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Author: Traci B. Abbott
Publisher: Springer Nature
ISBN: 3030977935
Category : Social Science
Languages : en
Pages : 298
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Book Description
Due to the increase in transgender characters in scripted television and film in the 2010s, trans visibility has been presented as a relatively new phenomenon that has positively shifted the cis society’s acceptance of the trans community. This book counters this claim to assert that such representations actually present limited and harmful characterizations, as they have for decades. To do so, this book analyzes transgender narratives in scripted visual media from the 1960s to 2010s across a variety of genres, including independent and mainstream films and television dramatic series and sitcoms, judging not the veracity of such representations per se but dissecting their transphobia as a constant despite relevant shifts that have improved their veracity and variety. Already ingrained with their own ideological expectations, genres shift the framing of the trans character, particularly the relevance of their gender difference for cisgender characters and society. The popularity of trans characters within certain genres also provides a historical lineage that is examined against the progression of transgender rights activism and corresponding transphobic falsehoods, concluding that this popular medium continues to offer a limited and narrow conception of gender, the variability of the transgender experience, and the range of transgender identities.
Author: Traci B. Abbott
Publisher: Springer Nature
ISBN: 3030977935
Category : Social Science
Languages : en
Pages : 298
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Book Description
Due to the increase in transgender characters in scripted television and film in the 2010s, trans visibility has been presented as a relatively new phenomenon that has positively shifted the cis society’s acceptance of the trans community. This book counters this claim to assert that such representations actually present limited and harmful characterizations, as they have for decades. To do so, this book analyzes transgender narratives in scripted visual media from the 1960s to 2010s across a variety of genres, including independent and mainstream films and television dramatic series and sitcoms, judging not the veracity of such representations per se but dissecting their transphobia as a constant despite relevant shifts that have improved their veracity and variety. Already ingrained with their own ideological expectations, genres shift the framing of the trans character, particularly the relevance of their gender difference for cisgender characters and society. The popularity of trans characters within certain genres also provides a historical lineage that is examined against the progression of transgender rights activism and corresponding transphobic falsehoods, concluding that this popular medium continues to offer a limited and narrow conception of gender, the variability of the transgender experience, and the range of transgender identities.
Author: Patrice Oppliger
Publisher: Routledge
ISBN: 1000620204
Category : Social Science
Languages : en
Pages : 101
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Book Description
This book explores how television and streaming services portray transgender characters who identify as male or nonbinary in television media. Transmasculinity on Television takes a closer look at transmasculine and nonbinary characters on broadcast, cable, and streaming services between 2000 and 2021. Significant changes have occurred since the release of the 1999 film Boys Don’t Cry, and in particular through the increase in transgender producers, writers, and actors playing those roles. While a great deal of research has been published on gay, lesbian, and female transgender characters, very little analysis has been done on trans male representation in American media. This book examines the history of how film and television have portrayed transgender characters, how these depictions have developed over time and what impact these representations may have on audience attitudes. This accessible and engaging study is suitable for students and scholars in Gender Studies, Media Studies and LGBTQ Studies.
Author: Magalí Daniela Pérez Riedel
Publisher: Peter Lang Incorporated, International Academic Publishers
ISBN: 9781433170348
Category : Performing Arts
Languages : en
Pages : 0
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Book Description
This book investigates how contemporary media represent transgender and gender non-conforming people. Authors in this edited collection analyze the most popular films and television shows of all times and find how much (and how little) media portrayals of trans folks have changed or remained stagnant in the past 20 years.
