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Author: Gudrun Bühnemann
Publisher: BRILL
ISBN: 9004531238
Category : History
Languages : en
Pages : 433
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Book Description
While Volume I of this two-volume monograph focuses on the deity pantheon of the sixteenth-century Mantramahodadhi, this volume compares for the first time deity descriptions extracted from two earlier and closely related texts, the anonymous Prapañcasāra (ca. tenth century) and Lakṣmaṇadeśika’s Sāradātilaka (tenth/eleventh centuries). The latter work, though based on the Prapañcasāra, treats the topics independently and incorporates new deity descriptions while omitting others. Both texts are still influential and are frequently cited. The Sanskrit text of the 78 deity descriptions extracted from the Prapañcasāra and the 101 descriptions from the Sāradātilaka is based on a comparison of different printed editions of these texts, as well as citations found in other works. The Sanskrit text is presented with a literal translation and remarks on the iconography. The introductory section addresses basic questions related to these two works. In addition, a new edition and translation of the important chapters I (on cosmogony) and 25 (on yoga) of the Sāradātilaka are presented in two appendices. A large number of illustrations of deities complement the volume. The print edition is available as a set of two volumes (9789069801193).
Author: Gudrun Bühnemann
Publisher: BRILL
ISBN: 9004531238
Category : History
Languages : en
Pages : 433
Get Book
Book Description
While Volume I of this two-volume monograph focuses on the deity pantheon of the sixteenth-century Mantramahodadhi, this volume compares for the first time deity descriptions extracted from two earlier and closely related texts, the anonymous Prapañcasāra (ca. tenth century) and Lakṣmaṇadeśika’s Sāradātilaka (tenth/eleventh centuries). The latter work, though based on the Prapañcasāra, treats the topics independently and incorporates new deity descriptions while omitting others. Both texts are still influential and are frequently cited. The Sanskrit text of the 78 deity descriptions extracted from the Prapañcasāra and the 101 descriptions from the Sāradātilaka is based on a comparison of different printed editions of these texts, as well as citations found in other works. The Sanskrit text is presented with a literal translation and remarks on the iconography. The introductory section addresses basic questions related to these two works. In addition, a new edition and translation of the important chapters I (on cosmogony) and 25 (on yoga) of the Sāradātilaka are presented in two appendices. A large number of illustrations of deities complement the volume. The print edition is available as a set of two volumes (9789069801193).
Author: Gudrun Bühnemann
Publisher:
ISBN:
Category : Gods, Hindu
Languages : en
Pages : 518
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Book Description
Author: Gudrun Bühnemann
Publisher:
ISBN: 9788177421606
Category : Hindu gods
Languages : en
Pages : 669
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Book Description
Author: Gudrun Bühnemann
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: Ram Swarup Singh
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 128
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Book Description
On Tantric-Buddhist art and influence of Hindu mythology on Buddhist idols.
Author: Sarbeswar Satpathy
Publisher:
ISBN:
Category : Art, Tantric
Languages : en
Pages : 268
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Book Description
Tantric Tradition In India; The Locus And Characteristics Of Sakta-Tantras; Vidya Avidya And Mahavidya. The Consciousness-Power And Mantra Sakti, Mahavidya Iconography: Its Esoteric Meaning; The Traditional Indian Philosophy Vis-Avis The Mahavidya Philosophy.
Author: Pratapaditya Pal
Publisher:
ISBN:
Category : Hindu symbolism
Languages : en
Pages : 182
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Book Description
Author: T. A. Gopinatha Rao
Publisher: Motilal Banarsidass Publishe
ISBN: 9788120808782
Category : Hindu art
Languages : en
Pages : 508
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Book Description
This treatise is an early attempt for a diligent search into the origin, descriptions, symbols, mythological background, meaning and moral aims of Hindu images. The book is in two volumes, each volume again in two parts. Vol. I, Part I contains a long Introduction discussing among other things the origin of Hindu image worship in India, explanatory description of the terms employed in the work, Ganapati, Visnu and his major and minor avataras and manifestations, Garuda and Ayudha-Purushas or personified images of the weapons and emblems held by gods. Vol. I, Part II deals with Aditya and Nava Grahas (nine planets) and their symbolic features and images worshipped, Devi (Goddesses), Parivara-devatas, and measurement of proportions in images. Vol. II, Part I begins with an Introduction discussing the cult of Siva which is followed by such important topics as Siva, Lingas, Lingodbhavamurti, Chandrasekharamurti, Pasupatamurti and Raudrapasupatamurti, other Ugra forms of Siva, Dakshinamurti, Kankalamurti and Bhikshatanamurti, and other important aspects of Siva. Vol. II, Part II contains descriptions of Subrahmanya, Nandikesvara and Adhikaranandi, Chandesvara, Bhaktas, Arya or Hariharaputra, Kshetrapalas, Brahma, the Dikpalakas, and demi-gods. In addition the book contains 5 Appendices including Sanskrit texts of Parivaradevatah, Uttamadasatalavidhih and Pratimalaksanani. The treatment has been made interesting by profuse illustrations, the two volumes containing as many as 282 photographs of sacred images.
Author: Bjarne Wernicke Olesen
Publisher: Routledge
ISBN: 1317585224
Category : Social Science
Languages : en
Pages : 186
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Book Description
Hinduism cannot be understood without the Great Goddess and the goddess-orientated Śākta traditions. The Goddess pervades Hinduism at all levels, from aniconic village deities to high-caste pan-Hindu goddesses to esoteric, tantric goddesses. Nevertheless, the highly influential tantric forms of South Asian goddess worship have only recently begun to draw scholarly attention. This book addresses the increasing interest in the Great Goddess and the tantric traditions of India by exploring the history, doctrine and practices of the Śākta tantric traditions. The highly influential tantric forms of South Asian goddess worship form a major part of what is known as ‘Śāktism’, and is often considered one of the major branches of Hinduism next to Śaivism, Vaiṣṇavism and Smārtism. Śāktism is, however, less clearly defined than the other major branches, and the book looks at the texts of the Śākta traditions that constitute the primary sources for gaining insights into the Śākta religious imaginative, ritual practices and history. It provides an historical exploration of distinctive Indian ways of imagining God as Goddess, and surveys the important origins and developments within Śākta history, practice and doctrine in its diversity. Bringing together contributions from some of the foremost scholars in the field of tantric studies, the book provides a platform for the continued research into Hindu goddesses, yoga, and tantra for those interested in understanding the religion and culture in South Asia.
Author: Elisabeth Anne Benard
Publisher:
ISBN:
Category : Buddhist goddesses
Languages : en
Pages : 194
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Book Description
This is the first monograph which examines the rare Buddhist and Hindu Tantric goddess, Chinnamasta, her rituals, her names and forms (namarupa) and their symbolism by comparing and contra-sting her sadhanas (spiritual practices) in Hinduism and Buddh-ism. The entire Hindu Chinnamastatantra section from the Sakta Pramoda, the Buddhist Chinnamunda Vajra-varahisadhana and theTrikayavajrayoginstuti are translated for the first time into English. Since Chinnamasta is a rare goddess, her texts were not popularized or made fashionable according to the dictates of a particular group at a particular time. The earliest extant texts dated from the ninth and tenth centuries a time when Hindu and Buddhist Tantras were developing under common influences in the same place in India. Having such texts about Chinnamasta Chinnamunda from these centuries, one can begin to understand the mutuality of a general Tantric tradition and the exclusivity of a particular Hindu or Buddhist Tantric tradition. Hence the study not only examines Chinnamasta, but also attempts to under-stand what is a Tantric tradition.
