Author: Henrik Hjort Sorensen
Publisher: BRILL
ISBN: 9789004089402
Category : Religion
Languages : en
Pages : 86
Book Description
The Iconography of Korean Buddhist Painting
Author: Henrik Hjort Sorensen
Publisher: BRILL
ISBN: 9789004089402
Category : Religion
Languages : en
Pages : 86
Book Description
Publisher: BRILL
ISBN: 9789004089402
Category : Religion
Languages : en
Pages : 86
Book Description
The Iconography of Korean Buddhist Painting
Author: Sorensen
Publisher: BRILL
ISBN: 9004666664
Category : Architecture
Languages : en
Pages : 78
Book Description
Publisher: BRILL
ISBN: 9004666664
Category : Architecture
Languages : en
Pages : 78
Book Description
高麗佛畵大展
Author:
Publisher:
ISBN:
Category : Buddhist painting
Languages : ko
Pages : 328
Book Description
Publisher:
ISBN:
Category : Buddhist painting
Languages : ko
Pages : 328
Book Description
A Companion to Korean Art
Author: J. P. Park
Publisher: John Wiley & Sons
ISBN: 1118927001
Category : Art
Languages : en
Pages : 677
Book Description
The only college-level publication on Korean art history written in English Korean pop culture has become an international phenomenon in the past few years. The popularity of the nation’s exports—movies, K-pop, fashion, television shows, lifestyle and cosmetics products, to name a few—has never been greater in Western society. Despite this heightened interest in contemporary Korean culture, scholarly Western publications on Korean visual arts are scarce and often outdated. A Companion to Korean Art is the first academically-researched anthology on the history of Korean art written in English. This unique anthology brings together essays by renowned scholars from Korea, the US, and Europe, presenting expert insights and exploring the most recent research in the field. Insightful chapters discuss Korean art and visual culture from early historical periods to the present. Subjects include the early paintings of Korea, Buddhist architecture, visual art of the late Chosŏn period, postwar Korean Art, South Korean cinema, and more. Several chapters explore the cultural exchange between the Korean peninsula, the Chinese mainland, and the Japanese archipelago, offering new perspectives on Chinese and Japanese art. The most comprehensive survey of the history of Korean art available, this book: Offers a comprehensive account of Korean visual culture through history, including contemporary developments and trends Presents two dozen articles and numerous high quality illustrations Discusses visual and material artifacts of Korean art kept in various archives and collections worldwide Provides theoretical and interpretive balance on the subject of Korean art Helps instructors and scholars of Asian art history incorporate Korean visual arts in their research and teaching The definitive and authoritative reference on the subject, A Companion to Korean Art is indispensable for scholars and academics working in areas of Asian visual arts, university students in Asian and Korean art courses, and general readers interested in the art, culture, and history of Korea.
Publisher: John Wiley & Sons
ISBN: 1118927001
Category : Art
Languages : en
Pages : 677
Book Description
The only college-level publication on Korean art history written in English Korean pop culture has become an international phenomenon in the past few years. The popularity of the nation’s exports—movies, K-pop, fashion, television shows, lifestyle and cosmetics products, to name a few—has never been greater in Western society. Despite this heightened interest in contemporary Korean culture, scholarly Western publications on Korean visual arts are scarce and often outdated. A Companion to Korean Art is the first academically-researched anthology on the history of Korean art written in English. This unique anthology brings together essays by renowned scholars from Korea, the US, and Europe, presenting expert insights and exploring the most recent research in the field. Insightful chapters discuss Korean art and visual culture from early historical periods to the present. Subjects include the early paintings of Korea, Buddhist architecture, visual art of the late Chosŏn period, postwar Korean Art, South Korean cinema, and more. Several chapters explore the cultural exchange between the Korean peninsula, the Chinese mainland, and the Japanese archipelago, offering new perspectives on Chinese and Japanese art. The most comprehensive survey of the history of Korean art available, this book: Offers a comprehensive account of Korean visual culture through history, including contemporary developments and trends Presents two dozen articles and numerous high quality illustrations Discusses visual and material artifacts of Korean art kept in various archives and collections worldwide Provides theoretical and interpretive balance on the subject of Korean art Helps instructors and scholars of Asian art history incorporate Korean visual arts in their research and teaching The definitive and authoritative reference on the subject, A Companion to Korean Art is indispensable for scholars and academics working in areas of Asian visual arts, university students in Asian and Korean art courses, and general readers interested in the art, culture, and history of Korea.
