The Image in the Modern French Novel: Gide, Alain-Fournier, Proust, Camus PDF Download
Are you looking for read ebook online? Search for your book and save it on your Kindle device, PC, phones or tablets. Download The Image in the Modern French Novel: Gide, Alain-Fournier, Proust, Camus PDF full book. Access full book title The Image in the Modern French Novel: Gide, Alain-Fournier, Proust, Camus by Stephen Ullmann. Download full books in PDF and EPUB format.
Author: Stephen Ullmann
Publisher:
ISBN:
Category : French fiction
Languages : en
Pages : 336
Get Book Here
Book Description
Author: Stephen Ullmann
Publisher:
ISBN:
Category : French fiction
Languages : en
Pages : 336
Get Book Here
Book Description
Author: Stephen Ullmann
Publisher: CUP Archive
ISBN:
Category : French fiction
Languages : en
Pages : 332
Get Book Here
Book Description
Author: István Ullmann
Publisher:
ISBN:
Category :
Languages : en
Pages : 314
Get Book Here
Book Description
Author: Stephen Ullmann
Publisher: Praeger
ISBN: 0837194598
Category : Education
Languages : en
Pages : 0
Get Book Here
Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: Egon Huber
Publisher:
ISBN:
Category :
Languages : de
Pages : 5
Get Book Here
Book Description
Author: Stephen Ullmann
Publisher:
ISBN: 9780758113368
Category :
Languages : en
Pages :
Get Book Here
Book Description
Author: A. Pasco
Publisher: Springer
ISBN: 0230117430
Category : Literary Criticism
Languages : en
Pages : 387
Get Book Here
Book Description
Pasco analyzes innovative nineteenth- and twentieth-century French works to suggest a definition of the novel, in all of its variations and difficulties: a relatively long, artistically designed, prose fiction. He permits literary aficionados to reevaluate novels through comparisons with other genres and both recent and former traditions.
Author: Ralph Freeman
Publisher: Princeton University Press
ISBN: 1400875404
Category : Literary Criticism
Languages : en
Pages : 309
Get Book Here
Book Description
The author, in defining the genre of "lyrical fiction," separates a type of .fiction that can be legitimately viewed as “poetry” from other narrative types. The lyrical novelist uses fictional devices to find an aesthetic expression for experience, achieving an effect most frequently seen in dreams, picaresques, and allegories. Analyzing representative novels by Hermann Hesse, Andre Gide, and Virginia Woolf, Ralph Freedman focuses on the problem of self-consciousness. His findings are directly applicable to much twentieth-century fiction. Originally published in 1963. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Lorna Martens
Publisher: Harvard University Press
ISBN: 0674275098
Category : Literary Criticism
Languages : en
Pages : 285
Get Book Here
Book Description
Readers once believed in Proust’s madeleine and in Wordsworth’s recollections of his boyhood—but that was before literary culture began to defer to Freud’s questioning of adult memories of childhood. In this first sustained look at childhood memories as depicted in literature, Lorna Martens reveals how much we may have lost by turning our attention the other way. Her work opens a new perspective on early recollection—how it works, why it is valuable, and how shifts in our understanding are reflected in both scientific and literary writings. Science plays an important role in The Promise of Memory, which is squarely situated at the intersection of literature and psychology. Psychologists have made important discoveries about when childhood memories most often form, and what form they most often take. These findings resonate throughout the literary works of the three writers who are the focus of Martens’ book. Proust and Rilke, writing in the modernist period before Freudian theory penetrated literary culture, offer original answers to questions such as “Why do writers consider it important to remember childhood? What kinds of things do they remember? What do their memories tell us?” In Walter Benjamin, Martens finds a writer willing to grapple with Freud, and one whose writings on childhood capture that struggle. For all three authors, places and things figure prominently in the workings of memory. Connections between memory and materiality suggest new ways of understanding not just childhood recollection but also the artistic inclination, which draws on a childlike way of seeing: object-focused, imaginative, and emotionally intense.
