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Author: Bernard Denvir
Publisher: Thames & Hudson
ISBN: 0500778833
Category : Art
Languages : en
Pages : 423
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Book Description
An updated edition of this classic collection of letters, critical reviews, and reminiscences by impressionist artists and their contemporaries. The impressionists—Claude Monet, Édouard Manet, Edgar Degas, Berthe Morisot, Camille Pissarro, Pierre-Auguste Renoir, Alfred Sisley, and others—are probably the most popular of all artistic schools. Their struggle to impose a new vision is one of the most absorbing stories in the whole history of art. With imagination and insight, art historian Bernard Denvir brings impressionism into focus by showing it through the eyes of the artists themselves and their contemporaries, against the background of the time. Through letters, critical reviews, statements, and reminiscences of the people who were there, the story of this groundbreaking art movement comes alive. This was the age of innovation, political liberalization, emergent photography, and modern ideas about perception. The impressionists had new ways of painting, but they also had a new world to paint. This revised edition now features full-color reproductions of art throughout and an updated bibliography.
Author: Bernard Denvir
Publisher: Thames & Hudson
ISBN: 0500778833
Category : Art
Languages : en
Pages : 423
Get Book Here
Book Description
An updated edition of this classic collection of letters, critical reviews, and reminiscences by impressionist artists and their contemporaries. The impressionists—Claude Monet, Édouard Manet, Edgar Degas, Berthe Morisot, Camille Pissarro, Pierre-Auguste Renoir, Alfred Sisley, and others—are probably the most popular of all artistic schools. Their struggle to impose a new vision is one of the most absorbing stories in the whole history of art. With imagination and insight, art historian Bernard Denvir brings impressionism into focus by showing it through the eyes of the artists themselves and their contemporaries, against the background of the time. Through letters, critical reviews, statements, and reminiscences of the people who were there, the story of this groundbreaking art movement comes alive. This was the age of innovation, political liberalization, emergent photography, and modern ideas about perception. The impressionists had new ways of painting, but they also had a new world to paint. This revised edition now features full-color reproductions of art throughout and an updated bibliography.
Author: Bernard Denvir
Publisher: Thames & Hudson
ISBN: 0500778825
Category : Art
Languages : en
Pages : 423
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Book Description
The Impressionists Monet, Manet, Degas, Morisot, Pissarro, Renoir, Sisley and others are probably the most popular of all artistic schools. Their struggle to impose a new vision is one of the most absorbing in the whole history of art. With imagination and insight, art historian Bernard Denvir brings Impressionism into focus by showing it through the eyes of the artists themselves and their contemporaries, against the background of the time. Through letters, critical reviews, statements and reminiscences whether explosive or appreciative, blinkered or perceptive of the people who were there, the story of this ground-breaking art movement comes alive. This was the age of innovation, political liberalization, emergent photography and modern ideas about perception. The Impressionists had new ways of painting, but they also had a new world to paint. This revised edition now features full colour reproductions of art throughout and an updated bibliography.
Author: Paul Hayes Tucker
Publisher: National Gallery Washington
ISBN: 9780300083491
Category : Art
Languages : en
Pages : 179
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Book Description
In the 1870s, Argenteuil, located on the outskirts of Paris, was still unmarred by urban industrialization. This book explores the responses to Argenteuil of six influential painters in more than 50 of their works. Catalogue for an upcoming exhibition at the National Gallery in Washington, D.C. 105 illustrations, 70 in color.