Art of the Korean Renaissance, 1400-1600
Author: Soyoung Lee
Publisher: Metropolitan Museum of Art
ISBN: 1588393100
Category : Art, Korean
Languages : fr
Pages : 142
Book Description
Publisher: Metropolitan Museum of Art
ISBN: 1588393100
Category : Art, Korean
Languages : fr
Pages : 142
Book Description
Korean Buddhism: History, Condition and Art
Author: Frederick Starr
Publisher: Library of Alexandria
ISBN: 1465606076
Category : Religion
Languages : en
Pages : 124
Book Description
The author does not over-estimate the importance of this little book: it is nothing more than its title claims. It consists of three lectures given to popular audiences, with the accompaniment of many illustrations. It represents, however, a considerable amount of work in an almost virgin field. It has involved hard journeys to remote mountain monasteries, and days and nights of conversation and inquiry with many monks and priests. It is not, however, a profound study nor an exhaustive presentation. It barely touches many a subject, which would alone furnish more material than could be treated in three such lectures. It but scratches the surface. The material which it presents is however new. Outside of Mrs. Bishop’s account of her visit to the Diamond Mountain monasteries and scattered references in her book to a few local temples, there is almost nothing on the subject of Korean Buddhism accessible to English readers. A glance at our bibliography will show that not one of the books or articles there listed appeared in the West. All were printed at Seoul, Shanghai and Tokyo and publications appearing at those centers are little known outside. To aid serious readers, who may care to secure them, the publishers’ names are given in our list. The author has carefully read all the items listed and acknowledges indebtedness to all the authors. The actual amount of material for the full study of Korean Buddhism is enormous. There are many voluminous works in Chinese and Korean dealing with Korean history; when carefully sifted, these will yield many important facts. Many, perhaps all, of the monasteries have records of their history somewhat after the nature of annals; most of these are in manuscript, but a few have been printed, presumably from wood-blocks cut at the establishment by the monks. There is a third source of information, as vast in bulk as either of the other two; it is the inscriptions on monuments, which are scattered in thousands over the peninsula. The gleaning of information from these three sources—for the work must absolutely be of the nature of gleaning—will require many years, but the work is worth the doing. It is urgent also. Every one of these three sources is subject to destruction and even now is threatened. Old books in Korea are being constantly lost and destroyed; new editions of them are often carelessly and inaccurately reproduced; in some cases, the new editions are intentionally mutilated, important passages being suppressed. The monastery records are less secure than ever before; with the new life and energy in these old establishments, renovation and clearing out of nooks and corners and overhauling of accumulations of papers, places documents, the value of which is unknown or unappreciated, in serious jeopardy. As for the monuments many are disappearing and others are becoming undecipherable through weathering. There is pressing need then of promptly securing these materials and making them available for study. The Japanese are doing much good work. They are gathering old books and records. Up to 1915 more than one hundred and fifty thousand books, manuscript and printed, had been gathered by the Government-General. Among these were the “Annals of Yi” numbering sixteen hundred and thirty-three volumes and the “Royal Diaries,” aggregating thirty-one hundred and ninety-nine volumes, “all hand-written with the brush.” Of the “Annals” there were four sets made under the Korean government for the four old royal libraries. The “Royal Diaries” were compiled at the king’s orders; they dated from Yi Tajo himself, but those up to near the end of the sixteenth century were burned by the Koreans at the time of the Hideyoshi invasion; those now existing cover the period from 1623 to 1907. Japanese scholars have organized a society for reprinting old and rare Korean books and have gotten out many volumes. They are piling up direct observations also. From 1909 to 1915, they conducted a peninsula-wide survey of ancient monuments and have printed the results in four fine volumes, with splendid illustrations, under the titleChosen ko seki gafu. They have taken steps toward the preservation and, where necessary, the reconstruction of important monuments and notable buildings. They are copying the monastery records and ultimately will have a complete set of all that remain. The originals ought to be left in possession of the monasteries themselves, with the obligation to guard and keep them safely. As to monumental inscriptions, the Government-General has been equally industrious. Up to March, 1915, there had been made thirteen hundred and seventy-seven direct rubbings from inscribed stones, of which forty-four represented Sylla, forty-three the period of the Koryu Dynasty and thirteen hundred and three the Yi Dynasty. It is fortunate that this preservation of material is being undertaken. The world will profit by it, though it may still be long locked up in Chinese characters. In this book the work of Yi Nung Hwa is mentioned. His Buddhist magazine should yield some data of value. If his History of Korean Buddhism is printed it ought to be of high importance, as he naturally has a much easier task in consulting the original sources than any foreigner. If his work is done with care and critical judgment it should be the necessary foundation for all future study. All depends upon how he performs his task. Readers who become interested in our lectures are advised to read Bishop Trollope’s admirable Introduction. It clears the ground and indicates the direction of further studies.
