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Author: Kumiko Tanabe
Publisher: Cambridge Scholars Publishing
ISBN: 1527539989
Category : Literary Criticism
Languages : en
Pages : 258
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Book Description
This volume deals with the various (direct and indirect) connections between literary figures, artists and locations during the Victorian era. It also addresses influential figures from before and after this period, such as William Blake, Sir Joshua Reynolds and Mother Teresa, as well as the connection between Britain and America in certain contexts. In establishing such relationships, this volume, therefore, covers a wide range of writers and painters, such as Charles Dickens, Arthur Conan Doyle, Thomas Hardy, William Morris, D. G. Rossetti, J. E. Millais, Herman Melville, J.M.W. Turner, G. M. Hopkins, William Butterfield, W. H. Ainsworth, and Sir Edward Coley Burne-Jones, while also including cultural topics related to both Victorian society and the eras which preceded it.
Author: Kumiko Tanabe
Publisher: Cambridge Scholars Publishing
ISBN: 1527539989
Category : Literary Criticism
Languages : en
Pages : 258
Get Book Here
Book Description
This volume deals with the various (direct and indirect) connections between literary figures, artists and locations during the Victorian era. It also addresses influential figures from before and after this period, such as William Blake, Sir Joshua Reynolds and Mother Teresa, as well as the connection between Britain and America in certain contexts. In establishing such relationships, this volume, therefore, covers a wide range of writers and painters, such as Charles Dickens, Arthur Conan Doyle, Thomas Hardy, William Morris, D. G. Rossetti, J. E. Millais, Herman Melville, J.M.W. Turner, G. M. Hopkins, William Butterfield, W. H. Ainsworth, and Sir Edward Coley Burne-Jones, while also including cultural topics related to both Victorian society and the eras which preceded it.
Author: Josephine M. Guy
Publisher: Edinburgh University Press
ISBN: 1474408923
Category : Literary Criticism
Languages : en
Pages : 462
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Book Description
The late nineteenth-century fin de siècle has proved an enduringly fascinating moment in literary and cultural history. It is associated with the emergence of intriguing figures - such as the 'new woman' and 'uranian'; with contradictory impulses - of decadence and decay on the one hand, and of experiment and renewal, on the other; as well as with unprecedented intercultural exchange, especially between Britain and France. The 22 newly-commissioned essays collected here re-examine some of the key concepts taken to define the fin de siècle, while also introducing hitherto overlooked cultural phenomena into the frame, such as the importance of humanitarianism. The impact of recent research in material culture is explored, particularly how the history of the book and the history of performance culture is changing our understanding of this period. A wide range of cultural activities is discussed?from participation in avant-garde theatre to interior decoration and from the writing of poetry to political and religious activism. Together, the essays provide new scholarly insights into British fin de siècle and enrich our understanding of this complex period, while paying particular attention to the importance of regionalism.
Author: Karen E. Laird
Publisher: Routledge
ISBN: 1317044495
Category : Literary Criticism
Languages : en
Pages : 279
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Book Description
In The Art of Adapting Victorian Literature, 1848-1920, Karen E. Laird alternates between readings of nineteenth-century stage and twentieth-century silent film adaptations to investigate the working practices of the first adapters of Victorian fiction. Laird’s juxtaposition between stage and screen brings to life the dynamic culture of literary adaptation as it developed throughout the long nineteenth-century. Focusing on Charlotte Brontë’s Jane Eyre, Charles Dickens’s David Copperfield, and Wilkie Collins’s The Woman in White, Laird demonstrates how adaptations performed the valuable cultural work of expanding the original novel’s readership across class and gender divides, exporting the English novel to America, and commemorating the novelists through adaptations that functioned as virtual literary tourism. Bridging the divide between literary criticism, film studies, and theatre history, Laird’s book reveals how the Victorian adapters set the stage for our contemporary film adaptation industry.
Author: Antony H. Harrison
Publisher:
ISBN: 9780875801681
Category : Literary Criticism
Languages : en
Pages : 286
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Book Description
This collection of original essays offers a broad and varied discussion of gender issues and treatments of sexuality in Victorian poetry, fiction, and visual arts. Featuring a representative selection of artists--poets, novelists, painters, sculptors, playwrights, and dancers--these critical analyses explore the ways in which women as artists, as subjects, and as icons function either to challenge and revise or to reify their society's gender ideologies. Enhanced by a diversity of approaches, the collection introduces revisionist readings of well-known literary works and examines interconnections between literature and the visual arts. In the first two parts, which address Victorian poetry and fiction, the readings illuminate previously unexplained features of poems and novels by such writers as Alfred Tennyson, Elizabeth Barrett Browning, Matthew Arnold, Christina Rossetti, A. C. Swinburne, Gerard Manley Hopkins, Anne Brontë, Charles Dickens, George Eliot, Rudyard Kipling, Thomas Hardy, Kate Chopin, and Oscar Wilde. The third part of the collection focuses on the themes of gender conventions and subversions that occur in visual representations--paintings and cartoons, sculpture and architectural reliefs, drama, opera, and music-hall dance. Rather than presenting literature and art as self-contained, the collection advances the assumption that creative works participate in a larger ideological current of society. Thus, where relevant, the contributors reference politics, economics, science, and other modes of cultural discourse. Such an approach retrieves the historical contexts surrounding the production and reception of the poetry, fiction, and visual arts examined.
