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Author: Ashik Kumar Satheesh
Publisher:
ISBN: 9781637540749
Category :
Languages : en
Pages :
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Book Description
From the writer and director of Kerala's first iPhone feature film. This book is for you if you are looking to do the following:? Learn quickly what took Ashik five years? Learn the dos and don'ts of smartphone filmmaking? Make a film for a low budget and not wait for the date of a big star, or large sums of money from a producer? Send to festivals or release it on OTT platforms"Extensively documented. Many interesting insights"-Rahul Riji Nair, Filmmaker"An inspiration"-Raj Bk, Actor, Filmmaker"More important than film history and aesthetics"-Harshitha S, FilmmakerEveryone says to go and shoot your film on a smartphone. Do it cheap. Make a low-budget film. But besides a phone, what else do you need to make your first feature film? It is not stars, stunts, money, music, dance, exotic locations, camera, VFX?!This book will help you:? Find your caliber and hone it better? Gain knowledge and confidence to go make your movie? Raise money and make a micro-budget film for ?5 lakhs ($ 7,000), on a mobile phone? Sell the movie on Amazon Prime and gain profit and international viewershipAbout The WriterAshik's aim is to make world-class films. He set foot into the professional arena by writing and directing Munnariv (2020), the first-ever Malayalam feature film to be shot entirely on an iPhone.Besides Munnariv he also made over 10 short films, assisted several Ads and award-winning feature films like Ottamuri Velicham (2017). Ashik is an Engineer by degree who worked with Tata Consultancy Services in Mumbai. He quit, traveled across India soul searching, and finally choose to follow his passion for stories. Besides making great films, he also loves to teach filmmaking.This book is not for people looking to make a star-studded high budget commercial movie. The Indian Indie Film is:? Intensive and written from experience? A complete guide on low budget filmmaking and selling itGo and make your film now!
Author: Ashik Kumar Satheesh
Publisher:
ISBN: 9781637540749
Category :
Languages : en
Pages :
Get Book Here
Book Description
From the writer and director of Kerala's first iPhone feature film. This book is for you if you are looking to do the following:? Learn quickly what took Ashik five years? Learn the dos and don'ts of smartphone filmmaking? Make a film for a low budget and not wait for the date of a big star, or large sums of money from a producer? Send to festivals or release it on OTT platforms"Extensively documented. Many interesting insights"-Rahul Riji Nair, Filmmaker"An inspiration"-Raj Bk, Actor, Filmmaker"More important than film history and aesthetics"-Harshitha S, FilmmakerEveryone says to go and shoot your film on a smartphone. Do it cheap. Make a low-budget film. But besides a phone, what else do you need to make your first feature film? It is not stars, stunts, money, music, dance, exotic locations, camera, VFX?!This book will help you:? Find your caliber and hone it better? Gain knowledge and confidence to go make your movie? Raise money and make a micro-budget film for ?5 lakhs ($ 7,000), on a mobile phone? Sell the movie on Amazon Prime and gain profit and international viewershipAbout The WriterAshik's aim is to make world-class films. He set foot into the professional arena by writing and directing Munnariv (2020), the first-ever Malayalam feature film to be shot entirely on an iPhone.Besides Munnariv he also made over 10 short films, assisted several Ads and award-winning feature films like Ottamuri Velicham (2017). Ashik is an Engineer by degree who worked with Tata Consultancy Services in Mumbai. He quit, traveled across India soul searching, and finally choose to follow his passion for stories. Besides making great films, he also loves to teach filmmaking.This book is not for people looking to make a star-studded high budget commercial movie. The Indian Indie Film is:? Intensive and written from experience? A complete guide on low budget filmmaking and selling itGo and make your film now!
Author: Ashvin Immanuel Devasundaram
Publisher: Routledge
ISBN: 1000577171
Category : Performing Arts
Languages : en
Pages : 125
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Book Description
This book offers a concise and cutting-edge repository of essential information on new independent Indian films, which have orchestrated a recent renaissance in the Bollywood-dominated Indian cinema sphere. Spotlighting a specific timeline, from the Indies’ consolidated emergence in 2010 across a decade of their development, the book takes note of recent transformations in the Indian political, economic, cultural and social matrix and the concurrent release of unflinchingly interrogative and radically evocative films that traverse LGBTQ+ issues, female empowerment, caste discrimination, populist politics and religious violence. A combination of essential Indie-specific information and concise case studies makes this a must-have quick guide to the future torchbearers of Indian cinema for scholars, students, early career researchers and a global audience interested in intersecting aspects of cinema, culture, politics and society in contemporary India.
