Author: Traugott Rohner
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 522
Book Description
The magazine for school band and orchestra directors.
The Instrumentalist
Author: Traugott Rohner
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 522
Book Description
The magazine for school band and orchestra directors.
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 522
Book Description
The magazine for school band and orchestra directors.
The Instrumentalist
Author: Harriet Constable
Publisher: Simon and Schuster
ISBN: 1668035847
Category : Fiction
Languages : en
Pages : 336
Book Description
Music, intoxication, and betrayal combine in this “immersive, impassioned” (The Guardian) debut novel inspired by the true story of Anna Maria della Pietà, a Venetian orphan and violin prodigy who studied under Antonio Vivaldi and ultimately became his star musician—and his biggest muse. “The Instrumentalist is more than a history lesson—with this novel, Constable has crafted an engrossing tale about an unexpected coup de musique.” —The New York Times Anna Maria della Pietà was destined to drown in one of Venice’s canals. Instead, she became the greatest violinist of the 18th century. Anna Maria has only known life inside the Pietà, an orphanage for children born of prostitutes. But the girls of the Pietà are lucky in a sense: most babies born of their station were drowned in the city’s canals. And despite the strict rules, the girls are given singing and music lessons from an early age. The most promising musicians have the chance to escape the fate of the rest: forced marriage to anyone who will have them. Anna Maria is determined to be the best violinist there is—and whatever Anna Maria sets out to do, she achieves. After all, the stakes for Anna could not be higher. But it is 1704 and she is a girl. The pursuit of her ambition will test everything she holds dear, especially when it becomes clear that her instructor, Antonio Vivaldi, will teach Anna everything he knows—but not without taking something in return. From the opulent palaces of Venice to its mud-licked canals, The Instrumentalist is a “searing portrait of ambition and betrayal” (Elizabeth MacNeal, author of The Doll Factory). It is the story of one woman’s irrepressible ambition and rise to the top. It is also the story of the orphans of Venice who overcame destitution and abuse to make music, and whose contributions to some of the most important works of classical music, including “The Four Seasons,” have been overlooked for too long. For fans of The Queen’s Gambit and Fingersmith, The Instrumentalist is an “enthralling, passionate, vivid” (Kiran Millwood Hargrave, author of The Mercies) exploration of art and ambition, genius and exploitation, and loss and triumph.
Publisher: Simon and Schuster
ISBN: 1668035847
Category : Fiction
Languages : en
Pages : 336
Book Description
Music, intoxication, and betrayal combine in this “immersive, impassioned” (The Guardian) debut novel inspired by the true story of Anna Maria della Pietà, a Venetian orphan and violin prodigy who studied under Antonio Vivaldi and ultimately became his star musician—and his biggest muse. “The Instrumentalist is more than a history lesson—with this novel, Constable has crafted an engrossing tale about an unexpected coup de musique.” —The New York Times Anna Maria della Pietà was destined to drown in one of Venice’s canals. Instead, she became the greatest violinist of the 18th century. Anna Maria has only known life inside the Pietà, an orphanage for children born of prostitutes. But the girls of the Pietà are lucky in a sense: most babies born of their station were drowned in the city’s canals. And despite the strict rules, the girls are given singing and music lessons from an early age. The most promising musicians have the chance to escape the fate of the rest: forced marriage to anyone who will have them. Anna Maria is determined to be the best violinist there is—and whatever Anna Maria sets out to do, she achieves. After all, the stakes for Anna could not be higher. But it is 1704 and she is a girl. The pursuit of her ambition will test everything she holds dear, especially when it becomes clear that her instructor, Antonio Vivaldi, will teach Anna everything he knows—but not without taking something in return. From the opulent palaces of Venice to its mud-licked canals, The Instrumentalist is a “searing portrait of ambition and betrayal” (Elizabeth MacNeal, author of The Doll Factory). It is the story of one woman’s irrepressible ambition and rise to the top. It is also the story of the orphans of Venice who overcame destitution and abuse to make music, and whose contributions to some of the most important works of classical music, including “The Four Seasons,” have been overlooked for too long. For fans of The Queen’s Gambit and Fingersmith, The Instrumentalist is an “enthralling, passionate, vivid” (Kiran Millwood Hargrave, author of The Mercies) exploration of art and ambition, genius and exploitation, and loss and triumph.
IndyFest Magazine #88
Author:
Publisher: Dimestore Productions
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 32
Book Description
The 88th issue of IndyFest Magazine! is here. This September 2015 issue is one you need to read. Inside you will find in-depth interviews with: T.J. Troy Chuck Dixon Jay Mooers S.A. Baker Also included in this issue: Eitorial by Ian Shires A Written View by Douglas Owen Sneek Peek: Sons of Fate Winterbourne Published by Ian Shires, Dimestore Productions Managing Editor Ellen Fleisher Circulation Coordinator Douglas Owen Cover Chris McFann IndyFest Magazine spotlights the creative efforts of artists taking control of their work. Each month you will find interviews, how toos and great advice from talented artists. Not stopping there, the magazine interviews the most amazing people and uncovers what it takes to be on the cutting edge of Self-Publishing. All this - and it is FREE Don't forget to tell your friends!