Author: Nicola Bown
Publisher: Cambridge University Press
ISBN: 9780521793155
Category : Art
Languages : en
Pages : 264
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Book Description
This book examines the fairy in the work of many Victorian painters, novelists and poets.
Author: Ryan Barnett
Publisher: Cambridge Scholars Publishing
ISBN: 152755130X
Category : Literary Criticism
Languages : en
Pages : 170
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Book Description
As various critics have noted, the concept of memory was a topic of immense importance for the Victorians; be it in the form of remembrance, nostalgia, amnesia, or mourning. This is nowhere more evident than in the literature of the period where acts of memory provide the focal point in numerous Victorian literary texts. For the Victorians, it seems, the act of memory was indissociable from the art of literature. Acts of Memory: The Victorians and Beyond engages with the interconnections that existed between literature and memory in the nineteenth century with nine lively, informative, and accessible essays written by a combination of established academics and up-and-coming scholars, as well as an “Afterword” by Professor Roger Ebbatson. The essays in this collection arise from an international conference held in Birmingham in 2007, which generated considerable academic interest and vibrant new work, and from selected papers a refined and considered collection has been produced. Discussing well-known literary figures, texts, and movements (as well as some less well-known), alongside key theoretical, psychological, and philosophical works, the essays in this collection offer a rich, stimulating, and diverse exploration of the concept of memory within (and at times beyond) the Victorian era.
Author: Natasha Moore
Publisher:
ISBN: 9781605830599
Category : Art, Victorian
Languages : en
Pages : 62
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Book Description
Author: Karen Junod
Publisher: Oxford University Press
ISBN: 0199597006
Category : Art
Languages : en
Pages : 271
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Book Description
This book explores the development of artists' biographies in the cultural context of 18th- and early 19th-century Britain. It argues that the proliferation of a myriad biographical forms mirrored the privileging of artistic originality and difference within an art world that had yet to generate a coherent 'British School' of painting.
Author: Christine Berberich
Publisher: Routledge
ISBN: 1317184726
Category : Literary Criticism
Languages : en
Pages : 273
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Book Description
Bringing together a diverse group of scholars representing the fields of cultural and literary studies, cultural politics and history, creative writing and photography, this collection examines the different ways in which human beings respond to, debate and interact with landscape. How do we feel, sense, know, cherish, memorise, imagine, dream, desire or even fear landscape? What are the specific qualities of experience that we can locate in the spaces in and through which we live? While the essays most often begin with the broadly literary - the memoir, the travelogue, the novel, poetry - the contributors approach the topic in diverse and innovative ways. The collection is divided into five sections: ’Peripheral Cultures’, dealing with dislocation and imagined landscapes'; ’Memory and Mobility’, concerning the road as the scene of trauma and movement; ’Suburbs and Estates’, contrasting American and English spaces; ’Literature and Place’, foregrounding the fluidity of the fictional and the real and the human and nonhuman; and finally, ’Sensescapes’, tracing the sensory response to landscape. Taken together, the essays interrogate important issues about how we live now and might live in the future.
Author: Heather Bozant Witcher
Publisher: Cambridge University Press
ISBN: 1009075500
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
Bringing the collaborative process to life through an array of examples, Heather Witcher shows that sympathetic co-creation is far more than the mere act of writing together. While foregrounding the material aspects of collaboration – hands uniting on the page, blank space left for fellow contributors, the writing and exchanging of drafts – this study also illuminates its social aspects and its reliance on Victorian liberalism: dialogue, the circulation of correspondence, the lived experience of collaboration, and, on a less material plane, transhistorical collaborations with figures of the past. Witcher takes a broad approach to these partnerships and, in doing so, challenges traditional expectations surrounding the nature of authorship itself, not least its typical classification as a solitary activity. Within this new framework, collaboration enables the titles of 'coauthor,' 'influencer,' 'editor,' 'critic,' and 'inspiration' to coexist. This book celebrates the plurality of collaboration and underscores the truly social nature of nineteenth-century writing.
