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Author: Bertrand Gille
Publisher:
ISBN: 9782881241550
Category : Kulturhistorie
Languages : en
Pages : 540
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Book Description
Author: Bertrand Gille
Publisher:
ISBN: 9782881241550
Category : Kulturhistorie
Languages : en
Pages : 540
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Book Description
Author: Antony Griffiths
Publisher: Univ of California Press
ISBN: 9780520207141
Category : Art
Languages : en
Pages : 172
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Book Description
Introductory text that touches on the basics of various printmaking techniques and briefly describes the history of each.
Author: Bertrand Gille
Publisher:
ISBN:
Category :
Languages : en
Pages : 524
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Book Description
Author: Bertrand Gille
Publisher:
ISBN: 9782881241550
Category : Kulturhistorie
Languages : en
Pages : 0
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Book Description
Author: Guillaume Carnino
Publisher:
ISBN: 9782503591513
Category :
Languages : en
Pages : 0
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Book Description
It is impossible to understand our societies without apprehending their technical roots, which constitute the foundations of our political, economic, cultural, and everyday world. This book offers for the first time a synthesis of the global history of contemporary techniques, based on the contributions of recent historiography.00Gathering more than fifty specialists of the history of technology, we present an overview of technical evolutions on a global scale. As such, the book accounts for a diversity that challenges both teleological approaches on progress and Eurocentric perspectives. It explores the complex socioeconomic implications of techniques as well as the system of representations and power strategies that led to the emergence of our contemporary world.00The purpose is to decentre the history of technology. In this perspective, a central question concerns the very category of the history of technology, i.e. the term ?technology.? Refusing both the limitations of ?technology? and of ?useful knowledge?, we reaffirm the necessity to study techniques as embodying human activity as a whole. In that sense, history is tied to anthropology and ethnology.00This book follows a three-part organization. The first section opens with a world tour of techniques, restoring the complexity of regional historiographies and of the meanings given to technical activities in society. The second part focuses on sectors of activity, processes, and products with a strong emphasis on means of production and communication, the exploitation of natural resources, major technical systems, infrastructures and networks. The final section provides access to major cross-related issues (devoting much attention to the role played by technology in globalization, particularly through colonization, imperialism, and the extension of large technical systems).
Author: Jonathan Crary
Publisher: MIT Press
ISBN: 9780262531078
Category : Design
Languages : en
Pages : 190
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Book Description
Jonathan Crary's Techniques of the Observer provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. This analysis of the historical formation of the observer is a compelling account of the prehistory of the society of the spectacle. In Techniques of the Observer Jonathan Crary provides a dramatically new perspective on the visual culture of the nineteenth century, reassessing problems of both visual modernism and social modernity. Inverting conventional approaches, Crary considers the problem of visuality not through the study of art works and images, but by analyzing the historical construction of the observer. He insists that the problems of vision are inseparable from the operation of social power and examines how, beginning in the 1820s, the observer became the site of new discourses and practices that situated vision within the body as a physiological event. Alongside the sudden appearance of physiological optics, Crary points out, theories and models of "subjective vision" were developed that gave the observer a new autonomy and productivity while simultaneously allowing new forms of control and standardization of vision. Crary examines a range of diverse work in philosophy, in the empirical sciences, and in the elements of an emerging mass visual culture. He discusses at length the significance of optical apparatuses such as the stereoscope and of precinematic devices, detailing how they were the product of new physiological knowledge. He also shows how these forms of mass culture, usually labeled as "realist," were in fact based on abstract models of vision, and he suggests that mimetic or perspectival notions of vision and representation were initially abandoned in the first half of the nineteenth century within a variety of powerful institutions and discourses, well before the modernist painting of the 1870s and 1880s.
Author: Lars Marius Garshol
Publisher: Brewers Publications
ISBN: 1938469615
Category : History
Languages : en
Pages : 426
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Book Description
Ancient brewing traditions and techniques have been passed generation to generation on farms throughout remote areas of northern Europe. With these traditions facing near extinction, author Lars Marius Garshol set out to explore and document the lost art of brewing using traditional local methods. Equal parts history, cultural anthropology, social science, and travelogue, this book describes brewing and fermentation techniques that are vastly different from modern craft brewing and preserves them for posterity and exploration. Learn about uncovering an unusual strain of yeast, called kveik, which can ferment a batch to completion in just 36 hours. Discover how to make keptinis by baking the mash in the oven. Explore using juniper boughs for various stages of the brewing process. Test your own hand by brewing recipes gleaned from years of travel and research in the farmlands of northern Europe. Meet the brewers and delve into the ingredients that have kept these traditional methods alive. Discover the regional and stylistic differences between farmhouse brewers today and throughout history.
Author: Simon Anglim
Publisher:
ISBN: 9781909160460
Category : Military art and science
Languages : en
Pages : 0
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Book Description
From the Publisher: This essential guide to ancient warfare describes the fighting methods of soldiers in Europe and the Middle East in an age before gunpowder. From a detailed examination of the individual components of an ancient army and their equipment, to a fascinating exploration of ancient battle strategies, siege warfare, and naval battles, it explores the unique tactics required to win battles with the technology available. Using specially commissioned color and black-and-white artwork and 24 full-color tactical maps, this book shows in great detail the methods by which armies, including Assyrians and Roman forces, prevailed over their foes, and why other armies were less successful. This is a must-read for any reader interested in ancient warfare.
Author: Carmelo G. Malacrino
Publisher: Getty Publications
ISBN: 1606060163
Category : Architecture
Languages : en
Pages : 220
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Book Description
A survey of building techniques & architecture from the 3rd century B.C. through the fifth century A.D., this volume explores how the Greeks of the classical period & later the Romans created a complex & innovative built environment.
Author: Arie Wallert
Publisher: Getty Publications
ISBN: 0892363223
Category : Art
Languages : en
Pages : 241
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Book Description
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