Publisher: Library of Alexandria
ISBN: 1465606076
Category : Religion
Languages : en
Pages : 124
Book Description
The author does not over-estimate the importance of this little book: it is nothing more than its title claims. It consists of three lectures given to popular audiences, with the accompaniment of many illustrations. It represents, however, a considerable amount of work in an almost virgin field. It has involved hard journeys to remote mountain monasteries, and days and nights of conversation and inquiry with many monks and priests. It is not, however, a profound study nor an exhaustive presentation. It barely touches many a subject, which would alone furnish more material than could be treated in three such lectures. It but scratches the surface. The material which it presents is however new. Outside of Mrs. Bishop’s account of her visit to the Diamond Mountain monasteries and scattered references in her book to a few local temples, there is almost nothing on the subject of Korean Buddhism accessible to English readers. A glance at our bibliography will show that not one of the books or articles there listed appeared in the West. All were printed at Seoul, Shanghai and Tokyo and publications appearing at those centers are little known outside. To aid serious readers, who may care to secure them, the publishers’ names are given in our list. The author has carefully read all the items listed and acknowledges indebtedness to all the authors. The actual amount of material for the full study of Korean Buddhism is enormous. There are many voluminous works in Chinese and Korean dealing with Korean history; when carefully sifted, these will yield many important facts. Many, perhaps all, of the monasteries have records of their history somewhat after the nature of annals; most of these are in manuscript, but a few have been printed, presumably from wood-blocks cut at the establishment by the monks. There is a third source of information, as vast in bulk as either of the other two; it is the inscriptions on monuments, which are scattered in thousands over the peninsula. The gleaning of information from these three sources—for the work must absolutely be of the nature of gleaning—will require many years, but the work is worth the doing. It is urgent also. Every one of these three sources is subject to destruction and even now is threatened. Old books in Korea are being constantly lost and destroyed; new editions of them are often carelessly and inaccurately reproduced; in some cases, the new editions are intentionally mutilated, important passages being suppressed. The monastery records are less secure than ever before; with the new life and energy in these old establishments, renovation and clearing out of nooks and corners and overhauling of accumulations of papers, places documents, the value of which is unknown or unappreciated, in serious jeopardy. As for the monuments many are disappearing and others are becoming undecipherable through weathering. There is pressing need then of promptly securing these materials and making them available for study. The Japanese are doing much good work. They are gathering old books and records. Up to 1915 more than one hundred and fifty thousand books, manuscript and printed, had been gathered by the Government-General. Among these were the “Annals of Yi” numbering sixteen hundred and thirty-three volumes and the “Royal Diaries,” aggregating thirty-one hundred and ninety-nine volumes, “all hand-written with the brush.” Of the “Annals” there were four sets made under the Korean government for the four old royal libraries. The “Royal Diaries” were compiled at the king’s orders; they dated from Yi Tajo himself, but those up to near the end of the sixteenth century were burned by the Koreans at the time of the Hideyoshi invasion; those now existing cover the period from 1623 to 1907. Japanese scholars have organized a society for reprinting old and rare Korean books and have gotten out many volumes. They are piling up direct observations also. From 1909 to 1915, they conducted a peninsula-wide survey of ancient monuments and have printed the results in four fine volumes, with splendid illustrations, under the titleChosen ko seki gafu. They have taken steps toward the preservation and, where necessary, the reconstruction of important monuments and notable buildings. They are copying the monastery records and ultimately will have a complete set of all that remain. The originals ought to be left in possession of the monasteries themselves, with the obligation to guard and keep them safely. As to monumental inscriptions, the Government-General has been equally industrious. Up to March, 1915, there had been made thirteen hundred and seventy-seven direct rubbings from inscribed stones, of which forty-four represented Sylla, forty-three the period of the Koryu Dynasty and thirteen hundred and three the Yi Dynasty. It is fortunate that this preservation of material is being undertaken. The world will profit by it, though it may still be long locked up in Chinese characters. In this book the work of Yi Nung Hwa is mentioned. His Buddhist magazine should yield some data of value. If his History of Korean Buddhism is printed it ought to be of high importance, as he naturally has a much easier task in consulting the original sources than any foreigner. If his work is done with care and critical judgment it should be the necessary foundation for all future study. All depends upon how he performs his task. Readers who become interested in our lectures are advised to read Bishop Trollope’s admirable Introduction. It clears the ground and indicates the direction of further studies.
