Psychoanalysis and Cinema: the Imaginary Signifier PDF Download
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Author: Christian Metz
Publisher: Palgrave Macmillan
ISBN: 9780333366400
Category : Social Science
Languages : en
Pages : 336
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Book Description
Author: Christian Metz
Publisher: Palgrave Macmillan
ISBN: 9780333366400
Category : Social Science
Languages : en
Pages : 336
Get Book Here
Book Description
Author: Christian Metz
Publisher: Indiana University Press
ISBN: 9780253203809
Category : Performing Arts
Languages : en
Pages : 344
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Book Description
"... less about film than about the psychology of the viewing experience." --American Film Employing Freudian psychoanalysis, Christian Metz explores the nature of cinematic spectatorship and looks at the operations of meaning in the film text.
Author: Raul Moncayo
Publisher: Routledge
ISBN: 0429907958
Category : Psychology
Languages : en
Pages : 273
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Book Description
Within the context of a careful review of the psychology of religion and prior non-Lacanian literature on the subject, Raul Moncayo builds a bridge between Lacanian psychoanalysis and Zen Buddhism that steers clear of reducing one to the other or creating a simplistic synthesis between the two. Instead, by making a purposeful "One-mistake" of "unknown knowing", this book remains consistent with the analytic unconscious and continues in the splendid tradition of Bodhidharma who did not know "Who" he was and told Emperor Wu that there was no merit in building temples for Buddhism. Both traditions converge on the teaching that "true subject is no ego", or on the realisation that a new subject requires the symbolic death or deconstruction of imaginary ego-identifications. Although Lacanian psychoanalysis is known for its focus on language and Zen is considered a form of transmission outside the scriptures, Zen is not without words while Lacanian psychoanalysis stresses the senseless letter of the Real or of a jouissance written on and with the body.
Author: Warren Buckland
Publisher:
ISBN: 9789089648259
Category : Film criticism
Languages : en
Pages : 0
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Book Description
This volume offers readable summaries, elaborations, and explanations of his sometimes complex and demanding theories of film.
Author: Stephen Heath
Publisher:
ISBN: 9780253159137
Category : Performing Arts
Languages : en
Pages : 272
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Book Description
"It is essential reading for anyone concerned with the theoretical discussion of cinema, and ideology in general." -- Semiotica ..". Heath is an antidote to the Cinema 101 worldview." -- Voice Literary Supplement Heath's study of film draws on Lacanian psychoanalysis, semiotics, and Marxism, presenting film as a signifying practice and the cinema as a social institution of meanings.
Author: Margrit Tröhler
Publisher: Film Theory in Media History
ISBN: 9789089648921
Category : Film criticism
Languages : en
Pages : 0
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Book Description
A pioneering figure in film studies, Christian Metz proposed countless new concepts for reflecting on cinema, rooted in his phenomenological structuralism. He also played a key role in establishing film studies as a scholarly discipline, making major contributions to its institutionalisation in universities worldwide. This book brings together a stellar roster of contributors to present a close analysis of Metz's writings, their theoretical and epistemological positions, and their ongoing influence today.
Author: Christian Metz
Publisher: Film and Culture Series
ISBN: 9780231173674
Category : Motion pictures
Languages : en
Pages : 247
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Book Description
The late work of an avant-garde theorist adds clarity to the phenomenology of new media.
Author: Christian Metz
Publisher: University of Chicago Press
ISBN: 9780226521305
Category : Performing Arts
Languages : en
Pages : 290
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Book Description
A pioneer in the field, Christian Metz applies insights of structural linguistics to the language of film. "The semiology of film . . . can be held to date from the publication in 1964 of the famous essay by Christian Metz, 'Le cinéma: langue ou langage?'"—Geoffrey Nowell-Smith, Times Literary Supplement "Modern film theory begins with Metz."—Constance Penley, coeditor of Camera Obscura "Any consideration of semiology in relation to the particular field signifying practice of film passes inevitably through a reference to the work of Christian Metz. . . . The first book to be written in this field, [Film Language] is important not merely because of this primacy but also because of the issues it raises . . . issues that have become crucial to the contemporary argument."—Stephen Heath, Screen
Author: Todd Mcgowan
Publisher: Other Press, LLC
ISBN: 1635421063
Category : Psychology
Languages : en
Pages : 262
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Book Description
This unique volume collects a series of essays that link new developments in Lacanian psychoanalytic theory and recent trends in contemporary cinema. Though Lacanian theory has long had a privileged place in the analysis of film, film theory has tended to ignore some of Lacan's most important ideas. As a result, Lacanian film theory has never properly integrated the disruptive and troubling aspects of the filmic experience that result from the encounter with the Real that this experience makes possible. Many contemporary theorists emphasize the importance of the encounter with the Real in Lacan's thought, but rarely in discussions of film. By bringing the encounter with the Real into the dialogue of film theory, the contributors to this volume present a new version of Lacan to the world of film studies. These essays bring this rediscovered Lacan to bear on contemporary cinema through analysis of a wide variety of films, including Memento, Eyes Wide Shut, Breaking the Waves, and Fight Club. The films discussed here demand a turn to Lacanian theory because they emphasize the disruptive role of the Real and of jouissance in the experience of the human subject. There is a growing number of films in contemporary cinema that speak to film's power to challenge and disturb the complacency of spectators, and the essays in Lacan and Contemporary Film analyze some of these films and bring their power to light. Because of its dual focus on developments in Lacanian theory and in contemporary film, this collection serves as both an accessible introduction to current Lacanian film theory and an introduction to the study of contemporary cinema. Each essay provides an accessible, jargon-free analysis of one or more important films, and at the same time, each explains and utilizes key concepts of Lacanian theory. The collection stages an encounter between Lacanian theory and contemporary cinema, and the result is the enrichment of both.
Author: Linda Williams
Publisher: Univ of California Press
ISBN: 9780520078963
Category : Performing Arts
Languages : en
Pages : 260
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Book Description
"An important contribution to film theory. . . . Williams has a fluid, assured style. She is clearly in command of the subject. She's made a strong and original argument for the psychoanalytic basis of Surrealism."--James Monaco, author of The New Wave