Publisher: Dimestore Productions
ISBN:
Category : Antiques & Collectibles
Languages : en
Pages : 32
Book Description
The 88th issue of IndyFest Magazine! is here. This September 2015 issue is one you need to read. Inside you will find in-depth interviews with: T.J. Troy Chuck Dixon Jay Mooers S.A. Baker Also included in this issue: Eitorial by Ian Shires A Written View by Douglas Owen Sneek Peek: Sons of Fate Winterbourne Published by Ian Shires, Dimestore Productions Managing Editor Ellen Fleisher Circulation Coordinator Douglas Owen Cover Chris McFann IndyFest Magazine spotlights the creative efforts of artists taking control of their work. Each month you will find interviews, how toos and great advice from talented artists. Not stopping there, the magazine interviews the most amazing people and uncovers what it takes to be on the cutting edge of Self-Publishing. All this - and it is FREE Don't forget to tell your friends!
Improvisation and Inventio in the Performance of Medieval Music
Author: Angela Mariani
Publisher: Oxford University Press
ISBN: 0190631201
Category : Music
Languages : en
Pages : 257
Book Description
Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the book explores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval music and folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. Based on decades of research, university teaching, ensemble direction, collaboration, and performance, Mariani's impassioned stance that "the elusive element of inventio, as the medieval rhetoricians would have called it, must always be provided by the performer in the present," emphasizes medieval music performance practice as a dynamic and still-vital tradition. Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in the practical processes and exercises that make this book unique within the literature of medieval performance practice.
Publisher: Oxford University Press
ISBN: 0190631201
Category : Music
Languages : en
Pages : 257
Book Description
Improvisation and Inventio in the Performance of Medieval Music: A Practical Approach is an innovative and groundbreaking approach to medieval music as living repertoire. The book provides philosophical frameworks, primary-source analysis, and clear, actionable practices and exercises aimed at recovering the improvisatory and inventive aspects of medieval music for contemporary musicians. Aimed at both instrumentalists and vocalists, the book explores the utilization of musical models, the inventive implications of medieval notation, and the ways in which memory, mode, rhetoric, and primary source paradigms inform the improvisatory process in both monophonic and polyphonic music of the Middle Ages. Angela Mariani, an experienced performer of both medieval music and folk and traditional musics, rediscovers and explicates the processes of imagination, invention, and improvisation which historically energized both medieval music in its own period and in its revival in our own time. Based on decades of research, university teaching, ensemble direction, collaboration, and performance, Mariani's impassioned stance that "the elusive element of inventio, as the medieval rhetoricians would have called it, must always be provided by the performer in the present," emphasizes medieval music performance practice as a dynamic and still-vital tradition. Students, teachers, directors, and those interested in the wealth of expressive beauty found in the music of the middle ages will likewise find value and meaning in her clear and accessible prose, and in the practical processes and exercises that make this book unique within the literature of medieval performance practice.
The Instrument of Science
Author: Darrell P. Rowbottom
Publisher: Routledge
ISBN: 0429666292
Category : Philosophy
Languages : en
Pages : 228
Book Description
Roughly, instrumentalism is the view that science is primarily, and should primarily be, an instrument for furthering our practical ends. It has fallen out of favour because historically influential variants of the view, such as logical positivism, suffered from serious defects. In this book, however, Darrell P. Rowbottom develops a new form of instrumentalism, which is more sophisticated and resilient than its predecessors. This position—‘cognitive instrumentalism’—involves three core theses. First, science makes theoretical progress primarily when it furnishes us with more predictive power or understanding concerning observable things. Second, scientific discourse concerning unobservable things should only be taken literally in so far as it involves observable properties or analogies with observable things. Third, scientific claims about unobservable things are probably neither approximately true nor liable to change in such a way as to increase in truthlikeness. There are examples from science throughout the book, and Rowbottom demonstrates at length how cognitive instrumentalism fits with the development of late nineteenth- and early twentieth-century chemistry and physics, and especially atomic theory. Drawing upon this history, Rowbottom also argues that there is a kind of understanding, empirical understanding, which we can achieve without having true, or even approximately true, representations of unobservable things. In closing the book, he sets forth his view on how the distinction between the observable and unobservable may be drawn, and compares cognitive instrumentalism with key contemporary alternatives such as structural realism, constructive empiricism, and semirealism. Overall, this book offers a strong defence of instrumentalism that will be of interest to scholars and students working on the debate about realism in philosophy of science.
