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Author: C. Hugh Holman
Publisher: University of Georgia Press
ISBN: 0820333573
Category : Literary Criticism
Languages : en
Pages : 134
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Book Description
The Immoderate Past deals with the southern writer's preoccupation with history, concentrating on representative novelists from three major periods. Finding the origins of this preoccupation in the antebellum period, when most American novelists wrote in the mode of Sir Walter Scott, C. Hugh Holman examines the Revolutionary romances of William Gilmore Simms. With the coming of realism to American fiction after the Civil War, the southern writer turned to a combination of the realistic method with the novel of manners in order to describe the way of life in the South during the nineteenth century. The Civil War replaced the American Revolution as the crucial event in the novels of this second period and was seen as disrupting the quality and texture of antebellum southern life. To illustrate the southern novel in the realistic tradition, Holman discusses Ellen Glasgow's The Battleground, DuBose Heyward's Peter Ashley, Stark Young's So Red the Rose, Allen Tate's The Fathers, Margaret Mitchell's Gone with the Wind, and Margaret Walker's Jubilee. Since the 1930s writers in the region have experimented with modernistic techniques distorting reality in order to make special statement about the nature and meaning of the southern experience. To illustrate this latest development in southern writing, Holman turns to William Faulkner's Light in August and Absalom, Absalom!; Robert Penn Warren's All the King's Men, World Enough and Time, Brother to Dragons, and Wilderness; and William Styron's Confessions of Nat Turner. The Immoderate Past closes with a consideration of the extent to which southern novelists have persisted in using time as a major dimension in their fiction, whereas time has tended to be displaced by space in the standard American novel.
Author: C. Hugh Holman
Publisher: University of Georgia Press
ISBN: 0820333573
Category : Literary Criticism
Languages : en
Pages : 134
Get Book Here
Book Description
The Immoderate Past deals with the southern writer's preoccupation with history, concentrating on representative novelists from three major periods. Finding the origins of this preoccupation in the antebellum period, when most American novelists wrote in the mode of Sir Walter Scott, C. Hugh Holman examines the Revolutionary romances of William Gilmore Simms. With the coming of realism to American fiction after the Civil War, the southern writer turned to a combination of the realistic method with the novel of manners in order to describe the way of life in the South during the nineteenth century. The Civil War replaced the American Revolution as the crucial event in the novels of this second period and was seen as disrupting the quality and texture of antebellum southern life. To illustrate the southern novel in the realistic tradition, Holman discusses Ellen Glasgow's The Battleground, DuBose Heyward's Peter Ashley, Stark Young's So Red the Rose, Allen Tate's The Fathers, Margaret Mitchell's Gone with the Wind, and Margaret Walker's Jubilee. Since the 1930s writers in the region have experimented with modernistic techniques distorting reality in order to make special statement about the nature and meaning of the southern experience. To illustrate this latest development in southern writing, Holman turns to William Faulkner's Light in August and Absalom, Absalom!; Robert Penn Warren's All the King's Men, World Enough and Time, Brother to Dragons, and Wilderness; and William Styron's Confessions of Nat Turner. The Immoderate Past closes with a consideration of the extent to which southern novelists have persisted in using time as a major dimension in their fiction, whereas time has tended to be displaced by space in the standard American novel.
Author: Anna Jacoba Leenhouts
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 338
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Book Description
Author: James Panabaker
Publisher: Univ. of Tennessee Press
ISBN: 9781572333185
Category : History
Languages : en
Pages : 264
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Book Description
"Panabaker examines several key influences on Foote's development as a writer and historian, from his upbringing in the progressive southern town of Greenville, Mississippi, and his relationship with William Alexander Percy to the inescapable shadow of Faulkner."--Jacket.
