The History of Olivaires of Castile, and Arthur of Dalgarve Translated Out of the Spanish Into the Italian Tongue, by Francesco Portonari And from the Italian Made English by Mark Micklethwait M. A. PDF Download
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Author:
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ISBN:
Category :
Languages : en
Pages : 272
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Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 272
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Author: Henry Huth
Publisher:
ISBN:
Category : Bookbinding
Languages : en
Pages : 986
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Author: James Orchard Halliwell-Phillipps
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 174
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Author: James Orchard Halliwell-Phillipps
Publisher:
ISBN:
Category : English literature
Languages : en
Pages : 168
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Author: Henry Huth
Publisher:
ISBN:
Category : Autographs
Languages : en
Pages : 350
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Author: William Carew Hazlitt
Publisher:
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Category : English literature
Languages : en
Pages : 520
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Author: Gail Orgelfinger
Publisher: Routledge
ISBN: 131794268X
Category : Fiction
Languages : en
Pages : 159
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In 1518, Wynkyn de Worde, Caxton’s successor as book publisher in London, issued a translation by Henry Watson of the Franco-Burgundian romance L'Istoire d'olivier de castille. The romance had already enjoyed great popularity on the Continent, having been printed first in French in 1482, in Spanish in 1499, in Flemish c. 1510 and in German in 1521.^ An Italian edition would follow in 1552. And another English version, this time translated from the Italian, appeared in 1695. Here an English translated version.
Author: Arundell James Kennedy Esdaile
Publisher: London : Blades, East & Blades
ISBN:
Category : English fiction
Languages : en
Pages : 376
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Author: Leah Orr
Publisher: University of Virginia Press
ISBN: 0813940141
Category : History
Languages : en
Pages : 434
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The eighteenth century British book trade marks the beginning of the literary marketplace as we know it. The lapsing of the Licensing Act in 1695 brought an end to pre-publication censorship of printed texts and restrictions on the number of printers and presses in Britain. Resisting the standard "rise of the novel" paradigm, Novel Ventures incorporates new research about the fiction marketplace to illuminate early fiction as an eighteenth-century reader or writer might have seen it. Through a consideration of all 475 works of fiction printed over the four decades from 1690 to 1730, including new texts, translations of foreign works, and reprints of older fiction, Leah Orr shows that the genre was much more diverse and innovative in this period than is usually thought. Contextual chapters examine topics such as the portrayal of early fiction in literary history, the canonization of fiction, concepts of fiction genres, printers and booksellers, the prices and physical manufacture of books, and advertising strategies to give a more complex picture of the genre in the print culture world of the early eighteenth century. Ultimately, Novel Ventures concludes that publishers had far more influence over what was written, printed, and read than authors did, and that they shaped the development of English fiction at a crucial moment in its literary history.
Author:
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Category : Anonyms and pseudonyms
Languages : en
Pages : 846
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