Author: Antonius van Dale
Publisher:
ISBN:
Category : Oracles
Languages : en
Pages : 172
Book Description
The History of Oracles and the Cheats of the Pagan Priests, Etc. [A Translation of Bernard Le Bovier de Fontenelle's “Histoire Des Oracles”, an Adaptation of Anthony Van Dale's Work “De Oraculis Ethnicorum”. The Translator's Dedicatory Epistle Signed: A. B., I.e. Alphra Behn.]
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 276
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 276
Book Description
The History of Oracles
Author: M. de Fontenelle (Bernard Le Bovier)
Publisher:
ISBN:
Category : Oracles
Languages : en
Pages : 148
Book Description
Publisher:
ISBN:
Category : Oracles
Languages : en
Pages : 148
Book Description
The History of Oracles, and the Cheats of the Pagan Priests. Written in Latin by Dr. Van-Dale. Made English by Mrs. Behn [from Fontenelle's French Adaptation of A. Van Dale's Work “De Oraculis Ethnicorum,” Entitled “Histoire Des Oracles”].
Author: M. de Fontenelle (Bernard Le Bovier)
Publisher:
ISBN:
Category :
Languages : en
Pages : 200
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 200
Book Description
Scepticism and Irreligion in the Seventeenth and Eighteenth Centuries
Author: Richard Henry Popkin
Publisher: BRILL
ISBN: 9789004095960
Category : Religion
Languages : en
Pages : 394
Book Description
This volume seeks to clarify and understand the challenges made to both the framework of thinking about God and religion in the 17th and 18th centuries and to the intellectual systems that had supported religious thinking earlier. Ample attention is given to early-modern interpretations of ancient Pyrrhonism and to biblical criticism.
Publisher: BRILL
ISBN: 9789004095960
Category : Religion
Languages : en
Pages : 394
Book Description
This volume seeks to clarify and understand the challenges made to both the framework of thinking about God and religion in the 17th and 18th centuries and to the intellectual systems that had supported religious thinking earlier. Ample attention is given to early-modern interpretations of ancient Pyrrhonism and to biblical criticism.
Oracles of the Cosmos
Author: Paul Richard Blum
Publisher: Schwabe Verlag (Basel)
ISBN: 3796545475
Category : Philosophy
Languages : en
Pages : 106
Book Description
The divide between science and religion has its roots in the early modern period. In the first part, the popular talk of oracles of reason is traced back to the ancient oracles published in the 15th century, and it is shown how this led to the emergence of a "natural" theology that does without revelation, so that eventually reference to a divine creator seems superfluous. In the second part, using the concept of the cosmos, it is shown that mathematics, especially geometry, has been part of the theological interpretation of Creation since the Middle Ages. From this developed the concept of transcendence as rooted in human thought. Therefore, cosmos, creation, and humanity, which are mutually exclusive, form a unity of complementary elements.
Publisher: Schwabe Verlag (Basel)
ISBN: 3796545475
Category : Philosophy
Languages : en
Pages : 106
Book Description
The divide between science and religion has its roots in the early modern period. In the first part, the popular talk of oracles of reason is traced back to the ancient oracles published in the 15th century, and it is shown how this led to the emergence of a "natural" theology that does without revelation, so that eventually reference to a divine creator seems superfluous. In the second part, using the concept of the cosmos, it is shown that mathematics, especially geometry, has been part of the theological interpretation of Creation since the Middle Ages. From this developed the concept of transcendence as rooted in human thought. Therefore, cosmos, creation, and humanity, which are mutually exclusive, form a unity of complementary elements.