Author: Owen W. Gilman
Publisher: Univ. Press of Mississippi
ISBN: 9781617035340
Category :
Languages : en
Pages : 226
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Book Description
Author: Sacvan Bercovitch
Publisher: Cambridge University Press
ISBN: 9780521497329
Category : Literary Criticism
Languages : en
Pages : 824
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Book Description
Volume VII of the Cambridge History of American Literature examines a broad range of American literature of the past half-century, revealing complex relations to changes in society. Christopher Bigsby discusses American dramatists from Tennessee Williams to August Wilson, showing how innovations in theatre anticipated a world of emerging countercultures and provided America with an alternative view of contemporary life. Morris Dickstein describes the condition of rebellion in fiction from 1940 to 1970, linking writers as diverse as James Baldwin and John Updike. John Burt examines writers of the American South, describing the tensions between modernization and continued entanglements with the past. Wendy Steiner examines the postmodern fictions since 1970, and shows how the questioning of artistic assumptions has broadened the canon of American literature. Finally, Cyrus Patell highlights the voices of Native American, Asian American, Chicano, gay and lesbian writers, often marginalized but here discussed within and against a broad set of national traditions.
Author: Daniel Cross Turner
Publisher: Univ. of Tennessee Press
ISBN: 1572338946
Category : Literary Criticism
Languages : en
Pages : 289
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Book Description
“Daniel Cross Turner has made a key contribution to the critical study and appreciation of the diverse field of contemporary Southern poetics. “Southern Crossings” crosses a gulf in contemporary poetry criticism while using the idea—or ideas, many and contrary—of “Southernness” to appraise poetries created from the profuse, tangled histories of the region. Turner’s close readings are dynamic, even lyrical. He offers a new understanding of rhythm’s central place in contemporary poetry while considering the work of fifteen poets. Through his focus on varied yet interwoven forms of cultural memory, Turner also shows that memory is not, in fact, passé. The way we remember has as much to say about our present as our past: memory is living, shifting, culturally formed and framed. This is a valuable and important book that entwines new visions of poetic forms with forms of regional remembrance and identity.”—Natasha Trethewey, Pulitzer Prize winner and author of Native Guard: Poems Offering new perspectives on a diversity of recent and still-practicing southern poets, from Robert Penn Warren and James Dickey to Betty Adcock, Charles Wright, Yusef Komunyakaa, Natasha Trethewey, and others, this study brilliantly illustrates poetry’s value as a genre well suited to investigating historical conditions and the ways in which they are culturally assimilated and remembered. Daniel Cross Turner sets the stage for his wide-ranging explorations with an introductory discussion of the famous Fugitive poets John Crowe Ransom, Allen Tate, and Donald Davidson and their vision of a “constant southerness” that included an emphasis on community and kinship, remembrance of the Civil War and its glorified pathos of defeat, and a distinctively southern (white) voice. Combining poetic theory with memory studies, he then shows how later poets, with their own unique forms of cultural remembrance, have reimagined and critiqued the idealized view of the South offered by the Fugitives. This more recent work reflects not just trauma and nostalgia but makes equally trenchant uses of the past, including historiophoty (the recording of history through visual images) and countermemory (resistant strains of cultural memory that disrupt official historical accounts). As Turner demonstrates, the range of poetries produced within and about the American South from the 1950s to the present helps us to recalibrate theories of collective remembrance on regional, national, and even transnational levels. With its array of new insights on poets of considerable reputation—six of the writers discussed here have won at least one Pulitzer Prize for poetry—Southern Crossings makes a signal contribution to the study of not only modern poetics and literary theory but also of the U.S. South and its place in the larger world. Daniel Cross Turner is an assistant professor of English at Coastal Carolina University. His articles, which focus on regional definition in national and global contexts and on aesthetic forms’ potential to record historical transitions, appear in edited collections as well as journals including Genre, Mosaic, the Southern Literary Journal, the Southern Quarterly, and the Mississippi Quarterly.
Author: Matthew B. Roller
Publisher: Cambridge University Press
ISBN: 1108695418
Category : History
Languages : en
Pages : 344
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Book Description
Historical examples played a key role in ancient Roman culture, and Matthew B. Roller's book presents a coherent model for understanding the rhetorical, moral, and historiographical operations of Roman exemplarity. It examines the process of observing, evaluating, and commemorating noteworthy actors, or deeds, and then holding those performances up as norms by which to judge subsequent actors or as patterns for them to imitate. The model is fleshed out via detailed case studies of individual exemplary performers, the monuments that commemorate them, and the later contexts - the political arguments and social debates - in which these figures are invoked to support particular positions or agendas. Roller also considers the boundaries of, and ancient alternatives to, exemplary modes of argumentation, morality, and historical thinking. The book will engage anyone interested in how societies, from ancient Rome to today, invoke past performers and their deeds to address contemporary concerns and interests.