Buddhist Sculpture
Author: Youngsook Pak
Publisher: Laurence King Publishing
ISBN: 9781856693585
Category : Art
Languages : en
Pages : 474
Book Description
Originally published: Seoul, Korea: Yekyong Pub. Co., c2002.
Publisher: Laurence King Publishing
ISBN: 9781856693585
Category : Art
Languages : en
Pages : 474
Book Description
Originally published: Seoul, Korea: Yekyong Pub. Co., c2002.
Iconography of Religions
Author:
Publisher:
ISBN: 9789004089402
Category :
Languages : en
Pages : 21
Book Description
Publisher:
ISBN: 9789004089402
Category :
Languages : en
Pages : 21
Book Description
New Perspectives on Early Korean Art
Author: Youn-mi Kim
Publisher: Early Korea Project Occasional
ISBN: 9780988692817
Category : Art
Languages : en
Pages : 0
Book Description
Volumes in the Early Korea Project Occasional Series focus on central issues related to the study of early Korean history and archaeology. This volume includes discussion of a variety of artworks, ranging from gold adornments found in Silla tombs to Koryŏ Buddhist paintings scattered in modern museum and private collections, that provide insight into the religious practices, aesthetics, cross-cultural exchanges, and everyday life of the people who made, used, appreciated, and circulated them. Based on thorough investigations of these artworks, their social context, and related texts, the five chapters in this book elucidate the cross-cultural interactions between the peoples and regions of Korea, China and South and Southeast Asia during the Silla to Koryŏ periods. The Early Korea Project Occasional Series is a publication of the Early Korea Project at the Korea Institute, Harvard University. -- from dust jacket.
Publisher: Early Korea Project Occasional
ISBN: 9780988692817
Category : Art
Languages : en
Pages : 0
Book Description
Volumes in the Early Korea Project Occasional Series focus on central issues related to the study of early Korean history and archaeology. This volume includes discussion of a variety of artworks, ranging from gold adornments found in Silla tombs to Koryŏ Buddhist paintings scattered in modern museum and private collections, that provide insight into the religious practices, aesthetics, cross-cultural exchanges, and everyday life of the people who made, used, appreciated, and circulated them. Based on thorough investigations of these artworks, their social context, and related texts, the five chapters in this book elucidate the cross-cultural interactions between the peoples and regions of Korea, China and South and Southeast Asia during the Silla to Koryŏ periods. The Early Korea Project Occasional Series is a publication of the Early Korea Project at the Korea Institute, Harvard University. -- from dust jacket.
Folk Painting
Author: Yeol-su Yoon
Publisher: Laurence King Publishing
ISBN: 9781856693578
Category : Art
Languages : en
Pages : 380
Book Description
One of the Handbooks of Korean Art series designed to provide an introduction to major aspects of Korea's artisitic heritage. This book focuses on folk painting.
Publisher: Laurence King Publishing
ISBN: 9781856693578
Category : Art
Languages : en
Pages : 380
Book Description
One of the Handbooks of Korean Art series designed to provide an introduction to major aspects of Korea's artisitic heritage. This book focuses on folk painting.