Author: Ashvin Immanuel Devasundaram
Publisher: Routledge
ISBN: 1351254243
Category : Performing Arts
Languages : en
Pages : 403
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Book Description
This is the first edited volume on new independent Indian cinema. It aims to be a comprehensive compendium of diverse theoretical, philosophical, epistemological and practice-based perspectives, featuring contributions from multidisciplinary scholars and practitioners across the world. This edited collection features analyses of cutting-edge new independent films and is conceived to serve as a beacon to guide future explorations into the burgeoning field of new Indian Cinema studies.
Author: Ashvin Immanuel Devasundaram
Publisher: Routledge
ISBN: 1317290747
Category : Social Science
Languages : en
Pages : 308
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Book Description
This is the first-ever book on the rise of the new wave of independent Indian films that is revolutionising Indian cinema. Contemporary scholarship on Indian cinema so far has focused asymmetrically on Bollywood—India’s dominant cultural export. Reversing this trend, this book provides an in-depth examination of the burgeoning independent Indian film sector. It locates the new 'Indies' as a glocal hybrid film form—global in aesthetic and local in content. They critically engage with a diverse socio-political spectrum of ‘state of the nation’ stories; from farmer suicides, disenfranchised urban youth and migrant workers to monks turned anti-corporation animal rights agitators. This book provides comprehensive analyses of definitive Indie new wave films including Peepli Live (2010), Dhobi Ghat (2010), The Lunchbox (2013) and Ship of Theseus (2013). It explores how subversive Indies, such as polemical postmodern rap-musical Gandu (2010) transgress conventional notions of ‘traditional Indian values’, and collide with state censorship regulations. This timely and pioneering analysis shows how the new Indies have emerged from a middle space between India’s globalising present and traditional past. This book draws on in-depth interviews with directors, actors, academics and members of the Indian censor board, and is essential reading for anyone seeking an insight into a current Indian film phenomenon that could chart the future of Indian cinema.
Author: Michael Z. Newman
Publisher: Columbia University Press
ISBN: 0231513526
Category : Performing Arts
Languages : en
Pages : 421
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Book Description
America's independent films often seem to defy classification. Their strategies of storytelling and representation range from raw, no-budget projects to more polished releases of Hollywood's "specialty" divisions. Yet understanding American indies involves more than just considering films. Filmmakers, distributors, exhibitors, festivals, critics, and audiences all shape the art's identity, which is always understood in relation to the Hollywood mainstream. By locating the American indie film in the historical context of the "Sundance-Miramax" era (the mid-1980s to the end of the 2000s), Michael Z. Newman considers indie cinema as an alternative American film culture. His work isolates patterns of character and realism, formal play, and oppositionality and the functions of the festivals, art houses, and critical media promoting them. He also accounts for the power of audiences to identify indie films in distinction to mainstream Hollywood and to seek socially emblematic characters and playful form in their narratives. Analyzing films such as Welcome to the Dollhouse (1996), Lost in Translation (2003), Pulp Fiction (1994), and Juno (2007), along with the work of Nicole Holofcener, Jim Jarmusch, John Sayles, Steven Soderbergh, and the Coen brothers, Newman investigates the conventions that cast indies as culturally legitimate works of art. He binds these diverse works together within a cluster of distinct viewing strategies and invites a reevaluation of the difference of independent cinema and its relationship to class and taste culture.
Author: J. J. Murphy
Publisher: Columbia University Press
ISBN: 0231549598
Category : Performing Arts
Languages : en
Pages : 507
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Book Description
Most films rely on a script developed in pre-production. Yet beginning in the 1950s and continuing through the recent mumblecore movement, key independent filmmakers have broken with the traditional screenplay. Instead, they have turned to new approaches to scripting that allow for more complex characterization and shift the emphasis from the page to performance. In Rewriting Indie Cinema, J. J. Murphy explores these alternative forms of scripting and how they have shaped American film from the 1950s to the present. He traces a strain of indie cinema that used improvisation and psychodrama, a therapeutic form of improvised acting based on a performer’s own life experiences. Murphy begins in the 1950s and 1960s with John Cassavetes, Shirley Clarke, Barbara Loden, Andy Warhol, Norman Mailer, William Greaves, and other independent directors who sought to create a new type of narrative cinema. In the twenty-first century, filmmakers such as Gus Van Sant, the Safdie brothers, Joe Swanberg, and Sean Baker developed similar strategies, sometimes benefitting from the freedom of digital technology. In reading key films and analyzing their techniques, Rewriting Indie Cinema demonstrates how divergence from the script has blurred the divide between fiction and nonfiction. Showing the ways in which filmmakers have striven to capture the subtleties of everyday behavior, Murphy provides a new history of American indie filmmaking and how it challenges Hollywood industrial practices.