Author: Tre’vell Anderson
Publisher: Disney Electronic Content
ISBN: 1368093922
Category : Biography & Autobiography
Languages : en
Pages : 264
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Book Description
A groundbreaking look at the history of transgender representation in TV and film, by an of-the-moment and in-demand culture reporter. WE SEE EACH OTHER is a personal history of trans visibility since the beginning of moving images. A literary reckoning, it unearths a transcestry that's long existed in plain sight and in the shadows of history's annals, and further contextualizes our present moment of increased representation. The films and television shows that Tre'vell covers include: Midnight In The Garden Of Good And Evil, Psycho, Holiday Heart, Boy's Don't Cry, America's Next Top Model, Some Like It Hot, Survivor, Tangerine, Pose, RuPaul's Drag Race and much more. Though there have been trans memoirs and histories, there has never been a book quite like this, nor is anyone more suited to write it than Tre'vell. "I don't remember exactly when I was taught to hate myself," says Tre'vell Anderson in We See Each Other's introduction. As the narrative unfolds, Tre'vell knits together the history of trans people on screen with stories of their life growing up and their formative experiences as a Black, trans journalist.
Author: Melanie Kohnen
Publisher: Routledge
ISBN: 1136519904
Category : Social Science
Languages : en
Pages : 182
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Book Description
This book traces the uneven history of queer media visibility through crucial turning points including the Hollywood Production Code era, the AIDS crisis of the 1980s, the so-called explosion of gay visibility on television during the1990s, and the re-imagination of queer representations on TV after the events of 9/11. Kohnen intervenes in previous academic and popular accounts that paint the increase in queer visibility over the past four decades as a largely progressive development. She examines how and why a limited and limiting concept of queer visibility structured around white gay and lesbian characters in committed relationships has become the embodiment of progressive LGBT media representations. She also investigates queer visibility across film, TV, and print media, and highlights previously unexplored connections, such as the lingering traces of classical Hollywood cinema's queer tropes in the X-Men franchise. Across all chapters, narratives and arguments emerge that demonstrate how queer visibility shapes and reflects not only media representations, but the real and imagined geographies, histories, and people of the American nation.
Author: Patrice A Oppliger
Publisher: Routledge
ISBN: 9781003204404
Category : Social Science
Languages : en
Pages : 0
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Book Description
"This book explores how television and streaming services portray transgender characters who identify as male or nonbinary in television media. Transmasculinity on Television takes a closer look at transmasculine and nonbinary characters on broadcast, cable, and streaming services between 2000 and 2021. Significant changes have occurred since the release of the 1999 film Boys Don't Cry, and in particular through the increase in transgender producers, writers, and actors playing those roles. While a great deal of research has been published on gay, lesbian, and female transgender characters, very little analysis has been done on trans male representation in American media. This book examines the history of how film and television have portrayed transgender characters, how these depictions have developed over time and what impact these representations have on audience attitudes. This accessible and engaging study is suitable for students and scholars in Gender Studies, Media Studies and LGBTQ Studies"--
Author: Niall Richardson
Publisher: Taylor & Francis
ISBN: 1000618773
Category : Social Science
Languages : en
Pages : 211
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Book Description
This book analyses how contemporary genre cinema represents trans-identified characters. Informed by key debates within transfeminism, queer theory, contemporary trans studies – and engaging with the concerns voiced by gender critical feminism – this culturally oriented book critiques the representation of trans characters in a range of cinematic genres, including the musical, period costume drama, the road movie, melodrama, coming-of-age stories, and romances. The case studies address the ways in which trans identifications have been coded within the narrative and stylistic expectations of the genres. Are genre films successful in affirming trans identifications or do they reinforce trans stereotypes and anti-trans discourses? This is a timely and accessible book, which addresses Anglophonic, European and Latin American cinemas, and is ideal for students studying courses in Film Studies, Media Studies, Cultural Studies or Gender Studies.
