Author: William Henry Shelton
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
Book Description
The History of the Salmagundi Club as it Appeared in the New York Herald Tribune Magazine on Sunday, December Eighteenth, Nineteen Twenty Seven
Author: William Henry Shelton
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 36
Book Description
Napoleon Sarony’s Living Pictures
Author: Erin Pauwels
Publisher: Penn State Press
ISBN: 0271096438
Category : Photography
Languages : en
Pages : 533
Book Description
Napoleon Sarony was once one of the most famous names in American photography. During the Gilded Age, his grand portrait studio with its one-story-high marquee reproducing the photographer’s signature in golden letters was a New York City landmark visited by celebrities such as Oscar Wilde, Sarah Bernhardt, and Mark Twain. Sarony’s story represents a central chapter in the history of photography. Napoleon Sarony’s Living Pictures documents Sarony’s career as New York City’s premier portrait photographer and details a moment when the birth of celebrity culture and growth of mass media helped promote popular acceptance of photography as fine art. Sarony’s larger-than-life public image was crucial to demonstrating photography’s creative potential. At a time when photographers were commonly regarded as straitlaced entrepreneurs or technicians, Sarony circulated self-portraits in outlandish costumes to assert himself as a flamboyantly eccentric artist. These photographic performances forged an authoritative link between the so-called father of artistic photography in America and the stylish celebrity portraits that emerged from his studio by the tens of thousands. Reconstructing Sarony’s biography and bringing to light never-before-published portraits, Erin Pauwels provides an illuminating view of how one artist’s quest for creative recognition fueled the rise of celebrity culture and artistic photography in the United States. This book will appeal to historians of photography and nineteenth-century American visual culture, as well as anyone interested in this master of the medium of photography and his celebrity subjects.
Publisher: Penn State Press
ISBN: 0271096438
Category : Photography
Languages : en
Pages : 533
Book Description
Napoleon Sarony was once one of the most famous names in American photography. During the Gilded Age, his grand portrait studio with its one-story-high marquee reproducing the photographer’s signature in golden letters was a New York City landmark visited by celebrities such as Oscar Wilde, Sarah Bernhardt, and Mark Twain. Sarony’s story represents a central chapter in the history of photography. Napoleon Sarony’s Living Pictures documents Sarony’s career as New York City’s premier portrait photographer and details a moment when the birth of celebrity culture and growth of mass media helped promote popular acceptance of photography as fine art. Sarony’s larger-than-life public image was crucial to demonstrating photography’s creative potential. At a time when photographers were commonly regarded as straitlaced entrepreneurs or technicians, Sarony circulated self-portraits in outlandish costumes to assert himself as a flamboyantly eccentric artist. These photographic performances forged an authoritative link between the so-called father of artistic photography in America and the stylish celebrity portraits that emerged from his studio by the tens of thousands. Reconstructing Sarony’s biography and bringing to light never-before-published portraits, Erin Pauwels provides an illuminating view of how one artist’s quest for creative recognition fueled the rise of celebrity culture and artistic photography in the United States. This book will appeal to historians of photography and nineteenth-century American visual culture, as well as anyone interested in this master of the medium of photography and his celebrity subjects.
Catalog of the Avery Memorial Architectural Library of Columbia University: Rodg - Sculpture I
Author: Avery Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 876
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 876
Book Description
Dictionary Catalog of the Research Libraries of the New York Public Library, 1911-1971
Author: New York Public Library. Research Libraries
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 592
Book Description
Publisher:
ISBN:
Category : Library catalogs
Languages : en
Pages : 592
Book Description
Dictionary Catalog of the Art and Architecture Division
Author: New York Public Library. Art and Architecture Division
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 740
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 740
Book Description
The National Union Catalog, Pre-1956 Imprints
Author:
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
Book Description
Publisher:
ISBN:
Category : Union catalogs
Languages : en
Pages : 712
Book Description
Journal of the Archives of American Art
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 144
Book Description
Catalog of the Avery Memorial Architectural Library of Columbia University
Author: Avery Library
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 938
Book Description
Publisher:
ISBN:
Category : Architecture
Languages : en
Pages : 938
Book Description
American Popular Illustration
Author: James J. Best
Publisher: Greenwood
ISBN:
Category : Design
Languages : en
Pages : 192
Book Description
Product information not available.
Publisher: Greenwood
ISBN:
Category : Design
Languages : en
Pages : 192
Book Description
Product information not available.
The Origins of Graphic Design in America, 1870-1920
Author: Burton Raffel
Publisher: Yale University Press
ISBN: 9780300068351
Category : Design
Languages : en
Pages : 246
Book Description
By the time the phrase "graphic design" first appeared in print in 1922, design professionals in America had already created a discipline combining visual art with mass communication. In this book, Ellen Mazur Thomson examines for the first time the early development of the graphic design profession. It has been thought that graphic design emerged as a profession only when European modernism arrived in America in the 1930s, yet Thomson shows that the practice of graphic design began much earlier. Shortly after the Civil War, when the mechanization of printing and reproduction technology transformed mass communication, new design practices emerged. Thomson investigates the development of these practices from 1870 to 1920, a time when designers came to recognize common interests and create for themselves a professional identity. What did the earliest designers do, and how did they learn to do it? What did they call themselves? How did they organize them-selves and their work? Drawing on an array of original period documents, the author explores design activities in the printing, type founding, advertising, and publishing industries, setting the early history of graphic design in the context of American social history.
Publisher: Yale University Press
ISBN: 9780300068351
Category : Design
Languages : en
Pages : 246
Book Description
By the time the phrase "graphic design" first appeared in print in 1922, design professionals in America had already created a discipline combining visual art with mass communication. In this book, Ellen Mazur Thomson examines for the first time the early development of the graphic design profession. It has been thought that graphic design emerged as a profession only when European modernism arrived in America in the 1930s, yet Thomson shows that the practice of graphic design began much earlier. Shortly after the Civil War, when the mechanization of printing and reproduction technology transformed mass communication, new design practices emerged. Thomson investigates the development of these practices from 1870 to 1920, a time when designers came to recognize common interests and create for themselves a professional identity. What did the earliest designers do, and how did they learn to do it? What did they call themselves? How did they organize them-selves and their work? Drawing on an array of original period documents, the author explores design activities in the printing, type founding, advertising, and publishing industries, setting the early history of graphic design in the context of American social history.