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Author: Richard Mosse
Publisher: Aperture
ISBN: 9781597112024
Category : Photography
Languages : en
Pages : 0
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Book Description
Infra, Richard Mosse’s first book, offers a radical rethinking of how to depict a conflict as complex and intractable as that of the ongoing war in the Democratic Republic of Congo. Mosse photographs both the rich topography, inscribed with the traces of conflicting interests, as well as rebel groups of constantly shifting allegiances at war with the Congolese national army (itself a patchwork of recently integrated warlords and their militias). For centuries, the Congo has repeatedly compelled and defied the western imagination. Mosse brings to this subject the use of a discontinued aerial surveillance film, a type of color infrared film called Kodak Aerochrome. The film, originally developed for military reconnaissance, registers an invisible spectrum of infrared light, rendering the green landscape in vivid hues of lavender, crimson and hot pink. The results offer a fevered inflation of the traditional reportage document, underlining the growing tension between art, fiction and photojournalism. Mosse’s work highlights the ineffable nature of current events in today’s Congo. Infra initiates a dialogue with photography that begins as an intoxicating meditation on a broken genre, but ends as a haunting elegy for a vividly beautiful land touched by unspeakable tragedy. Following studies at the London Consortium and Goldsmiths College in London, Richard Mosse (born 1980) graduated from the Yale School of Art. He was awarded the Leonore Annenberg Fellowship in 2008 and the Guggenheim Fellowship in 2011. His work has been featured on the pages of Aperture, Artforum, Art in America, Frieze and Modern Painters.
Author: Richard Mosse
Publisher: Aperture
ISBN: 9781597112024
Category : Photography
Languages : en
Pages : 0
Get Book Here
Book Description
Infra, Richard Mosse’s first book, offers a radical rethinking of how to depict a conflict as complex and intractable as that of the ongoing war in the Democratic Republic of Congo. Mosse photographs both the rich topography, inscribed with the traces of conflicting interests, as well as rebel groups of constantly shifting allegiances at war with the Congolese national army (itself a patchwork of recently integrated warlords and their militias). For centuries, the Congo has repeatedly compelled and defied the western imagination. Mosse brings to this subject the use of a discontinued aerial surveillance film, a type of color infrared film called Kodak Aerochrome. The film, originally developed for military reconnaissance, registers an invisible spectrum of infrared light, rendering the green landscape in vivid hues of lavender, crimson and hot pink. The results offer a fevered inflation of the traditional reportage document, underlining the growing tension between art, fiction and photojournalism. Mosse’s work highlights the ineffable nature of current events in today’s Congo. Infra initiates a dialogue with photography that begins as an intoxicating meditation on a broken genre, but ends as a haunting elegy for a vividly beautiful land touched by unspeakable tragedy. Following studies at the London Consortium and Goldsmiths College in London, Richard Mosse (born 1980) graduated from the Yale School of Art. He was awarded the Leonore Annenberg Fellowship in 2008 and the Guggenheim Fellowship in 2011. His work has been featured on the pages of Aperture, Artforum, Art in America, Frieze and Modern Painters.
Author: Jelena Stojkovic
Publisher: Routledge
ISBN: 1000185710
Category : Art
Languages : en
Pages : 268
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Book Description
Despite the censorship of dissident material during the decade between the Manchurian Incident of 1931 and the outbreak of the Pacific War in 1941, a number of photographers across Japan produced a versatile body of Surrealist work. In a pioneering study of their practice, Jelena Stojkovic draws on primary sources and extensive archival research and maps out art historical and critical contexts relevant to the apprehension of this rich photographic output, most of which is previously unseen outside of its country of origin. The volume is an essential resource in the fields of Surrealism and Japanese history of art, for researchers and students of historical avant-gardes and photography, as well as forreaders interested in visual culture.