Author: Flavie Durand-Ruel
Publisher: Rizzoli Publications
ISBN: 2080201719
Category : Art
Languages : en
Pages : 0
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Book Description
Paul Durand-Ruel redefined the role of the art dealer. An exceptional entrepreneur and precursor of the international art market scene, he established a network of galleries between Paris, London, Brussels, and New York, and organized international traveling exhibitions. The first to recognize the talent of the Barbizon School artists and the Impressionists, and confident in his role championing their art, Paul Durand-Ruel was able to establish the careers of ground-breaking artists including Renoir, Monet, Sisley, Berthe Morisot, and Mary Cassatt. Paul Durand-Ruel: Memoirs of the First Impressionist Art Dealer (1831-1922) is a unique and indispensible reference work for those who wish to understand the artistic life and the art market of the nineteenth century. It is a testament to Durand-Ruel’s passion—as a friend and patron of the artists—the promoting the Barbizon School and, later, Impressionism. Retracing his life from 1831 to 1922, the book features more than sixty illustrations including archival documents and reproduction of works of art, a selection of articles and letters, a list of the principal exhibitions and artworks he displayed, as well as a biographical timeline and family tree.
Author: Sue Roe
Publisher: Harper Collins
ISBN: 0060545585
Category : Biography & Autobiography
Languages : en
Pages : 374
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Book Description
Manet, Monet, Pissarro, Cézanne, Renoir, Degas, Sisley, Berthe Morisot and Mary Cassatt. Though they were often ridiculed or ignored by their contemporaries, today astonishing sums are paid for the works of these artists, whose paintings are celebrated for their ability to capture the moment, not only in the fleeting lights of a landscape but in scenes of daily life. Their dazzling pictures are familiar—but how well does the world know the Impressionists as people? The Private Lives of the Impressionists tells their story. It is the first book to offer an intimate and lively biography of the world's most popular group of artists. In a vivid and moving narrative, biographer Sue Roe shows the Impressionists in the studios of Paris, rural lanes of Montmartre and rowdy riverside bars as Paris underwent Baron Haussmann's spectacular transformation. For more than twenty years they lived and worked together as a group, struggling to rebuild their lives after the Franco-Prussian War and supporting one another through shocked public reactions to unfamiliar canvases depicting laundresses, dancers, spring blossoms and boating scenes. This intimate, colorful, superbly researched account takes us into their homes and studios, and describes their unconventional, volatile and precarious lives, as well as the stories behind the paintings.
Author: William H. Gerdts
Publisher: University of Pennsylvania Press
ISBN: 0812237005
Category : Art
Languages : en
Pages : 378
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Book Description
"This magnificent new book . . . has assembled a definitive collection of impressionistic works from the Bucks Country region of eastern Pennsylvania. . . . Excellent!"—Bloomsbury Review
Author: André Dombrowski
Publisher: John Wiley & Sons
ISBN: 1119373891
Category : Art
Languages : en
Pages : 644
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Book Description
The 21st century's first major academic reassessment of Impressionism, providing a new generation of scholars with a comprehensive view of critical conversations Presenting an expansive view of the study of Impressionism, this extraordinary volume breaks new thematic ground while also reconsidering established questions surrounding the definition, chronology, and membership of the Impressionist movement. In 34 original essays from established and emerging scholars, this collection considers a diverse range of developing topics and offers new critical approaches to the interpretation of Impressionist art. Focusing on the 1860s to 1890s, this Companion explores artists who are well-represented in Impressionist studies, including Monet, Renoir, Degas, and Cassatt, as well as Morisot, Caillebotte, Bazille, and other significant yet lesser-known artists. The essays cover a wide variety of methodologies in addressing such topics as Impressionism's global predominance at the turn of the 20th century, the relationship between Impressionism and the emergence of new media, the materials and techniques of the Impressionists, and the movement's exhibition and reception history. Part of the acclaimed Wiley Blackwell Companions to Art History series, this important new addition to scholarship in this field: Reevaluates the origins, chronology, and critical reception of French Impressionism Discusses Impressionism's account of modern identity in the contexts of race, nationality, gender, and sexuality Explores the global reach and influence of Impressionism in Europe, the Middle East, East Asia, North Africa, and the Americas Considers Impressionism's relationship to the emergence of film and photography in the 19th century Considers Impressionism's representation of the private sphere as compared to its depictions of public issues such as empire, finance, and environmental change Addresses the Impressionist market and clientele, period criticism, and exhibition displays from the late 19th century to the middle of the 20th century Features original essays by academics, curators, and conservators from around the world, including those from France, Germany, the United States, the United Kingdom, Japan, Turkey, and Argentina The Wiley Blackwell Companion to Impressionism is an invaluable text for students and academics studying Impressionism and late 19th century European art, Post-Impressionism, modern art, and modern French cultural history.