Author: Thomas King
Publisher: U of Minnesota Press
ISBN: 1452940304
Category : Social Science
Languages : en
Pages : 302
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Book Description
In The Inconvenient Indian, Thomas King offers a deeply knowing, darkly funny, unabashedly opinionated, and utterly unconventional account of Indian–White relations in North America since initial contact. Ranging freely across the centuries and the Canada–U.S. border, King debunks fabricated stories of Indian savagery and White heroism, takes an oblique look at Indians (and cowboys) in film and popular culture, wrestles with the history of Native American resistance and his own experiences as a Native rights activist, and articulates a profound, revolutionary understanding of the cumulative effects of ever-shifting laws and treaties on Native peoples and lands. Suffused with wit, anger, perception, and wisdom, The Inconvenient Indian is at once an engaging chronicle and a devastating subversion of history, insightfully distilling what it means to be “Indian” in North America. It is a critical and personal meditation that sees Native American history not as a straight line but rather as a circle in which the same absurd, tragic dynamics are played out over and over again. At the heart of the dysfunctional relationship between Indians and Whites, King writes, is land: “The issue has always been land.” With that insight, the history inflicted on the indigenous peoples of North America—broken treaties, forced removals, genocidal violence, and racist stereotypes—sharpens into focus. Both timeless and timely, The Inconvenient Indian ultimately rejects the pessimism and cynicism with which Natives and Whites regard one another to chart a new and just way forward for Indians and non-Indians alike.
Author: Emanuel Levy
Publisher: NYU Press
ISBN: 0814751237
Category : Business & Economics
Languages : en
Pages : 648
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Book Description
The most important development in American culture of the last two decades is the emergence of independent cinema as a viable alternative to Hollywood's safe and innocuous entertainment. Indeed, while Hollywood studios devote much of their time and energy to churning out big-budget, star-studded event movies, a renegade independent cinema that challenges mainstream fare continues to flourish with strong critical support and loyal audiences.
Author: Satyajit Ray
Publisher: Penguin Books India
ISBN: 9780144000265
Category : Performing Arts
Languages : en
Pages : 242
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Book Description
Presents India's greatest film-maker on the art and craft of films. Speaking of Films brings together some of Ray's most memorable writings on film and film-making. With the masterly precision and clarity that characterize his films, Ray discusses a wide array of subjects: the structure and language of cinema with special reference to his adaptations of Tagore and Bibhuti Bhushan Bandopadhyay, the appropriate use of background music and dialogue in films, the relationship between a film-maker and a film critic, and important developments in cinema like the advent of sound and colour. He also writes about his own experiences, the challenges of working with rank amateurs, and the innovations called for when making a film in the face of technological, financial and logistical constraints. In the process, Ray provides fascinating behind-the-scenes glimpses of the people who worked with him - the intricacies of getting Chhabi Biswas, who had no ear for music, to play a patron of classical music in Jalsaghar, the incredible memory of the seventy-five-year-old Chunibala Devi, Indir Thakrun of Pather Panchali, and her remarkable attention to details.
Author: Andrew deWaard
Publisher: Columbia University Press
ISBN: 0231850395
Category : Performing Arts
Languages : en
Pages : 209
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Book Description
The industry's only director-cinematographer-screenwriter-producer-actor-editor, Steven Soderbergh is contemporary Hollywood's most innovative and prolific filmmaker. A Palme d'or and Academy Award-winner, Soderbergh has directed nearly thirty films, including political provocations, digital experiments, esoteric documentaries, global blockbusters, and a series of atypical genre films. This volume considers its slippery subject from several perspectives, analyzing Soderbergh as an expressive auteur of art cinema and genre fare, as a politically-motivated guerrilla filmmaker, and as a Hollywood insider. Combining a detective's approach to investigating the truth with a criminal's alternative value system, Soderbergh's films tackle social justice in a corporate world, embodying dozens of cinematic trends and forms advanced in the past twenty-five years. His career demonstrates the richness of contemporary American cinema, and this study gives his complex oeuvre the in-depth analysis it deserves.
