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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 300
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Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 300
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Book Description
Author: International exhibition 1862
Publisher:
ISBN:
Category :
Languages : en
Pages : 331
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Author: International exhibition, 1862
Publisher:
ISBN:
Category : Exhibitions
Languages : en
Pages : 508
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Author: Great Britain Commissioners for the Exh
Publisher: Franklin Classics
ISBN: 9780342386451
Category :
Languages : en
Pages : 330
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Book Description
This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: International Exhibition of 1862 (LONDON)
Publisher:
ISBN:
Category :
Languages : en
Pages : 710
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Author: International exhibition, 1862
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Author: Massimo Zicari
Publisher: Open Book Publishers
ISBN: 178374216X
Category : Music
Languages : en
Pages : 211
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Book Description
Now a byword for beauty, Verdi’s operas were far from universally acclaimed when they reached London in the second half of the nineteenth century. Why did some critics react so harshly? Who were they and what biases and prejudices animated them? When did their antagonistic attitude change? And why did opera managers continue to produce Verdi’s operas, in spite of their alleged worthlessness? Massimo Zicari’s Verdi in Victorian London reconstructs the reception of Verdi’s operas in London from 1844, when a first critical account was published in the pages of The Athenaeum, to 1901, when Verdi’s death received extensive tribute in The Musical Times. In the 1840s, certain London journalists were positively hostile towards the most talked-about representative of Italian opera, only to change their tune in the years to come. The supercilious critic of The Athenaeum, Henry Fothergill Chorley, declared that Verdi’s melodies were worn, hackneyed and meaningless, his harmonies and progressions crude, his orchestration noisy. The scribes of The Times, The Musical World, The Illustrated London News, and The Musical Times all contributed to the critical hubbub. Yet by the 1850s, Victorian critics, however grudging, could neither deny nor ignore the popularity of Verdi’s operas. Over the final three decades of the nineteenth century, moreover, London’s musical milieu underwent changes of great magnitude, shifting the manner in which Verdi was conceptualized and making room for the powerful influence of Wagner. Nostalgic commentators began to lament the sad state of the Land of Song, referring to the now departed "palmy days of Italian opera." Zicari charts this entire cultural constellation. Verdi in Victorian London is required reading for both academics and opera aficionados. Music specialists will value a historical reconstruction that stems from a large body of first-hand source material, while Verdi lovers and Italian opera addicts will enjoy vivid analysis free from technical jargon. For students, scholars and plain readers alike, this book is an illuminating addition to the study of music reception.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 308
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Author: Ayako Hotta-Lister
Publisher: Psychology Press
ISBN: 9781873410882
Category : Art, Japanese
Languages : en
Pages : 292
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Book Description
Faced with western contempt and suspicion, the Meiji Government staged this exhibition to advance Japanese agendas in political, economic and educational terms. The first major study principally concerned with the Japanese side of this story.
Author: Weltausstellung (1862, London)
Publisher:
ISBN:
Category :
Languages : en
Pages : 660
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Book Description