Author: Quinlan Miller
Publisher: Duke University Press
ISBN: 1478003391
Category : Performing Arts
Languages : en
Pages : 170
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Book Description
Sitcoms of the 1950s and 1960s are widely considered conformist in their depictions of gender roles and sexual attitudes. In Camp TV Quinlan Miller offers a new account of the history of American television that explains what campy meant in practical sitcom terms in shows as iconic as The Dick Van Dyke Show as well as in more obscure fare, such as The Ugliest Girl in Town. Situating his analysis within the era's shifts in the television industry and the coalescence of straightness and whiteness that came with the decline of vaudevillian camp, Miller shows how the sitcoms of this era overflowed with important queer representation and gender nonconformity. Whether through regular supporting performances (Ann B. Davis's Schultzy in The Bob Cummings Show), guest appearances by Paul Lynde and Charles Nelson Reilly, or scripted dialogue and situations, industry processes of casting and production routinely esteemed a camp aesthetic that renders all gender expression queer. By charting this unexpected history, Miller offers new ways of exploring how supposedly repressive popular media incubated queer, genderqueer, and transgender representations.
Author: Robert Clyde Allen
Publisher: Psychology Press
ISBN: 9780415283236
Category : Performing Arts
Languages : en
Pages : 662
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Book Description
The Television Studies Reader brings together key writings in the expanding field of television studies, providing an overview of the discipline and addressing issues of industry, genre, audiences, production and ownership, and representation. The Reader charts the ways in which television and television studies are being redefined by new and 'alternative' ways of producing, broadcasting and watching TV, such as cable, satellite and digital broadcasting, home video, internet broadcasting, and interactive TV, as well as exploring the recent boom in genres such as reality TV and docusoaps. It brings together articles from leading international scholars to provide perspectives on television programmes and practices from around the world, acknowledging both television's status as a global medium and the many and varied local contexts of its production and reception. Articles are grouped in seven themed sections, each with an introduction by the editors: Institutions of Television Spaces of Television Modes of Television Making Television Social Representation on Television Watching Television Transforming Television
Author: Rebecca Bell-Metereau
Publisher: Rutgers University Press
ISBN: 0813597358
Category : Performing Arts
Languages : en
Pages : 179
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Book Description
2019 Choice Outstanding Academic Title Transgender Cinema gives readers the big picture of how trans people have been depicted on screen. Beginning with a history of trans tropes in classic Hollywood cinema, from comic drag scenes in Chaplin’s The Masquerader to Garbo’s androgynous Queen Christina, and from psycho killer queers to The Rocky Horror Picture Show’s outrageous queen, it examines a plethora of trans portrayals that subsequently emerged from varied media outlets, including documentary films, television serials, and world cinema. Along the way, it analyzes milestones in trans representation, like The Crying Game, Boys Don’t Cry, Hedwig and the Angry Inch,and A Fantastic Woman. As it traces the evolution of trans people onscreen, Transgender Cinema also considers the ongoing controversies sparked by these movies and series both within LGBTQ communities and beyond. Ultimately it reveals how film and television have shaped not only how the general public sees trans people, but also how trans people see themselves. Selected Filmography: Adventures of Priscilla, Queen of the Desert, All about My Mother, Anak, Austin Unbound, Becoming Chaz, The Blossoming of Maximo Oliveros, Boy I Am, Boy Meets Girl, Boys Don’t Cry, The Brandon Teena Story, A Busy Day, Call Me Malcolm, Carlotta, Change over Time, The Crying Game, Dallas Buyers Club, The Danish Gir, The Devil Is a Woman, Drunktown’s Finest, Facing Mirrors, A Fantastic Woman, 52 Tuesdays, Flesh, Girl Inside, A Girl like Me: The Gwen Araujo Story, Hedwig and the Angry Inch, I Was a Male War Bride,Kate Bornstein Is a Queer and Pleasant Danger, Kumu Hina, La Cage aux Folles, Ma Vie en Rose (My Life in Pink) The Masquerader, Myra Breckinridge, Orlando, Paris Is Burning, Playing with Gender, Psycho, Queen Christina, The Rocky Horror Picture Show, The Saga of Anatahan, She’s a Boy I Knew, Silence of the Lambs, Some Like It Hot, Southern Comfort, Still Black: A Portrait of Black Transmen, Stonewall, The Tenant, Three Generations. Tomboy, Tootsie, Transamerica, Transparent, Trash, Whatever Suits You, A Woman.
