The Influence of Oriental Thought on Postwar American Painting and Sculpture

The Influence of Oriental Thought on Postwar American Painting and Sculpture PDF Author: David James Clarke
Publisher:
ISBN:
Category :
Languages : en
Pages : 650

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Book Description

The Influence of Oriental Thought on Postwar American Painting and Sculpture

The Influence of Oriental Thought on Postwar American Painting and Sculpture PDF Author: David James Clarke
Publisher:
ISBN:
Category :
Languages : en
Pages : 650

Get Book Here

Book Description


American Art of the 1960s

American Art of the 1960s PDF Author: John Elderfield
Publisher:
ISBN: 9780870701801
Category : Art
Languages : en
Pages : 192

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Book Description
Essays discuss Ad Reinhardt, Jasper Johns, J.M.W. Turner, Jim Dine, minimalism, Robert Venturi, and Elia Kazan's "Wild River."

Art in the Encounter of Nations

Art in the Encounter of Nations PDF Author: Bert Winther-Tamaki
Publisher: University of Hawaii Press
ISBN: 9780824824006
Category : Art
Languages : en
Pages : 226

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Book Description
Art in the Encounter of Nations is the first book-length study of interactions between the Japanese and American art worlds in the early postwar years. It brings to light a rich exchange of opinions and debates regarding the relationship between the art of the two nations. The author begins with an examination of the Japanese margins of American Abstract Expressionism. Taking a contrapuntal approach, he investigates four abstract painters: two Japanese artists who moved to the United States (Okada Kenzo and Hasegawa Saburo) and two European Americans whose work is often associated with Japanese calligraphy (Mark Tobey and Franz Kline). He then looks at the work of two young scions of the calligraphy and pottery worlds of Japan -- Morita Shiryo and Yagi Kazuo -- and argues that their radical innovations in these ancient arts were, in part, provoked by their sense of a threat posed by Euro-American modernity. The final chapter is devoted to the career of Japanese American sculptor and designer Isamu Noguchi, whose feeling of affiliation was directed to both the U.S. and Japan in shifting ratios through a series of public and private places, each posing unique opportunities for exploring national distinctions.

The Influence of Oriental Thought on Postwar American Painting and Sculpture

The Influence of Oriental Thought on Postwar American Painting and Sculpture PDF Author: David James Clarke
Publisher: Dissertations-G
ISBN: 9780824000851
Category : Aesthetics, Modern
Languages : en
Pages : 335

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Book Description


Inspiration: Bacchus and the Cultural History of a Creation Myth

Inspiration: Bacchus and the Cultural History of a Creation Myth PDF Author: John F. Moffitt
Publisher: BRILL
ISBN: 9047407024
Category : History
Languages : en
Pages : 426

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Book Description
The Max Planck Yearbook of United Nations Law Online offers in-depth articles on issues such as Human Rights, UN organs and Commissions as well as questions of international law in connection with the United Nations. The core of authors proves to be a well balanced mix between young scholars and professors from all over Europe.

Modernism and the Occult

Modernism and the Occult PDF Author: John Bramble
Publisher: Springer
ISBN: 1137465786
Category : History
Languages : en
Pages : 197

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Book Description
This study of modernism's high imperial, occult-exotic affiliations presents many well-known figures from the period 1880-1960 in a new light. Modernism and the Occult traces the history of modernist engagement with 'irregular', heterodox and imported knowledge.

Bokujinkai: Japanese Calligraphy and the Postwar Avant-Garde

Bokujinkai: Japanese Calligraphy and the Postwar Avant-Garde PDF Author: Eugenia Bogdanova-Kummer
Publisher: BRILL
ISBN: 9004437061
Category : Art
Languages : en
Pages : 193

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Book Description
The Bokujinkai—or ‘People of the Ink’—was a group formed in Kyoto in 1952 by five calligraphers: Morita Shiryū, Inoue Yūichi, Eguchi Sōgen, Nakamura Bokushi, and Sekiya Yoshimichi. The avant-garde movement they launched aspired to raise calligraphy to the same level of international prominence as abstract painting. To this end, the Bokujinkai collaborated with artists from European Art Informel and American Abstract Expressionism, sharing exhibition spaces with them in New York, Paris, Tokyo, and beyond. The first English-language book to focus on the postwar history of Japanese calligraphy, Bokujinkai: Japanese Calligraphy and the Postwar Avant-Garde explains how the Bokujinkai rerouted the trajectory of global abstract art and attuned foreign audiences to calligraphic visualities and narratives.

An American Sculptor : Seymour Lipton

An American Sculptor : Seymour Lipton PDF Author: Lori Verderame
Publisher: Hudson Hills
ISBN: 9781555951900
Category : Art
Languages : en
Pages : 142

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Book Description
During the hayday of Abstract Espressionism, Symour Lipton was probably the most admired sculptor.

Introducing Oriental Art

Introducing Oriental Art PDF Author: Philip S. Rawson
Publisher: Hamlyn (UK)
ISBN: 9780600348498
Category : Art, Asian
Languages : en
Pages : 96

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Book Description


"American Women Artists, 1935-1970 "

Author: Helen Langa
Publisher: Routledge
ISBN: 1351576763
Category : Art
Languages : en
Pages : 293

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Book Description
Numerous American women artists built successful professional careers in the mid-twentieth century while confronting challenging cultural transitions: shifts in stylistic avant-gardism, harsh political transformations, and changing gender expectations for both women and men. These social and political upheavals provoked complex intellectual and aesthetic tensions. Critical discourses about style and expressive value were also renegotiated, while still privileging masculinist concepts of aesthetic authenticity. In these contexts, women artists developed their careers by adopting innovative approaches to contemporary subjects, techniques, and media. However, while a few women working during these decades have gained significant recognition, many others are still consigned to historical obscurity. The essays in this volume take varied approaches to revising this historical silence. Two focus on evidence of gender biases in several exhibitions and contemporary critical writings; the rest discuss individual artists' complex relationships to mainstream developments, with attention to gender and political biases, cultural innovations, and the influence of racial/ethnic diversity. Several also explore new interpretative directions to open alternative possibilities for evaluating women's aesthetic and formal choices. Through its complex, nuanced approach to issues of gender and female agency, this volume offers valuable and exciting new scholarship in twentieth-century American art history and feminist studies.