Making Pagans
Author: John Kuhn
Publisher: University of Pennsylvania Press
ISBN: 1512825107
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
How early modern theatrical practice helped construct the category of “pagan” as a tool of European self-definition and colonial ambition In Making Pagans, John Kuhn argues that drama played a powerful role in the articulation of religious difference in the seventeenth century. Tracing connections between the history of stagecraft and ethnological disciplines such as ethnography, antiquarianism, and early comparative religious writing, Kuhn shows how early modern repertory systems that leaned heavily on thrift and reuse produced an enduring theatrical vocabulary for understanding religious difference through the representation of paganism—a key term in the new taxonomy of world religions emerging at this time, and a frequent subject and motif in English drama of the era. Combining properties such as triumphal chariots, trick alters, and moving statues with music, special effects, and other elements, the spectacular set-pieces that were mostly developed for plays set in antiquity, depicting England’s pre-Christian past, were frequently repurposed in new plays, in representations of Native Americans and Africans in colonial contact zones. Kuhn argues that the recycling of these set-pieces encouraged audiences to process new cultural sites through the lens of old performance tropes, and helped produce fictitious, quasi-ethnographic knowledge for spectators, generating the idea of a homogeneous, trans-historical, trans-geographical “paganism.” Examining the common scenes of pagan ritual that filled England's seventeenth-century stages—magical conjurations, oracular prophecies, barbaric triumphal parades, and group suicides—Kuhn traces these tropes across dozens of plays, from a range of authors including Ben Jonson, Christopher Marlowe, John Dryden, and Philip Massinger. Drawing together theater history, Atlantic studies, and the history of comparative religion, Making Pagans reconceptualizes the material and iterative practices of the theater as central to the construction of radical religious difference in early modernity and of the category of paganism as a tool of European self-definition and colonial ambition.
Publisher: University of Pennsylvania Press
ISBN: 1512825107
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
How early modern theatrical practice helped construct the category of “pagan” as a tool of European self-definition and colonial ambition In Making Pagans, John Kuhn argues that drama played a powerful role in the articulation of religious difference in the seventeenth century. Tracing connections between the history of stagecraft and ethnological disciplines such as ethnography, antiquarianism, and early comparative religious writing, Kuhn shows how early modern repertory systems that leaned heavily on thrift and reuse produced an enduring theatrical vocabulary for understanding religious difference through the representation of paganism—a key term in the new taxonomy of world religions emerging at this time, and a frequent subject and motif in English drama of the era. Combining properties such as triumphal chariots, trick alters, and moving statues with music, special effects, and other elements, the spectacular set-pieces that were mostly developed for plays set in antiquity, depicting England’s pre-Christian past, were frequently repurposed in new plays, in representations of Native Americans and Africans in colonial contact zones. Kuhn argues that the recycling of these set-pieces encouraged audiences to process new cultural sites through the lens of old performance tropes, and helped produce fictitious, quasi-ethnographic knowledge for spectators, generating the idea of a homogeneous, trans-historical, trans-geographical “paganism.” Examining the common scenes of pagan ritual that filled England's seventeenth-century stages—magical conjurations, oracular prophecies, barbaric triumphal parades, and group suicides—Kuhn traces these tropes across dozens of plays, from a range of authors including Ben Jonson, Christopher Marlowe, John Dryden, and Philip Massinger. Drawing together theater history, Atlantic studies, and the history of comparative religion, Making Pagans reconceptualizes the material and iterative practices of the theater as central to the construction of radical religious difference in early modernity and of the category of paganism as a tool of European self-definition and colonial ambition.
The Pillars of Priestcraft Shaken
Author: J. A. I. Champion
Publisher: Cambridge University Press
ISBN: 110763492X
Category : History
Languages : en
Pages : 287
Book Description
First published in 1992, this book examines the intellectual confrontation between priest and Freethinker from 1660 to 1730, and the origins of the early phase of the Enlightenment in England. Through an analysis of the practice of historical writing in the period, Champion maintains that historical argument was a central component for displaying defences of true religion. Taking religion, and specifically defences of the Church of England after 1660, as central to the politics of the period, the first two chapters of the book explore the varieties of clericalist histories, arguing that there were rival emphases upon regnum or sacerdos as the font of true religion. The remainder of the book examines how radical Freethinkers like John Toland or the third Earl of Shaftesbury set about attacking the corrupt priestcraft of established religion, but also importantly promoted a reforming civil theology.