Publisher: Routledge
ISBN: 0429666292
Category : Philosophy
Languages : en
Pages : 228
Book Description
Roughly, instrumentalism is the view that science is primarily, and should primarily be, an instrument for furthering our practical ends. It has fallen out of favour because historically influential variants of the view, such as logical positivism, suffered from serious defects. In this book, however, Darrell P. Rowbottom develops a new form of instrumentalism, which is more sophisticated and resilient than its predecessors. This position—‘cognitive instrumentalism’—involves three core theses. First, science makes theoretical progress primarily when it furnishes us with more predictive power or understanding concerning observable things. Second, scientific discourse concerning unobservable things should only be taken literally in so far as it involves observable properties or analogies with observable things. Third, scientific claims about unobservable things are probably neither approximately true nor liable to change in such a way as to increase in truthlikeness. There are examples from science throughout the book, and Rowbottom demonstrates at length how cognitive instrumentalism fits with the development of late nineteenth- and early twentieth-century chemistry and physics, and especially atomic theory. Drawing upon this history, Rowbottom also argues that there is a kind of understanding, empirical understanding, which we can achieve without having true, or even approximately true, representations of unobservable things. In closing the book, he sets forth his view on how the distinction between the observable and unobservable may be drawn, and compares cognitive instrumentalism with key contemporary alternatives such as structural realism, constructive empiricism, and semirealism. Overall, this book offers a strong defence of instrumentalism that will be of interest to scholars and students working on the debate about realism in philosophy of science.
Music at Michigan
Author:
Publisher: UM Libraries
ISBN:
Category :
Languages : en
Pages : 180
Book Description
Publisher: UM Libraries
ISBN:
Category :
Languages : en
Pages : 180
Book Description
Korean Pop Music
Author:
Publisher: BRILL
ISBN: 9004213635
Category : Music
Languages : en
Pages : 264
Book Description
Korean popular music has in the last decade become a significant model for youth culture throughout Asia. Yet, although the Korean music industry is both vibrant and massive, this is the first book-length work devoted to the subject to appear in English.
Publisher: BRILL
ISBN: 9004213635
Category : Music
Languages : en
Pages : 264
Book Description
Korean popular music has in the last decade become a significant model for youth culture throughout Asia. Yet, although the Korean music industry is both vibrant and massive, this is the first book-length work devoted to the subject to appear in English.
The Winds of Change
Author: Frank L. Battisti
Publisher: Hal Leonard Corporation
ISBN: 9780634045226
Category : Music
Languages : en
Pages : 440
Book Description
(Meredith Music Resource). This expansion on Battisti's The Twentieth Century American Wind Band/Ensemble includes discussions on the contribution of important wind band/ensemble personalities and organizations, and provides important information on hundreds of compositions for this medium. Challenges facing the 21st century wind band/ensemble conductor including training and development are also discussed. (a href="http://youtu.be/XwbrlkXUnEk" target="_blank")Click here for a YouTube video on The Winds of Change(/a)
Publisher: Hal Leonard Corporation
ISBN: 9780634045226
Category : Music
Languages : en
Pages : 440
Book Description
(Meredith Music Resource). This expansion on Battisti's The Twentieth Century American Wind Band/Ensemble includes discussions on the contribution of important wind band/ensemble personalities and organizations, and provides important information on hundreds of compositions for this medium. Challenges facing the 21st century wind band/ensemble conductor including training and development are also discussed. (a href="http://youtu.be/XwbrlkXUnEk" target="_blank")Click here for a YouTube video on The Winds of Change(/a)
The Musical Experience
Author: Janet R. Barrett
Publisher: Oxford University Press, USA
ISBN: 0199363048
Category : Education
Languages : en
Pages : 369
Book Description
The Musical Experience proposes a new concept - musical experience - as the most effective framework for navigating the shifting terrain of educational policy as it is applied to music education. It expands upon the dimensions of musical experience and provides, from the forefront of the field, an integrated yet panoramic view of the educational processes involved in music teaching and learning.
Publisher: Oxford University Press, USA
ISBN: 0199363048
Category : Education
Languages : en
Pages : 369
Book Description
The Musical Experience proposes a new concept - musical experience - as the most effective framework for navigating the shifting terrain of educational policy as it is applied to music education. It expands upon the dimensions of musical experience and provides, from the forefront of the field, an integrated yet panoramic view of the educational processes involved in music teaching and learning.
A Heinrich Schütz Reader
Author: Heinrich Schütz
Publisher: Oxford University Press
ISBN: 0199812209
Category : Biography & Autobiography
Languages : en
Pages : 324
Book Description
Heinrich Schütz (1585-1672) was the most important and influential German composer of the seventeenth century. In A Heinrich Schütz Reader, the composer and his times are brought to life through the translation of more than 150 documents by or about the composer, each complemented with richly detailed annotations and commentary.
Publisher: Oxford University Press
ISBN: 0199812209
Category : Biography & Autobiography
Languages : en
Pages : 324
Book Description
Heinrich Schütz (1585-1672) was the most important and influential German composer of the seventeenth century. In A Heinrich Schütz Reader, the composer and his times are brought to life through the translation of more than 150 documents by or about the composer, each complemented with richly detailed annotations and commentary.