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Author: Traugott Rohner
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 430
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Book Description
The magazine for school band and orchestra directors.
Author: Traugott Rohner
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 430
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Book Description
The magazine for school band and orchestra directors.
Author: Raoul Tubiana
Publisher: CRC Press
ISBN: 9781853176128
Category : Medical
Languages : en
Pages : 640
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Book Description
This is a unique single-source reference covering the wide range of problems that can affect the instrumentalist musician.
Author: Lawrence Venuti
Publisher: U of Nebraska Press
ISBN: 1496215923
Category : Philosophy
Languages : en
Pages : 209
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Book Description
Contra Instrumentalism questions the long-accepted notion that translation reproduces or transfers an invariant contained in or caused by the source text. This "instrumental" model of translation has dominated translation theory and commentary for more than two millennia, and its influence can be seen today in elite and popular cultures, in academic institutions and in publishing, in scholarly monographs and in literary journalism, in the most rarefied theoretical discourses and in the most commonly used clichés. Contra Instrumentalism aims to end the dominance of instrumentalism by showing how it grossly oversimplifies translation practice and fosters an illusion of immediate access to source texts. Lawrence Venuti asserts that all translation is an interpretive act that necessarily entails ethical responsibilities and political commitments. Venuti argues that a hermeneutic model offers a more comprehensive and incisive understanding of translation that enables an appreciation of not only the creative and scholarly aspects of what a translator does but also the crucial role translation plays in the cultural and social institutions that shape human life.
Author:
Publisher: Hal Leonard Corporation
ISBN: 1476863458
Category : Music
Languages : en
Pages : 195
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Book Description
(Instructional). Exercises and Etudes for the Jazz Instrumentalist is a collection of original pieces by the master trombonist/composer J.J. Johnson. Designed as study material and playable by any instrument, these pieces run the gamut of the jazz experience, featuring common and uncommon time signatures and keys, and styles from ballads to funk. They are progressively graded so that both beginners and professionals will be challenged by the demands of this wonderful music.
Author: Shelley Jagow
Publisher: Meredith Music
ISBN: 9781574630817
Category : Music
Languages : en
Pages : 324
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Book Description
(Meredith Music Resource). This book is a unique resource for both novice and experienced band directors, gathering effective teaching tools from the best in the field. Includes more than 40 chapters on: curriculum, "then and now" of North American wind bands, the anatomy of music making, motivation, program organization and administrative leadership, and much more. "A wonderful resource for all music educators! Dr. Jagow's book is comprehensive and impressive in scope. An excellent book! Bravo!" Frank L. Battisti, Conductor Emeritus, New England Conservatory Wind Ensemble (a href="http://youtu.be/nB4TwZhgn7c" target="_blank")Click here for a YouTube video on Teaching Instrumental Music(/a)
Author: Gunther Schuller
Publisher: Oxford University Press
ISBN: 019984058X
Category : Music
Languages : en
Pages : 585
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Book Description
A world-renowned conductor and composer who has lead most of the major orchestras in North America and Europe, a talented musician who has played under the batons of such luminaries as Toscanini and Walter, and an esteemed arranger, scholar, author, and educator, Gunther Schuller is without doubt a major figure in the music world. Now, in The Compleat Conductor, Schuller has penned a highly provocative critique of modern conducting, one that is certain to stir controversy. Indeed, in these pages he castigates many of this century's most venerated conductors for using the podium to indulge their own interpretive idiosyncrasies rather than devote themselves to reproducing the composer's stated and often painstakingly detailed intentions. Contrary to the average concert-goer's notion (all too often shared by the musicians as well) that conducting is an easily learned skill, Schuller argues here that conducting is "the most demanding, musically all embracing, and complex" task in the field of music performance. Conducting demands profound musical sense, agonizing hours of study, and unbending integrity. Most important, a conductor's overriding concern must be to present a composer's work faithfully and accurately, scrupulously following the score including especially dynamics and tempo markings with utmost respect and care. Alas, Schuller finds, rare is the conductor who faithfully adheres to a composer's wishes. To document this, Schuller painstakingly compares hundreds of performances and recordings with the original scores of eight major compositions: Beethoven's fifth and seventh symphonies, Schumann's second (last movement only), Brahms's first and fourth, Tchaikovsky's sixth, Strauss's "Till Eulenspiegel" and Ravel's "Daphnis et Chloe, Second Suite." Illustrating his points with numerous musical examples, Schuller reveals exactly where conductors have done well and where they have mangled the composer's work. As he does so, he also illuminates the interpretive styles of many of our most celebrated conductors, offering pithy observations that range from blistering criticism of Leonard Bernstein ("one of the world's most histrionic and exhibitionist conductors") to effusive praise of Carlos Kleiber (who "is so unique, so remarkable, so outstanding that one can only describe him as a phenomenon"). Along the way, he debunks many of the music world's most enduring myths (such as the notion that most of Beethoven's metronome markings were "wrong" or "unplayable," or that Schumann was a poor orchestrator) and takes on the "cultish clan" of period instrument performers, observing that many of their claims are "totally spurious and chimeric." In his epilogue, Schuller sets forth clear guidelines for conductors that he believes will help steer them away from self indulgence towards the correct realization of great art. Courageous, eloquent, and brilliantly insightful, The Compleat Conductor throws down the gauntlet to conductors worldwide. It is a controversial book that the music world will be debating for many years to come.