Publisher: Cambridge University Press
ISBN: 110763492X
Category : History
Languages : en
Pages : 287
Book Description
First published in 1992, this book examines the intellectual confrontation between priest and Freethinker from 1660 to 1730, and the origins of the early phase of the Enlightenment in England. Through an analysis of the practice of historical writing in the period, Champion maintains that historical argument was a central component for displaying defences of true religion. Taking religion, and specifically defences of the Church of England after 1660, as central to the politics of the period, the first two chapters of the book explore the varieties of clericalist histories, arguing that there were rival emphases upon regnum or sacerdos as the font of true religion. The remainder of the book examines how radical Freethinkers like John Toland or the third Earl of Shaftesbury set about attacking the corrupt priestcraft of established religion, but also importantly promoted a reforming civil theology.
A Dictionary of the Anonymous and Pseudonymous Literature of Great Britain
Author: Samuel Halkett
Publisher:
ISBN:
Category : Anonyms and pseudonyms, English
Languages : en
Pages : 462
Book Description
Publisher:
ISBN:
Category : Anonyms and pseudonyms, English
Languages : en
Pages : 462
Book Description
The Public’s Open to Us All
Author: Laura Engel
Publisher: Cambridge Scholars Publishing
ISBN: 1527561364
Category : Performing Arts
Languages : en
Pages : 345
Book Description
“The Public’s Open to Us All”: Essays on Women and Performance in Eighteenth-Century England considers the relationship between British women and various modes of performance in the long eighteenth century. From the moment Charles II was restored to the English throne in 1660, the question of women’s status in the public world became the focus of cultural attention both on and off the stage. In addition to the appearance of the first actresses during this period female playwrights, novelists, poets, essayists, journalists, theatrical managers and entrepreneurs emerged as skillful and often demanding professionals. In this variety of new roles, eighteenth-century women redefined shifting notions of femininity by challenging traditional representations of female subjectivity and contributing to the shaping of eighteenth-century society’s attitudes, tastes, and cultural imagination. Recent scholarship in eighteenth-century studies reflects a heightened interest in fame, the rise of celebrity culture, and new ways of understanding women’s participation as both private individuals and public professionals. What is unique to the body of essays presented here is the authors’ focus on performance as a means of thinking about the ways in which women occupied, negotiated, re-imagined, and challenged the world outside of the traditional domestic realm. The authors employ a range of historical, literary, and theoretical approaches to the connections among women and performance, and in doing so make significant contributions to the fields of eighteenth-century literary and cultural studies, theatre history, gender studies, and performance studies.
Publisher: Cambridge Scholars Publishing
ISBN: 1527561364
Category : Performing Arts
Languages : en
Pages : 345
Book Description
“The Public’s Open to Us All”: Essays on Women and Performance in Eighteenth-Century England considers the relationship between British women and various modes of performance in the long eighteenth century. From the moment Charles II was restored to the English throne in 1660, the question of women’s status in the public world became the focus of cultural attention both on and off the stage. In addition to the appearance of the first actresses during this period female playwrights, novelists, poets, essayists, journalists, theatrical managers and entrepreneurs emerged as skillful and often demanding professionals. In this variety of new roles, eighteenth-century women redefined shifting notions of femininity by challenging traditional representations of female subjectivity and contributing to the shaping of eighteenth-century society’s attitudes, tastes, and cultural imagination. Recent scholarship in eighteenth-century studies reflects a heightened interest in fame, the rise of celebrity culture, and new ways of understanding women’s participation as both private individuals and public professionals. What is unique to the body of essays presented here is the authors’ focus on performance as a means of thinking about the ways in which women occupied, negotiated, re-imagined, and challenged the world outside of the traditional domestic realm. The authors employ a range of historical, literary, and theoretical approaches to the connections among women and performance, and in doing so make significant contributions to the fields of eighteenth-century literary and cultural studies, theatre history, gender studies, and performance studies.
The New Cambridge Bibliography of English Literature: Volume 2, 1660-1800
Author: George Watson
Publisher: Cambridge University Press
ISBN: 9780521079341
Category : Language Arts & Disciplines
Languages : en
Pages : 1698
Book Description
More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Publisher: Cambridge University Press
ISBN: 9780521079341
Category : Language Arts & Disciplines
Languages : en
Pages : 1698
Book Description
More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.