Body Voice Imagination

Body Voice Imagination PDF Author: David G. Zinder
Publisher: Psychology Press
ISBN: 9780878301515
Category : Drama
Languages : en
Pages : 276

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Book Description
The beginning actor will find here the tools to prepare for a life on stage, and the experienced performer will appreciate techniques that will turn good performances into great ones.

Body Voice Imagination

Body Voice Imagination PDF Author: David Zinder
Publisher: Routledge
ISBN: 1134043295
Category : Performing Arts
Languages : en
Pages : 332

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Book Description
David Zinder’s Body Voice Imagination is written by one of the master teachers of the Michael Chekhov technique of acting training. This book is a comprehensive course of exercises devoted to the development of actors’ creative expressivity, comprising both pre-Chekhov ImageWork Training and seminal exercises of the Chekhov technique. It also details the way in which these techniques can be applied to performance through a discovery of the profound connections between the actor’s body, imagination and voice.

Body Voice Imagination

Body Voice Imagination PDF Author: David G. Zinder
Publisher: Psychology Press
ISBN: 9780878301515
Category : Drama
Languages : en
Pages : 276

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Book Description
The beginning actor will find here the tools to prepare for a life on stage, and the experienced performer will appreciate techniques that will turn good performances into great ones.

Mythic Imagination and the Actor

Mythic Imagination and the Actor PDF Author: Marissa Chibás
Publisher: Taylor & Francis
ISBN: 1000411877
Category : Performing Arts
Languages : en
Pages : 121

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Book Description
In Mythic Imagination and the Actor, Marissa Chibás draws on over three decades of experience as a Latinx actor, writer, filmmaker, and teacher to offer an approach to acting that embraces collective imagination, archetypal work, and the mythic. The book begins with a comparative analysis between method acting and mythic acting, encouraging actors to push past the limits of singular life experience and move to a realm where imagination and metaphor thrive. In the context of mythic acting, the book explores awareness work, solo performance creation, the power of archetypes, character building exercises, creating a body/text connection, and how to be the detective of your own process. Through this inclusive guide for a new age of diverse performers traversing gender, ability, culture, and race, readers are able to move beyond their limits to a deep engagement with the infinite possibilities of rich imagination. The final chapter empowers and motivates artists to live healthfully within the practice and create a personal artistic vision plan. Written for actors and students of acting, American Drama, and film and theatre studies, Mythic Imagination and the Actor provides practical exercises and prompts to unlock and interpret an actor’s deepest creative sources.

Stanislavski in Practice

Stanislavski in Practice PDF Author: Nick O'Brien
Publisher: Routledge
ISBN: 1136945598
Category : Performing Arts
Languages : en
Pages : 277

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Book Description
Stanislavski in Practice is an unparalleled step-by-step guide to Stanislavski’s System. Author Nick O’Brien makes this cornerstone of acting accessible to teachers and students alike. This is an exercise book for students and a lesson planner for teachers on syllabi from Edexcel, WJEC and AQA to the practice-based requirements of BTEC. Each element of the System is covered practically through studio exercises and jargon-free discussion. Over a decade’s experience of acting and teaching makes O’Brien perfectly placed to advise anyone wanting to understand or apply Stanislavski’s system. Features include: Practical extension work for students to take away from the lesson Notes for teachers on how to use material with different age groups Exam tips for students based on specific syllabi requirements A chapter dedicated to using Stanislavski when rehearsing a text A glossary of terms that students of the System will encounter

Body Voice Imagination

Body Voice Imagination PDF Author: David Zinder
Publisher: Routledge
ISBN: 1134043309
Category : Art
Languages : en
Pages : 320

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Book Description
First published in 2008. Routledge is an imprint of Taylor & Francis, an informa company.

Imaging and Imagining Illness

Imaging and Imagining Illness PDF Author: Devan Stahl
Publisher: Wipf and Stock Publishers
ISBN: 1532640293
Category : Health & Fitness
Languages : en
Pages : 120

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Book Description
Medical imaging technologies can help diagnose and monitor patients' diseases, but they do not capture the lived experience of illness. In this volume, Devan Stahl shares her story of being diagnosed with multiple sclerosis with the aid of magnetic resonance images (MRIs). Although clinically useful, Stahl did not want these images to be the primary way she or anyone else understood her disease or what it is like to live with MS. With the help of her printmaker sister, Darian Goldin Stahl, they were able to reframe these images into works of art. The result is an altogether different image of the ill body. Now, the Stahls open up their project to four additional scholars to help shed light on the meaning of illness and the impact medical imaging can have on our cultural imagination. Using their insights from the medical humanities, literature, visual culture, philosophy, and theology, the scholars in this volume advance the discourse of the ill body, adding interpretations and insights from their disciplinary fields.

Laban for Actors and Dancers

Laban for Actors and Dancers PDF Author: Jean Newlove
Publisher: MIT Press
ISBN: 9781854591609
Category : Drama
Languages : en
Pages : 166

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Book Description
Rudolf Laban is to movement what Stanislavski is to acting.

The Cambridge Handbook of the Imagination

The Cambridge Handbook of the Imagination PDF Author: Anna Abraham
Publisher: Cambridge University Press
ISBN: 1108429246
Category : Psychology
Languages : en
Pages : 865

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Book Description
The human imagination manifests in countless different forms. We imagine the possible and the impossible. How do we do this so effortlessly? Why did the capacity for imagination evolve and manifest with undeniably manifold complexity uniquely in human beings? This handbook reflects on such questions by collecting perspectives on imagination from leading experts. It showcases a rich and detailed analysis on how the imagination is understood across several disciplines of study, including anthropology, archaeology, medicine, neuroscience, psychology, philosophy, and the arts. An integrated theoretical-empirical-applied picture of the field is presented, which stands to inform researchers, students, and practitioners about the issues of relevance across the board when considering the imagination. With each chapter, the nature of human imagination is examined - what it entails, how it evolved, and why it singularly defines us as a species.

Embodied Acting

Embodied Acting PDF Author: Rick Kemp
Publisher: Routledge
ISBN: 0415507871
Category : Biography & Autobiography
Languages : en
Pages : 258

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Book Description
A pragmatic intervention in the study of how recent discoveries within cognitive science can and should be applied to performance. Drawing on his experience the author interrogates the key cognitive activities involved in performance inc non-verbal communication; thought, speech, and gesture relationships; empathy, imagination, and emotion.

Intercultural Acting and Performer Training

Intercultural Acting and Performer Training PDF Author: Zarrilli Phillip
Publisher: Routledge
ISBN: 0429786298
Category : Performing Arts
Languages : en
Pages : 289

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Book Description
Intercultural Acting and Performer Training is the first collection of essays from a diverse, international group of authors and practitioners focusing on intercultural acting and voice practices worldwide. This unique book invites performers and teachers of acting and performance to explore, describe, and interrogate the complexities of intercultural acting and actor/performer training taking place in our twenty-first century, globalized world. As global contexts become multi-, inter- and intra-cultural, assumptions about what acting "is" and what actor/performer training should be continue to be shaped by conventional modes, models, techniques and structures. This book examines how our understanding of interculturalism changes when we shift our focus from the obvious and highly visible aspects of production to the micro-level of training grounds, studios, and rehearsal rooms, where new forms of hybrid performance are emerging. Ideal for students, scholars and practitioners, Intercultural Acting and Performer Training offers a series of accessible and highly readable essays which reflect on acting and training processes through the lens offered by "new" forms of intercultural thought and practice.