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Author: George Condo
Publisher: powerHouse Books
ISBN:
Category : Painting, American
Languages : en
Pages : 158
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Book Description
Essay by Ralph Rugoff In this journey through the last 30 years of Condo's distinguished career as an artist, early sketches and studies accompany their now classic transformations into paintings, offering readers a glimpse into condo's wickedly trippy world. Whether it's visions of Lucy Ricardo and Gomer Pyle, visual interpretations of the melodies of John Coltrane and Thelonious Monk, or a sci-fi universe inhabited by his iconic pod people, this work represents his distinctive and widely renowned style. 100 full-colour reproductions.
Author: George Condo
Publisher: powerHouse Books
ISBN:
Category : Painting, American
Languages : en
Pages : 158
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Book Description
Essay by Ralph Rugoff In this journey through the last 30 years of Condo's distinguished career as an artist, early sketches and studies accompany their now classic transformations into paintings, offering readers a glimpse into condo's wickedly trippy world. Whether it's visions of Lucy Ricardo and Gomer Pyle, visual interpretations of the melodies of John Coltrane and Thelonious Monk, or a sci-fi universe inhabited by his iconic pod people, this work represents his distinctive and widely renowned style. 100 full-colour reproductions.
Author: George Condo
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 148
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Book Description
Artwork by George Condo. Contributions by Ralph Rugoff.
Author: Simon Baker
Publisher:
ISBN: 9780500093948
Category : ART
Languages : en
Pages : 0
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Book Description
The definitive monograph of the outrageous, unorthodox New York painter George Condo
Author: George Condo
Publisher: Nicholson
ISBN:
Category : Art
Languages : en
Pages : 100
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Book Description
Author: Kehinde Wiley
Publisher: powerHouse Books
ISBN: 9781576874868
Category : Photography
Languages : en
Pages : 0
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Book Description
Kehinde Wiley painted President Obama's official portrait and this is an early book from him documenting his extraordinary talents. "For most of Kehinde Wiley's very successful career, he has created large, vibrant, highly patterned paintings of young African American men wearing the latest in hip hop street fashion. The theatrical poses and objects in the portraits are based on well-known images of powerful figures drawn from seventeenth- through nineteenth-century Western art. Pictorially, Wiley gives the authority of those historical sitters to his twenty-first-century subjects." -National Portrait Gallery "My intention is to craft a world picture that isn't involved in political correctives or visions of utopia. It's more of a perpetual play with the language of desire and power." -Kehinde Wiley "Wiley inserts black males into a painting tradition that has typically omitted them or relegated them to peripheral positions. At the same time, he critiques contemporary portrayals of black masculinity itself.... He systematically takes a 'pedestrian' encounter with African-American men, elevates it to heroic scale, and reveals-through subtle formal alterations-that postures of power can sometimes be seen as just that, a pose." -Art in America Los Angeles native and New York-based visual artist Kehinde Wiley has firmly situated himself within art history's portrait painting tradition. As a contemporary descendent of a long line of portraitists-including Reynolds, Gainsborough, Titian, Ingres, and others-Wiley engages the signs and visual rhetoric of the heroic, powerful, majestic, and sublime in his representation of urban black and brown men found throughout the world. By applying the visual vocabulary and conventions of glorification, wealth, prestige, and history to subject matter drawn from the urban fabric, Wiley makes his subjects and their stylistic references juxtaposed inversions of each other, imbuing his images with ambiguity and provocative perplexity. In Black Light, his first monograph, Wiley's larger-than-life figures disturb and interrupt tropes of portrait painting, often blurring the boundaries between traditional and contemporary modes of representation and the critical portrayal of masculinity and physicality as it pertains to the view of black and brown young men. The models are dressed in their everyday clothing, most of which is based on far-reaching Western ideals of style, and are asked to assume poses found in paintings or sculptures representative of the history of their surroundings. This juxtaposition of the "old" inherited by the "new"-who often have no visual inheritance of which to speak-immediately provides a discourse that is at once visceral and cerebral in scope. Without shying away from the socio-political histories relevant to the subjects, Wiley's heroic images exhibit a unique modern style that awakens complex issues which many would prefer remain mute.
Author: Paul P.