Author: Victor Coelho
Publisher: Cambridge University Press
ISBN: 1107145805
Category : Art
Languages : en
Pages : 353
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Book Description
This is the first in-depth study in any language exploring the vast cultural range of instrumental music during the Renaissance.
Author: Michel Debost
Publisher: Oxford University Press
ISBN: 019539965X
Category : Music
Languages : en
Pages : 289
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Book Description
A practical, concise, and comprehensive guide for flutists.
Author: Janice A. Lowe
Publisher:
ISBN:
Category : Poetry
Languages : en
Pages : 116
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Book Description
Poetry. Literary Nonfiction. African & African American Studies. LEAVING CLE is made from the detritus of reverse migration. Its poems move from Cleveland to New York City to Tuscaloosa's "schoolhouse door" and back again. They travel and party with a musical Cleveland from Art Tatum's 1920's to Albert Ayler and from Ohio Funk to Bone Thugs-n-Harmony. They collage a shifting sense of home and negotiate the gift horse of flashbulb memory. Remembering is a character. Houses speak. "LEAVING CLE is a beautiful document of eccentric return. A collection of unforecast surprise, it keeps giving home away, disbursing and dispersing hard, pleasurable weather like a new kind of lake effect. Cleveland is Brooklyn is Chicago and elsewhere, everywhere in a set of absolute specificities, upSouth, back east, out and out. There's a black cosmology of "difference without separation" of which Denise Ferreira da Silva, sociologist, speaks. Janice A. Lowe, poet, sings it so hard, makes her air such an irreducible element of the general air, that you couldn't get away from it if you tried, which is fine, because that's the last thing you'll want. Her sound, her time, is everything you do." Fred Moten "The magic trick is that Lowe makes you feel through all the flux there is something unshakable at center. Words untangle and recombine, then land with stunning clarity. A stealth memoir emerges as Lowe turns an ode to family and city into music." Rachel Sheinkin "In LEAVING CLE, Janice Lowe's debut collection, she imagines poems as scores for socially-charged lyric and performative possibility. These poems explore the psychic and material spaces and traces of Cleveland and other cities through forms that leap off the page. Lowe transforms life's arcs into song: 'Sing back to me bright as Sunday' and she does." John Keene"
Author: Andrew Reisner
Publisher: Cambridge University Press
ISBN: 1139503049
Category : Philosophy
Languages : en
Pages : 285
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Book Description
Philosophers have long been concerned about what we know and how we know it. Increasingly, however, a related question has gained prominence in philosophical discussion: what should we believe and why? This volume brings together twelve new essays that address different aspects of this question. The essays examine foundational questions about reasons for belief, and use new research on reasons for belief to address traditional epistemological concerns such as knowledge, justification and perceptually acquired beliefs. This book will be of interest to philosophers working on epistemology, theoretical reason, rationality, perception and ethics. It will also be of interest to cognitive scientists and psychologists who wish to gain deeper insight into normative questions about belief and knowledge.
