The Imaginative Interpretation of the Far East in Modern French Literature, 1800-1925 , by William Leonard Schwartz ... PDF Download
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Author: William Leonard Schwartz
Publisher:
ISBN:
Category :
Languages : en
Pages : 246
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Book Description
Author: William Leonard Schwartz
Publisher:
ISBN:
Category :
Languages : en
Pages : 246
Get Book Here
Book Description
Author: William Leonard Schwartz
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 270
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Author: Henri Tronchon
Publisher:
ISBN:
Category :
Languages : un
Pages :
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Author: William Leonard Schwartz
Publisher:
ISBN:
Category :
Languages : fr
Pages : 246
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Book Description
Author: William Leonard Schwartz
Publisher:
ISBN:
Category : Art in literature
Languages : en
Pages : 246
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Author: William Leonard Schwartz
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Author: Stanford University
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 236
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Book Description
Author: Marie-Paule Ha
Publisher: SUNY Press
ISBN: 9780791443859
Category : Literary Criticism
Languages : en
Pages : 182
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Book Description
Examines the ambiguous constructions of the Orient in the works of four major twentieth-century French writers.
Author: Glenn Hughes
Publisher: Biblo & Tannen Publishers
ISBN: 9780819602824
Category : Literary Criticism
Languages : en
Pages : 324
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Book Description
Author: Jan Hokenson
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838640104
Category : Art
Languages : en
Pages : 528
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Book Description
Japan, France is the first comprehensive history of the idea of Japan in France, as tracked through close readings of canonical French writers and thinkers from the 1860s to the present. The focus is literary and intellectual, the context cultural. The discovery of Japanese woodblock prints in Paris, following the opening of Japan to the West in 1854, was a startling aesthetic encounter that played a crucial role in the Impressionists' and Post-Impressionists' invention of Modernism. French writers also experimented with Japanese aesthetics in their own work, in ways that similarly thread into the foundations of literary Modernism. Japonisme (the practice of adapting Japanese aesthetics to creative work in the West) became a sustained French tradition, in texts by such writers as Zola and Proust through Barthes and Bonnefoy. Each generation discovered new Japanese arts and genres, commented on the work of their predecessors in this vein, and broke still more ground in East-West aesthetics to innovate in the forms of Western literature and thought. To read literary history in this way unsettles Eurocentric assumptions about many of the French writers who are commonly considered the
