The History of Prints and Printmaking from Dürer to Picasso PDF Download
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Author: Ferdinando Salamon
Publisher: New York : American Heritage Press
ISBN:
Category : Art
Languages : en
Pages : 354
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Book Description
Includes a select bibliography, index of illustrations and an index of names.
Author: Ferdinando Salamon
Publisher: New York : American Heritage Press
ISBN:
Category : Art
Languages : en
Pages : 354
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Book Description
Includes a select bibliography, index of illustrations and an index of names.
Author: Linda C. Hults
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 978
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Book Description
Giving detailed treatment to the work of five master printmakers - Albrecht Durer, Rembrandt van Rijn, Francisco Goya, Pablo Picasso, and Jasper Johns - the book also discusses in depth numerous other artists such as Martin Schongauer, Andrea Mantegna, Hendrik Goltzius, Jacques Callot, Giovanni Battista Piranesi, William Hogarth, Honore Daumier, Edouard Manet, Paul Gaugin, Edvard Munch, Kathe Kollwitz, Max Ernst, and Andy Warhol.
Author: Fritz Eichenberg
Publisher: London : Thames and Hudson
ISBN: 9780500232538
Category : Prints
Languages : en
Pages : 611
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Book Description
Author: Randy Rosen
Publisher: Plume Books
ISBN: 9780525474760
Category : Art
Languages : en
Pages : 244
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Book Description
Author: Brian Lasater
Publisher: Lulu.com
ISBN: 143031382X
Category : History
Languages : en
Pages : 600
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Book Description
This volume looks at the ancient heritage of Greek philosophy and Mesopotamian astronomy and examines the history of map-making, coastal and celestial navigation and astronomy from 1487-1727.
Author:
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 562
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Book Description
Every 3rd issue is a quarterly cumulation.
Author:
Publisher:
ISBN:
Category : Engraving
Languages : en
Pages : 446
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Book Description
Author:
Publisher: Rizzoli Publications
ISBN: 0847837858
Category : Art
Languages : en
Pages : 122
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Book Description
Andy Warhol’s iconic portraits of Elizabeth Taylor are images that have lost none of their explosive power in the decades that separate the present from the moment of their making. Frequently hailed as the greatest movie star of all time, Elizabeth Taylor was a friend of Andy Warhol in the 1970s and 1980s. The personification of charisma, whose highly public life was charged with drama, tragedy, and romance, this iconic muse was a perfect vehicle for Warhol’s vivid silk-screen portraiture derived from press clippings, publicity shots, and film stills. Warhol made over fifty portraits of Taylor in all her incarnations—from the ethereally beautiful child actress in National Velvet to the commanding, voluptuous screen goddess of Cleopatra. Andy Warhol: Liz sheds light on the relationship between Warhol and one of his most notorious muses.
Author: Stephen Coppel
Publisher: British Museum Publications Limited
ISBN: 9780714126838
Category : Architecture
Languages : en
Pages : 192
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Book Description
This beautiful publication is illustrated with a variety of classical objects as well as works by Rembrandt and Goya from the British Museum's collection, together with fascinating photographs of Marie-Therese and Vollard himself. Picasso Prints: The Vollard Suite celebrates the British Museum's landmark acquisition and reproduces its complete set of pristine prints for the first time.
Author: Terrie Sultan
Publisher: Prestel Publishing
ISBN: 9783791349664
Category : Printmakers
Languages : en
Pages : 0
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Book Description
This essential volume on Chuck Close's innovative and groundbreaking techniques presents a life's work in printmaking by one of the most influential artists of our time. Since the retrospective exhibition of Chuck Close's prints first began touring in 2003, it has visited some 20 venues around the world, even as the artist has persisted in working prolifically and brilliantly in various print media. Revealing the full arc of Close's career in printmaking, including his most recent work and technical achievements, this book features everything from woodcuts, Woodbury types, and anamorphic etchings to felt hand-stamp prints, pulp-paper multiples, and watercolor pigment prints. With a thorough introduction, an essay by the distinguished scholar Richard Shiff, and interviews with the artist and master printmakers, this classic study will stand as the definitive reference on Close's print practice for years to come.
