The Illustrated Bartsch: Italian masters of the sixteenth century PDF Download
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Author: Walter L. Strauss
Publisher:
ISBN:
Category : Botany, Medical
Languages : en
Pages : 392
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Book Description
Author: Walter L. Strauss
Publisher:
ISBN:
Category : Botany, Medical
Languages : en
Pages : 392
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Book Description
Author: Adam von Bartsch
Publisher:
ISBN:
Category : Botany, Medical
Languages : en
Pages : 404
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Book Description
Author: Walter L. Strauss
Publisher:
ISBN:
Category : Botany, Medical
Languages : en
Pages : 374
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Book Description
Author: Walter L. Strauss
Publisher:
ISBN:
Category : Botany, Medical
Languages : en
Pages : 400
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Book Description
Author: Walter L. Strauss
Publisher:
ISBN:
Category : Botany, Medical
Languages : en
Pages : 312
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Book Description
Author: Anne Bloemacher
Publisher: BRILL
ISBN: 9004445862
Category : Art
Languages : en
Pages : 392
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Book Description
In this first in-depth study dedicated to the intriguing history of the translation of statues and reliefs into print, the essays in this volume reflect the printmakers’ various approaches and challenges of translating antique or contemporary artworks, underlining their highly creative handling.
Author: Caroline Karpinski
Publisher: MacMillan Publishing Company
ISBN:
Category : Art
Languages : en
Pages : 344
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Book Description
Author: Giovanni Pietro Bellori
Publisher: Cambridge University Press
ISBN: 9780521781879
Category : Art
Languages : en
Pages : 532
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Book Description
This is the first complete translation of the biographies of fifteen artists, including Annibale Carracci, Carvaggio, Rubens, Van Dyck, and Poussin, written by the seventeenth-century antiquarian Giovan Pietro Bellori. Originally conceived as a continuation of Vasari's famous Lives, it is a fundamental source for seventeenth-century Italian art and artistic theory, providing detailed descriptions of extant and lost works of art, while casting light on the cultural politics of contemporary Rome and the relations between Rome and France. The importance of Bellori's Lives lies in the scrupulous documentation of artists, many of whom he knew personally; the author's detailed descriptions of their works; and his exposition of the classicist theory of art in the introductory lecture, the Idea. This volume contains the twelve Lives published in the original edition of 1672 and three Lives (Guido Reni, Andrea Sacchi, and Carlo Maratti) that survive in manuscript form and that were published for the first time in 1942.
Author: Livio Pestilli
Publisher: Routledge
ISBN: 1351554115
Category : Art
Languages : en
Pages : 229
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Book Description
The presence of the orthopedically impaired body in art is so pervasive that, paradoxically, it has failed to attract the attention of most art historians. In Picturing the Lame in Italian Art from Antiquity to the Modern Era, Livio Pestilli investigates the changing meaning that images of individuals with limited mobility acquired through the centuries. This study evinces that in distinct opposition to the practice of classical artists, who manifested a lack of interest in the subject of lameness since it was considered 'a defect or a deformity' and deformity a 'want of measure, which is always unsightly,' their Early Christian counterparts depicted them profusely, because images of the miraculous healing of the lame became the reassuring sign of universal acceptance and the promise of a more equitable existence in this life or the next. In the Middle Ages, instead, when voluntary poverty came to be associated with the necessary condition of faithfulness to Christ, the indigent lame, along with others who were forced to beg for a living, became the image of the alter Christus. This view was to change in the Renaissance and Baroque periods, when, with the resurgence of classical and Pauline ideals that condemned the idle, representations of the orthopedically impaired became associated with swindlers, freeloaders and parasites. This fascinating story came basically to an end in the Eighteenth century when, with the revival of the Greek ideal of the Beautiful, the lame gradually left center stage to be relegated again to the margins of the visual arts.
Author: Paul Joannides
Publisher: Thames & Hudson
ISBN: 0500776857
Category : Art
Languages : en
Pages : 479
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Book Description
More versatile and less idiosyncratic than Michelangelo, more prolific and accessible than his mentor Leonardo da Vinci, Raphael, though he died at only thirty-seven, is considered the single most influential artist of the Renaissance. Here, art historian Paul Joannides explores the different social and regional contexts of Raphaels work and discusses all aspects of his artistic output. He traces Raphaels career from his origins in Urbino, through his altarpieces made in Umbria in the shadow of Perugino, to the first flowering of his genius in Florence where he painted a series of iconic Madonnas that are among the most beloved images in Western art. Raphaels employment by the dynamic and demanding Pope Julius II gave him opportunities without parallel and encouraged the full expansion of his genius. As a sophisticate entrepreneur, he dominated Romes artistic life and extended the range of his activities to that of architect, designer, pioneer archaeologist and theoretician. The foundation of Raphaels versatility and range was his supreme clarity of mind as a draughtsman. Knowledge of his drawings, on which Joannides is a leading expert, is central to understanding of his achievement, and they are thoroughly explored here.
