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Author: H. Orel
Publisher: Springer
ISBN: 0230371493
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
Sir Walter Scott defined the parameters of the historical novel and illustrated his concept of the genre by writing a long series of novels dealing with medieval times, the Elizabethan Age and the 18th Century. Later novels written by his contemporaries and successors attracted smaller audiences. When Robert Louis Stevenson, in the early 1880s, enthusiastically expanded the boundaries of romantic fiction, he became a standard-bearer and an inspiration to many of his fellow-novelists: Walter Besant, Richard Doddridge Blackmore, Arthur Quiller-Couch, Arthur Conan Doyle, Stanley John Weyman, Anthony Hope, Henry Rider Haggard, and Rafael Sabatini.
Author: H. Orel
Publisher: Springer
ISBN: 0230371493
Category : Literary Criticism
Languages : en
Pages : 197
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Book Description
Sir Walter Scott defined the parameters of the historical novel and illustrated his concept of the genre by writing a long series of novels dealing with medieval times, the Elizabethan Age and the 18th Century. Later novels written by his contemporaries and successors attracted smaller audiences. When Robert Louis Stevenson, in the early 1880s, enthusiastically expanded the boundaries of romantic fiction, he became a standard-bearer and an inspiration to many of his fellow-novelists: Walter Besant, Richard Doddridge Blackmore, Arthur Quiller-Couch, Arthur Conan Doyle, Stanley John Weyman, Anthony Hope, Henry Rider Haggard, and Rafael Sabatini.
Author: Martha Tuck Rozett
Publisher: State University of New York Press
ISBN: 0791487733
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
Taking its title from Umberto Eco's postscript to The Name of the Rose, the novel that inaugurated the New Historical Fiction in the early 1980s, Constructing the World provides a guide to the genre's defining characteristics. It also serves as a lively account of the way Shakespeare, Marlowe, Raleigh, Queen Elizabeth I, and their contemporaries have been depicted by such writers as Anthony Burgess, George Garrett, Patricia Finney, Barry Unsworth, and Rosalind Miles. Innovative historical novels written during the past two or three decades have transformed the genre, producing some extraordinary bestsellers as well as less widely read serious fiction. Shakespearean scholar Martha Tuck Rozett engages in an ongoing conversation about the genre of historical fiction, drawing attention to the metacommentary contained in "Afterwords" or "Historical Notes"; the imaginative reconstruction of the diction and mentality of the past; the way Shakespearean phrases, names, and themes are appropriated; and the counterfactual scenarios writers invent as they reinvent the past.
Author: K.S. Whetter
Publisher: Routledge
ISBN: 1317004922
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Unique in combining a comprehensive and comparative study of genre with a study of romance, this book constitutes a significant contribution to ongoing critical debates over the definition of romance and the genre and artistry of Malory's Morte Darthur. K.S. Whetter offers an original approach to these issues by prefacing a comprehensive study of romance with a wide-ranging and historically diverse study of genre and genre theory. In doing so Whetter addresses the questions of why and how romance might usefully be defined and how such an awareness of genre-and the expectations that come with such awareness-impact upon both our understanding of the texts themselves and of how they may have been received by their contemporary medieval audiences. As an integral part the study Whetter offers a detailed examination of Sir Thomas Malory's Le Morte Darthur, a text usually considered a straightforward romance but which Whetter argues should be re-classified and reconsidered as a generic mixture best termed tragic-romance. This new classification is important in helping to explain a number of so-called inconsistencies or puzzles in Malory's text and further elucidates Malory's artistry. Whetter offers a powerful meditation upon genre, romance and the Morte which will be of interest to faculty, graduate students and undergraduates alike.
Author: Margaret K. Reid
Publisher: Ohio State University Press
ISBN: 0814209475
Category : American fiction
Languages : en
Pages : 291
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Book Description
Cultural Secrets as Narrative Form: Storytelling in Nineteenth-Century America examines the interplay between the familiar and the forgotten in tales of America's first century as a nation. By studying both the common concerns and the rising tensions between the known and the unknown, the told and the untold, this book offers readers new insight into the making of a nation through stories. Here, identity is built not so much through the winnowing competition of perspectives as through the cumulative layering of stories, derived from sources as diverse as rumors circulating in early patriot newspapers and the highest achievements of aesthetic culture. And yet this is not a source study: the interaction of texts is reciprocal, and the texts studied are not simply complementary but often jarring in their interrelations. The result is a new model of just how some of America's central episodes of self-definition -- the Puritan legacy, the Revolutionary War, and the Western frontier -- have achieved near mythic force in the national imagination. The most powerful myths of national identity, this author argues, are not those that erase historical facts but those able to transform such facts into their own deep resources. Book jacket.