Publisher: powerHouse Books
ISBN:
Category : Artists' books
Languages : en
Pages : 166
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Book Description
"Paul P. has become internationally known for his haunting paintings and drawings of the faces and figures of young men, all sourced from pre-AIDS gay magazines. Nonchaloir, the artist's first monograph, collects over 100 of his stunning portraits in a small, intimate volume. Paul P.'s subjects and their poses are imbued with references to famed painters James McNeil Whistler and John Singer Sargent. Even the title itself is referential: nonchaloir is a defunct French word suggesting repose and resignation, found in works by Mallarmé and Baudelaire. Introduction by Collier Schorr." -- from Art Metropole website (viewd 25 May 2018).
Author: Ralph Rugoff
Publisher: MIT Press (MA)
ISBN:
Category : Art
Languages : en
Pages : 172
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Book Description
The book is not about works of art that simply document criminal acts. Rather, it is about a strain of art that presents the art object as a clue to absent meanings or actions.
Author: Keith Haring
Publisher: Penguin
ISBN: 1101195614
Category : Art
Languages : en
Pages : 465
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Book Description
Keith Haring is synonymous with the downtown New York art scene of the 1980's. His artwork-with its simple, bold lines and dynamic figures in motion-filtered in to the world's consciousness and is still instantly recognizable, twenty years after his death. This Penguin Classics Deluxe Edition features ninety black-and-white images of classic artwork and never-before-published Polaroid images, and is a remarkable glimpse of a man who, in his quest to become an artist, instead became an icon. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
Author: George Condo
Publisher: Hatje Cantz Verlag
ISBN:
Category : Art
Languages : en
Pages : 148
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Book Description
"American painter George Condo, who was born in New Hampshire in 1957, has occupied a prominent position in the Western art scene from Cologne to New York for more than twenty years. He regularly succeeds in surprising viewers with his grotesque, often tradition-conscious, and almost classically Surrealistic paintings. Condo's own models and partners in dialogue range from Goya and Velazqaez to Picasso and Warhol, in whose Factory he earned this living for a brief period in the early eighties. Along with Jean-Michel Basquiat, Keith Haring, and Julian Schnabel, he was instrumental in the international revival of painting after 1982. This retrospective publication focuses on Condo's favorite subject: women. Featuring some fifty paintings, forty drawings, and five sculptures, the book presents a motif that appears in various forms in his art - in nudes, portraits, and art-historical collages. Apart from Picasso and Mattise, no other twentieth-century artist has dealt with this theme as intensely and imaginatively as George Condo."--BOOK JACKET.
Author: Jonathan Shaw
Publisher: powerHouse Books
ISBN: 9781576878477
Category : Art
Languages : en
Pages : 0
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Book Description
More of what people loved about the first volume! InVintage Tattoo Flash: Volume 2, Jonathan Shaw unearths more gems from his extensive and world-renowned collection of traditional American tattoo art. Comprised entirely of previously unseen and unpublished work,Volume 2picks up where the first volume left off-contributing a new and important body of work to the historical record of this outsider art form. Electric tattooing as we know it today was invented in New York City at the turn of the 20th century. In the first days of American tattooing, tattoos were primarily worn by sailors and soldiers, outlaws and outsiders. The visual language of what came to be known as "traditional tattooing" was developed in those early days on the Bowery and catered to the interests of the clientele. Common imagery that soon became canon included sailing ships, women, hearts, roses, daggers, eagles, dragons, wolves, panthers, skulls, crosses, and popular cartoon characters of the era. The first tattooists also figured out that using bold outlines, complimented by solid color and smooth shading, was the proper technique for creating art on a body that would stand the test of time. In the over 100 years since then, techniques and styles have evolved, and the customer base has expanded, but the core subject matter and philosophy developed at the dawn of electric tattooing has persisted as perennial favorites through the modern era. While most tattoos are inherently ephemeral, transported on skin until the death of the collector, a visual record exists in the form of tattoo flash: the hand-painted sheets of designs posted in tattoo shops for customers to select from.Vintage Tattoo Flash: Volume 2represents a selection of over 100 pieces of flash from one of the largest private collections in existence and spans the first roughly 75 years of American tattooing from the 1900s Bowery, to 50s Texas, through the Pike in the 60s and the development of the first black and grey, single-needle tattooing in LA in the 70s. The book lovingly reproduces entirely unpublished sheets of original flash from the likes of Bob Shaw, Zeke Owen, Tex Rowe, Ted Inman, Ace Harlyn, Ed Smith, Paul Rogers, the Moskowitz brothers, and many, many others relatively known and unknown.
