death to the year of Mendelssohn's revival of the St. Matthew Passion erased the first-hand knowledge of baroque music. Bach wrote for harpsichord and clavichord, and the interpretive potential of the piano has only obscured the salient characteristics of his work. This book is a welcome revelation of what devotion and skill can recover from the muddle of academics and Romantics. Not afraid to assert his personal convictions, the author points out that "although the problems of dynamics disappear with the solution of the instrument question, those of tempo, ornamentation, and articulation still remain? In our discussions of these problems it seems to us most imperative to separate as clearly as possible what we know to be fact from what is based only on personal interpretation and evaluation." He prefers "to restudy the basic language of Bach's time, with that spirit of humility we owe to its greatness, instead of debating how to adapt his music to the idiom of our contemporary musical conceptions."
Author: George A. Kochevitsky
Publisher: John Deere Publishing
ISBN: 9781577840008
Category : Music
Languages : en
Pages : 108
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Book Description
This text on performing Bach's keyboard music presents in capsule form the various opinions current in late-1990s musicology, approaching controversial questions from a critical point of view.
Author: David Schulenberg
Publisher: U of Nebraska Press
ISBN: 9780803210516
Category : Music
Languages : en
Pages : 242
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Book Description
This volume contains contributions by nine scholars on two broad themes: the analysis of Johann Sebastian Bach?s orchestral works, especially his concertos, and the interpretation and performance of his music in general. The contributors are a diverse group, active in the fields of performance, organology, music theory, and music history. Several work in more than one of these areas, making them particularly well prepared to write on the interdisciplinary themes of the volume. ΓΈ Part 1 includes Alfred Mann?s introduction to Bach?s orchestral music as well as essays by Gregory G. Butler and Jeanne Swack on the Brandenburg Concertos. Part 2 offers ground-breaking articles by John Koster and Mary Oleskiewicz on the harpsichords and flutes of Bach?s day as well as essays by David Schulenberg and William Renwick on keyboard performance practice and the study of fugue in Bach?s circle. Paul Walker explores the relationships between rhetoric and fugue, and John Butt reviews some recent trends in Bach performance.
Author: David Schulenberg
Publisher: Routledge
ISBN: 1136091467
Category : Music
Languages : en
Pages : 534
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Book Description
The Keyboard Music of J.S. Bach provides an introduction to and comprehensive discussion of all the music for harpsichord and other stringed keyboard instruments by Johann Sebastian Bach (1685-1750). Often played today on the modern piano, these works are central not only to the Western concert repertory but to musical pedagogy and study throughout the world. Intended as both a practical guide and an interpretive study, the book consists of three introductory chapters on general matters of historical context, style, and performance practice, followed by fifteen chapters on the individual works, treated in roughly chronological order. The works discussed include all of Bach's individual keyboard compositions as well as those comprising his famous collections, such as the Well-Tempered Clavier, the English and French Suites, and the Art of Fugue.
Author: William Littler
Publisher: Dundurn
ISBN: 1459718763
Category : Performing Arts
Languages : en
Pages : 193
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Book Description
Roy Thomson Hall commemorates its 30th anniversary with this lavishly illustrated book tracing its history from Arthur Erickson's iconic design, to the artists, audiences, volunteers, and staff who have enriched and enlivened the hall since its opening in 1982.
Author: Ralph Kirkpatrick
Publisher: Yale University Press
ISBN: 9780300038934
Category : Music
Languages : en
Pages : 154
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Book Description
This book sets forth the provocative theories of a musician who has been called the outstanding harpsichordist of this century. The late Ralph Kirkpatrick reveals here his approach to a deeper comprehension of music, showing how his methods are applied to the preludes and fugues of the Well-Tempered Clavier of J.S. Bach. "This book is brilliant and important."--Clavier "All keyboardists performing classical repertoire can greatly benefit from Kirkpatrick's scholarship, dry wit, and stubborn dedication."--Keyboard "That Mr. Kirkpatrick's extraordinarily perceptive mind knew the subject matter thoroughly is beyond dispute. . . Valuable insights into the analysis, teaching and performance of all Western music, especially Bach's monumental Well-Tempered Clavier."--Arthur Lawrence, The American Organist "We are fortunate to have this book by Ralph Kirkpatrick. . . From it we gain insight into the musical mind of one of the outstanding performers of our century."--The Music Review "The real matter of the book is good old-fashioned musicianship."--Denis Arnold, London Review of Books
Author: Colin Booth
Publisher:
ISBN: 9780954748814
Category : Keyboard instrument music
Languages : en
Pages : 0
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Book Description
Author: George A. Kochevitsky
Publisher: John Deere Publishing
ISBN: 9781577840008
Category : Music
Languages : en
Pages : 168
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Book Description
