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Author: Lisa Ysaye
Publisher:
ISBN:
Category : Short stories, American
Languages : en
Pages : 174
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Book Description
Author: Lisa Ysaye
Publisher:
ISBN:
Category : Short stories, American
Languages : en
Pages : 174
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 608
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 912
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Book Description
Author:
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ISBN:
Category : Current events
Languages : en
Pages : 990
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
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Book Description
Author: Margaret Hutchins
Publisher:
ISBN:
Category : Library science
Languages : en
Pages : 258
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Book Description
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 916
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Book Description
Author:
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ISBN:
Category : Bibliography
Languages : en
Pages : 712
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Author: James John Hissey
Publisher:
ISBN:
Category : England
Languages : en
Pages : 544
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Book Description
Author: Guillermo Rodríguez-Romaguera
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Performing Arts
Languages : en
Pages : 209
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Book Description
Can cinema reveal its audience's most subversive thinking? Do films have the potential to project their viewers' innermost thoughts making them apparent on the screen? This book argues that cinema has precisely this power, to unveil to the spectator their own hidden thoughts. It examines case studies from various cultures in conversation with Spain, a country whose enduring masterpieces in self-reflexive or meta-art provide insight into the special dynamic between viewer and screen. Framed around critical readings of Miguel de Cervantes' Don Quixote, Diego Velázquez' Las meninas and Luis Buñuel's Un chien andalou, this book examines contemporary films by Víctor Erice, Carlos Saura, Bigas Luna, Alejandro Amenábar, Lucrecia Martel, Krzysztof Kieslowski, David Lynch, Pedro Almodóvar, Spike Jonze, Andrzej Zulawski, Fernando Pérez, Alfred Hitchcock, Wes Craven and David Cronenberg to illustrate how self-reflexivity in film unbridles the mental repression of film spectators. It proposes cinema as an uncanny duplication of the workings of the brain – a doppelgänger to human thought.