Author: Richard Gray
Publisher: John Wiley & Sons
ISBN: 1118795342
Category : Poetry
Languages : en
Pages : 544
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Book Description
A History of American Poetry presents a comprehensive exploration of the development of American poetic traditions from their pre-Columbian origins to the present day. Offers a detailed and accessible account of the entire range of American poetry Situates the story of American poetry within crucial social and historical contexts, and places individual poets and poems in the relevant intertextual contexts Explores and interprets American poetry in terms of the international positioning and multicultural character of the United States Provides readers with a means to understand the individual works and personalities that helped to shape one of the most significant bodies of literature of the past few centuries
Author: Linda Wagner-Martin
Publisher: John Wiley & Sons
ISBN: 1119062527
Category : Literary Criticism
Languages : en
Pages : 418
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Book Description
A HISTORY OF AMERICAN LITERATURE 1950 TO THE PRESENT Featuring works from notable authors as varied as Salinger and the Beats to Vonnegut, Capote, Morrison, Rich, Walker, Eggers, and DeLillo, A History of American Literature: 1950 to the Present offers a comprehensive analysis of the wide range of literary works produced in the United States over the last six decades and a fascinating survey of the dramatic changes during America’s transition from the innocence of the fifties to the harsh realities of the first decade of the new millennium. Author Linda Wagner-Martin - a highly acclaimed authority on all facets of modern American literature - covers major works of drama, poetry, fiction, non- fiction, memoirs, and popular genres such as science fiction and detective novels. Viewing works produced during this fertile literary period from a wide-ranging perspective, Wagner-Martin considers literature in relation to such issues as the politics of civil rights, feminism, sexual preferences, and race- and gender-based marketing. She also places a special emphasis on works produced during the twenty-first century, and writings influenced by recent historic events such as the 9/11 terrorist attacks, Hurricane Katrina, and the global financial crisis. With its careful balance of scholarly precision and accessibility, A History of American Literature: 1950 to the Present provides readers of all levels with rich and revealing insights into the diversity of literary forms and influences that characterize postmodern America. “A monumental distillation of an enormous range of material, Wagner-Martin’s rich book should be required reading for anyone grappling with making sense of the prolific, broad-spectrum, and diverse writing in the US since 1950.” Thadious M. Davis, University of Pennsylvania “Linda Wagner-Martin’s history impressively and judiciously surveys all fields of American writing over the past sixty years, taking full account of significant cultural and historical contexts and the major critical commentaries that have helped shape our understanding of developments in the second half of the last century and the dozen years following the millennium. Balanced, informative, and always highly readable there is much here for general readers, students, and specialists alike.” Christopher MacGowan, the College of William and Mary
Author: Margaret Walker
Publisher: University of Georgia Press
ISBN: 0820338869
Category : Literary Criticism
Languages : en
Pages : 386
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Book Description
Representing an international gathering of scholars, Fields Watered with Blood constitutes the first critical assessment of the full scope of Margaret Walker’s literary career. As they discuss Walker’s work, including the landmark poetry collection For My People and the novel Jubilee, the contributors reveal the complex interplay of concerns and themes in Walker’s writing: folklore and prophecy, place and space, history and politics, gender and race. In addition, the contributors remark on how Walker’s emphases on spirituality and on dignity in her daily life make themselves felt in her writings and show how Walker’s accomplishments as a scholar, teacher, activist, mother, and family elder influenced what and how she wrote. A brief biography, an interview with literary critic Claudia Tate, a chronology of major events in Walker’s life, and a selected bibliography round out this collection, which will do much to further our understanding of the writer whom poet Nikki Giovanni once called “the most famous person nobody knows.”
