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Author: Nick Flynn
Publisher: Graywolf Press
ISBN: 1644451018
Category : Poetry
Languages : en
Pages : 93
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Book Description
The newest collection from Nick Flynn, whose “songs of experience hum with immediacy” (The New York Times) Beginning with a poem called “Confessional” and ending with a poem titled “Saint Augustine,” Nick Flynn's I Will Destroy You interrogates the potential of art to be redemptive, to remake and reform. But first the maker of art must claim responsibility for his past, his actions, his propensity to destroy others and himself. “Begin by descending,” Augustine says, and the poems delve into the deepest, most defeating parts of the self: addiction, temptation, infidelity, and repressed memory. These are poems of profound self-scrutiny and lyric intensity, jagged and probing. I Will Destroy You is an honest accounting of all that love must transcend and what we must risk for its truth.
Author: Nick Flynn
Publisher: Graywolf Press
ISBN: 1644451018
Category : Poetry
Languages : en
Pages : 93
Get Book Here
Book Description
The newest collection from Nick Flynn, whose “songs of experience hum with immediacy” (The New York Times) Beginning with a poem called “Confessional” and ending with a poem titled “Saint Augustine,” Nick Flynn's I Will Destroy You interrogates the potential of art to be redemptive, to remake and reform. But first the maker of art must claim responsibility for his past, his actions, his propensity to destroy others and himself. “Begin by descending,” Augustine says, and the poems delve into the deepest, most defeating parts of the self: addiction, temptation, infidelity, and repressed memory. These are poems of profound self-scrutiny and lyric intensity, jagged and probing. I Will Destroy You is an honest accounting of all that love must transcend and what we must risk for its truth.
Author: Stephanie Burt
Publisher: Harvard University Press
ISBN: 0674737873
Category : Literary Criticism
Languages : en
Pages : 430
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Book Description
The variety of contemporary American poetry leaves many readers overwhelmed. The critic, scholar, and poet Stephen Burt sets out to help. Beginning in the early 1980s, where critical consensus ends, he presents 60 poems, each with an original essay explaining how the poem works, why it matters, and how it speaks to other parts of art and culture.
Author: Lesley Wheeler
Publisher: Cornell University Press
ISBN: 9780801446689
Category : Language Arts & Disciplines
Languages : en
Pages : 256
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Book Description
This book is a study of voice in poetry, beginning in the 1920s when modernism rose to the surface of poetry and other arts, and when radio expanded suddenly in the United States.
Author: Anne Ferry
Publisher: Stanford University Press
ISBN: 9780804735179
Category : Literary Criticism
Languages : en
Pages : 332
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Book Description
The first six chapters are distinguished according to the nature of the question a reader might ask about the poem, which the title purports to answer. Who gives the title? Who has the title? Who "says" the poem? Who "hears" the poem? What genre does the poem belong to? What is the poem "about"?
Author: Joanne Feit Diehl
Publisher: Indiana University Press
ISBN: 9780253317414
Category : Biography & Autobiography
Languages : en
Pages : 236
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Book Description
Employing current work in gender studies, psychoanalysis, and literary criticism and focusing on Emily Dickinson, Marianne Moore, Elizabeth Bishop, Sylvia Plath, and Adrienne Rich, the author delineates an alternative tradition of American women poets, what Diehl calls the American Counter-Sublime. "This is the best book on American women poets I have yet seen." American Literature. "... sophisticated and eloquently argued analysis of a female counter-sublime..." Sandra Gilbert. "... strong readings of Dickinson and Moore and... a vital polemic on behalf of feminist criticism." Harold Bloom. "This brilliant re-evaluation of major American women poets will be indispensable reading... A stunning and a magisterial achievement." Susan Gubar. "... a powerful thesis... a book that is as rich as it is dense in meaning." The Women's Review of Books.
Author: Jay Rogoff
Publisher: LSU Press
ISBN: 0807180955
Category : Literary Criticism
Languages : en
Pages : 205
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Book Description
Winner of the Lewis P. Simpson Award In Becoming Poetry, Jay Rogoff closely inspects the work of two dozen poets, his forebears and his contemporaries, to reveal how their poetry achieves its impact upon readers. His essays, drawn from more than twenty years of literary criticism, explore how the staying power of a poet’s work and the likelihood of its enjoying a lasting identification with its creator depend on the skilled manipulation of poetic technique. Considering how poetry can manifest a vividly conceived world of feeling and sensation, Rogoff maintains that we understand and evaluate poets by the sum of their most persuasive inventive strategies, including their attention to form. The poet, finally, constructs a uniquely imagined universe and thus, in the minds of readers, becomes the poetry. A model of practical criticism, intended for enthusiasts at all levels, Becoming Poetry demystifies how poetry operates on its audience to create a virtual, affective experience of lasting power and value.
Author: Marjorie Perloff
Publisher: University of Chicago Press
ISBN: 9780226660592
Category : Biography & Autobiography
Languages : en
Pages : 74
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Book Description
Previously known as an art-world figure, but now regarded as an important poet, Frank O'Hara is examined in this study. It traces the poet's "French connection" and the influence of the visual arts on his work. This edition includes a new introduction with a reconsideration of O'Hara's lyric.
Author: Natalie Pollard
Publisher: Oxford University Press
ISBN: 019259396X
Category : Literary Criticism
Languages : en
Pages : 331
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Book Description
This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms. This manifests itself interactively in the six case studies, which have been chosen for their distinctness and diversity across the long twentieth century: the book begins with the early twentieth-century work of writer and artist Djuna Barnes, exploring her re-animation of sculptural and dramatic sources. It then turns to the late modernist artist and poet David Jones considering his use of the graphic and plastic arts in The Anathemata, and next, to the underappreciated mid-century poet F.T. Prince, whose work uncannily re-activates Michelangelo's poetry and sculpture. The second half of the book explores the collaborations of the canonical poet Ted Hughes with the publisher and artist Leonard Baskin during the 1970s; the innovative late twentieth-century poetry of Denise Riley who uses page space and embodied sound as a form of address; and, finally, the contemporary poet Paul Muldoon who has collaborated with photographers and artists, as well as ventriloquising nonhuman phenomena. The resulting unique study offers contemporary writers and readers a new understanding of literary, artistic, and nonhuman practices and shows the cultural importance of engaging with their messy co-dependencies. The book challenges critical methodologies that make a sharp division between the textual work and the extra-literary, and raises urgent questions about the status and autonomy of art and its social role.
Author: Ann Keniston
Publisher: Routledge
ISBN: 1135502722
Category : Literary Criticism
Languages : en
Pages : 184
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Book Description
Overheard Voices examines poetic address and in particular apostrophe (the address of absent or inanimate others) in the work of four post-World War II American poets, with a focus on loss, desire, figuration, audience, and subjectivity. By approaching these crucial issues from an unexpected angle--through a study of the seldom-examined lyric "you"--Overheard Voices offers new insight into both contemporary lyric and the lyric genre more generally. The book offers detailed readings of Sylvia Plath, James Merrill, Louise Glück, and Frank Bidart.
Author: Jane Taubman
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 308
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Book Description