Author: Shelley Hornstein
Publisher: NYU Press
ISBN: 0814798268
Category : Art
Languages : en
Pages : 311
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Book Description
Impossible Images brings together a distinguished group of contributors, including artists, photographers, cultural critics, and historians, to analyze the ways in which the Holocaust has been represented in and through paintings, architecture, photographs, museums, and monuments. Exploring frequently neglected aspects of contemporary art after the Holocaust, the volume demonstrates how visual culture informs Jewish memory, and makes clear that art matters in contemporary Jewish studies. Accepting that knowledge is culturally constructed, Impossible Images makes explicit the ways in which context matters. It shows how the places where an artist works shape what is produced, in what ways the space in which a work of art is exhibited and how it is named influences what is seen or not seen, and how calling attention to certain details in a visual work, such as a gesture, a color, or an icon, can change the meaning assigned to the work as a whole. Written accessibly for a general readership and those interested in art and art history, the volume also includes 20 color plates from leading artists Alice Lok Cahana, Judy Chicago, Debbie Teicholz, and Mindy Weisel.
Author: Peter Geimer
Publisher: University of Chicago Press
ISBN: 022647187X
Category : Art
Languages : en
Pages : 257
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Book Description
As an artistic medium, photography is uniquely subject to accidents, or disruptions, that can occur in the making of an artwork. Though rarely considered seriously, those accidents can offer fascinating insights about the nature of the medium and how it works. With Inadvertent Images, Peter Geimer explores all kinds of photographic irritation from throughout the history of the medium, as well as accidental images that occur through photo-like means, such as the image of Christ on the Shroud of Turin, brought into high resolution through photography. Geimer’s investigations complement the history of photographic images by cataloging a corresponding history of their symptoms, their precarious visibility, and the disruptions threatened by image noise. Interwoven with the familiar history of photography is a secret history of photographic artifacts, spots, and hazes that historians have typically dismissed as “spurious phenomena,” “parasites,” or “enemies of the photographer.” With such photographs, it is virtually impossible to tell where a “picture” has been disrupted—where the representation ends and the image noise begins. We must, Geimer argues, seek to keep both in sight: the technical making and the necessary unpredictability of what is made, the intentional and the accidental aspects, representation and its potential disruption.
Author: Alexander Fury
Publisher: Assouline Publishing
ISBN: 1614288100
Category : Travel
Languages : en
Pages : 3
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Book Description
This book is a literary museum exhibition, a curated selection of 100 iconic and signature looks of the house of Chanel, from the timeless Little Black Dress to the impeccably simple tweed suit, the apothecary-style perfume bottle, two-tone pumps, abundant strands of faux pearls and stones, and diamond-quilted leather handbag, from Mademoiselle’s revolutionary designs to Karl Lagerfeld’s unexpected and even irreverent variations on her original codes.
Author: Felix Hoffmann
Publisher:
ISBN: 9783958295537
Category : Photography
Languages : en
Pages : 0
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Book Description
A young woman with her legs spread wide; buttoned-up dressed workers on a city street. Contrasting photos like these of intensely private scenes, and snapshots of nameless passers-by are Nobuyoshi Araki?s early commentary on the heterogeneity of Japanese society, calling the moral responsibility of its members into question. This book combines Araki?s Tokyo series from his early works with a selection of his recent Polaroid collages and newly developed slide shows?all of them exploring the contradictions between anonymity and intimacy, the public and private sphere, reality and dream. The legendary Araki is one of the most influential and widely discussed artists today, one who deals with nakedness, sexuality and the body in a radical and realistic way. Through an extreme emotional and physical closeness with his subjects, he becomes not only part of their lives but plays a central role in his own photos, thus transcending voyeurism. Together with Nan Goldin, Larry Clark and Boris Mikhailov, Araki is considered one of the pioneers of intimate subjective photography. 00Exhibition: C/O Berlin, Germany (08.12.2018 - 03.03.2019).