Author: Laura Anne Kalba
Publisher: Penn State Press
ISBN: 0271079789
Category : Art
Languages : en
Pages : 713
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Book Description
This study analyzes the impact of color-making technologies on the visual culture of nineteenth-century France, from the early commercialization of synthetic dyes to the Lumière brothers’ perfection of the autochrome color photography process. Focusing on Impressionist art, Laura Anne Kalba examines the importance of dyes produced in the second half of the nineteenth century to the vision of artists such as Edgar Degas, Pierre-Auguste Renoir, and Claude Monet. The proliferation of vibrant new colors in France during this time challenged popular understandings of realism, abstraction, and fantasy in the realms of fine art and popular culture. More than simply adding a touch of spectacle to everyday life, Kalba shows, these bright, varied colors came to define the development of a consumer culture increasingly based on the sensual appeal of color. Impressionism—emerging at a time when inexpensively produced color functioned as one of the principal means by and through which people understood modes of visual perception and signification—mirrored and mediated this change, shaping the ways in which people made sense of both modern life and modern art. Demonstrating the central importance of color history and technologies to the study of visuality, Color in the Age of Impressionism adds a dynamic new layer to our understanding of visual and material culture.
Author: Gerry Souter
Publisher: Parkstone International
ISBN: 1780428723
Category : Art
Languages : en
Pages : 256
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Book Description
They met in 1928, Frida Kahlo was then 21 years old and Diego Rivera was twice her age. He was already an international reference, she only aspired to become one. An intense artistic creation, along with pain and suffering, was generated by this tormented union, in particular for Frida. Constantly in the shadow of her husband, bearing his unfaithfulness and her jealousy, Frida exorcised the pain on canvas, and won progressively the public’s interest. On both continents, America and Europe, these commited artists proclaimed their freedom and left behind them the traces of their exceptional talent. In this book, Gerry Souter brings together both biographies and underlines with passion the link which existed between the two greatest Mexican artists of the twentieth century.
Author: Caroline Holmes
Publisher: Acc Art Books
ISBN: 9781851496532
Category : Gardens
Languages : en
Pages : 0
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Book Description
'Impressionists in Their Gardens' explores gardens through the senses of the Impressionists from three continents - Europe, North America and Australia - enjoying the essentially similar pleasures of the garden, but engaging with the light from their skies in order to create very different sensations. The enclosure of the garden acts like a picture frame showcasing a living canvas that exudes the individuality, vision and taste of its tenants, their family, friends, lifestyles and, in the simple words of the greatest Impressionist and gardener Monet, providing motifs to paint. The first section uses contemporary paintings and photographs to see the who, what and where of Impressionist gardens - planting, eating, loving, sleeping, children, animals, working and painting. The second section, illustrated with paintings, old photographs and modern images, starts at the horticultural source - the nurseryman Latour-Marliac at Temple sur Lot, then Monet at Giverny; American Impressionists at Old Lyme, Cos Cob and Appledore in the USA; Gertrude Jekyll at Munstead Wood and beyond; the Heidelburg School and Frederick McCubbin at Fontainebleau; and, chronologically last but not least, Renoir at Les Colettes. Caroline Holmes' travels have enabled her to take this unique approach, as a garden historian and gardener she understands how weather has shaped and formed the earth's sublime topography and how the control of the human hand is beautifully displayed in its fine crafted gardens, observed and colourfully captured by these artists. Join her in the garden for the great pleasures of solitude and sociability; food and friendship; sound and scent; cool shade and balmy warmth, not forgetting glorious colour. 200 colour illustrations