Author: Mark Sanders
Publisher: Phaidon Press
ISBN:
Category : Photography
Languages : en
Pages : 200
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Book Description
Fashion today is as much about image as it is about ideas: indeed the two concepts are synonymous with our perceived notions of style. Yet over the past decade, the increasing use of technology and image manipulation within the fashion industry have led to a noticeable increase in the fantastical image. From fashion shoots that display clothes adorned on invisible models, to painterly reinterpretations of the traditional fashion tableaux, the fine line between reality and fantasy is becoming increasingly blurred. The images shown include shoots by the giants of the fashion photography Nick Knight and Inez van Lamsweerde, and work by a new breed of up-and-coming artists and photographers such as Solve Sundsbo, Philip Poynter and Norbert Schoerner. The Impossible Imageis an eclectic compilation of the best examples of this digital marriage. The art is directed by Robin Derrick, who also writes the informative introduction. The Impossible Imagereveals the cutting edge, through its form and content, of the most innovative and thought-provoking use of new technology and its implementation within the modern fashion shoot. From pre-existing work selected from international style titles, to a new body of photography exclusively commissioned from some of the leading fashion photographers in the industry, The Impossible Imageis established as the definitive publication on photographers in the fashion industry who are reshaping their art - to prove that nothing in art is impossible.
Author: Paul Moorhouse
Publisher: Assouline Publishing
ISBN: 161428976X
Category : Art
Languages : en
Pages : 6
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Book Description
In the popular imagination, possibly no other artist’s work is more recognizable than that of Salvador Dalí. Indeed, for many he is the ultimate mad artist, whose singular vision remorselessly probed his own psychological depths. His nightmarish visions and bizarre landscapes express the angst and turbulence of the twentieth century. Dalí’s creativity embraced many different modes of expression and was never constrained by any one style. Over eight decades, the prodigious range of Dalí’s activity spanned every conceivable medium, from painting and drawing to sculpture, film, furniture, books, stage design and jewelry, not to mention his highly eccentric public persona, which could be considered an art form in itself.
Author: Chris Mortensen
Publisher: Indiana University Press
ISBN: 0253062357
Category : Design
Languages : en
Pages : 189
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Book Description
The Impossible Arises explores the life and work of Oscar Reutersvärd (1916–2002), founder of the Impossible Figures movement. The movement began in Stockholm in 1934 when eighteen-year-old Reutersvärd drew the first impossible triangle. Over the course of his life he would go on to draw around 4000 impossible figures and be honored by the Swedish government with an issue of stamps showing his work. Based on a large collection of Reutersvärd's art and correspondence held at the Lilly Library at Indiana University Bloomington, the lavishly illustrated Impossible Arises examines the evolution of Reutersvärd's impossible figures and how they influenced other modern artists in the later twentieth century. The Impossible Arises offers a detailed look at the philosophy guiding Reutersvärd's art and presents a rich array of stories from his eccentric personal life. It is an essential introduction to the life and career of one of the most fascinating artists of the twentieth century.
Author: Valerie Steele
Publisher: Assouline Publishing
ISBN: 1614280169
Category : Travel
Languages : en
Pages : 6
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Book Description
In this limited edition, Ultimate Collection format linen clamshell and handmade oversized book, Valerie Steele flexes her curatorial muscle by showcasing the most iconic dresses of the twentieth century. From Poiret to Pucci, Doucet to Dior, Vionnet to Valentino, Steele selects one hundred dresses that caused a stir either on the runway or entering a room and ultimately inspired new directions in fashion. Steele’s selections include Paul Poiret's figure-liberating 1907 gown, Madame Grès’s sublimely draped goddess creation from 1938, Jean Paul Gaultier's shockingly exaggerated cone-bust corset dress circa 1984, and Hussein Chalayan’s awe-inspiring remote-control fiberglass Airplane dress from 2000. The compilation, while certainly subjective, is sure to receive nods of recognition along with a gasp or two of surprise.