Author: Frederick Burwick
Publisher: John Wiley & Sons
ISBN: 1405188103
Category : Literary Criticism
Languages : en
Pages : 1767
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Book Description
The Encyclopedia of Romantic Literature is an authoritative three-volume reference work that covers British artistic, literary, and intellectual movements between 1780 and 1830, within the context of European, transatlantic and colonial historical and cultural interaction. Comprises over 275 entries ranging from 1,000 to 6,500 words arranged in A-Z format across three fully cross-referenced volumes Written by an international cast of leading and emerging scholars Entries explore genre development in prose, poetry, and drama of the Romantic period, key authors and their works, and key themes Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities
Author: John C. Tibbetts
Publisher: McFarland
ISBN: 1476638160
Category : Literary Criticism
Languages : en
Pages : 236
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Book Description
This first book-length critical examination of the life and work of Marjorie Bowen (1885-1952) reveals a major English writer whose prodigious output included stories of history, romance, and the supernatural. As Pulitzer Prize-winning critic Michael Dirda writes in his Foreword, Bowen may be "the finest British woman writer of the uncanny of the last century," a view that echoes the high regard of cultural historian Edward Wagenknecht, who called her "a literary phenomenon," one whose best work places her alongside such contemporaries as Edith Wharton and Daphne du Maurier. Publicly acclaimed--known only by a series of pseudonyms (including "Marjorie Bowen")--but privately inscrutable, she was and is a mysterious and complex character. Drawing for the first time upon archival resources and the cooperation of the Bowen Estate, this book reveals a woman who saw herself as a rationalist and serious historian, but also as a mystic and "dark enchantress of dread." Above all, through a lifetime of domestic storms and creative ecstasy, Bowen worked tirelessly as both a professional writer and a consummate artist, always seeking, as she once confessed, "to find beauty in dark places."
Author: Rafael Sabatini
Publisher: Courier Corporation
ISBN: 0486112993
Category : Fiction
Languages : en
Pages : 258
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Book Description
Physician and country gentleman Peter Blood is forced to turn from medicine to piracy in this swashbuckling classic brimming with stolen treasure, adventure on the high seas, and romance.
Author: Ian Brown
Publisher: Edinburgh University Press
ISBN: 0748630651
Category : Literary Criticism
Languages : en
Pages : 368
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Book Description
In almost a century since the First World War ended, Scotland has been transformed in many rich ways. Its literature has been an essential part of that transformation. The third volume of the History, explores the vibrancy of modern Scottish literature in all its forms and languages. Giving full credit to writing in Gaelic and by the Scottish diaspora, it brings together the best contemporary critical insights from three continents. It provides an accessible and refreshing picture of both the varieties of Scottish literatures and the kaleidoscopic versions of Scotland that mark literary developments since 1918.
Author: Dani Napton
Publisher: BRILL
ISBN: 9004352783
Category : Literary Criticism
Languages : en
Pages : 243
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Book Description
Counter-revolutionary or wary progressive? Critical apologist for the Stuart and Hanoverian dynasties? What are the political and cultural significances of place when Scott represents the instabilities generated by the Union? Scott's Novels and the Counter-Revolutionary Politics of Place analyses Scott’s sophisticated, counter-revolutionary interpretation of Britain's past and present in relation to those questions. Exploring the diversity within Scott’s life and writings, as historian and political commentator, conservative committed to progress, Scotsman and Briton, lawyer and philosopher, this monograph focuses on how Scott portrays and analyses the evolution of the state through notions of place and landscape. It especially considers Scott’s response to revolution and rebellion, and his geopolitical perspective on the transition from Stuart to Hanoverian sovereignty.
Author: Susan Walton
Publisher: Routledge
ISBN: 1351156020
Category : Literary Criticism
Languages : en
Pages : 383
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Book Description
Beginning with the premise that women's perceptions of manliness are crucial to its construction, The author focuses on the life and writings of Charlotte Yonge as a prism for understanding the formulation of masculinities in the Victorian period. Yonge was a prolific writer whose bestselling fiction and extensive journalism enjoyed a wide readership. The author situates Yonge's work in the context of her family connections with the army, showing that an interlocking of worldly and spiritual warfare was fundamental to Yonge's outlook. For Yonge, all good Christians are soldiers, and Walton argues persuasively that the medievalised discourse of sanctified violence executed by upright moral men that is often connected with late nineteenth-century Imperialism began earlier in the century, and that Yonge's work was one major strand that gave it substance. Of significance, Yonge also endorsed missionary work, which she viewed as an extension of a father's duties in the neighborhood and which was closely allied to a vigorous promotion of refashioned Tory paternalism. The author's study is rich in historical context, including Yonge's connections with the Tractarians, the effects of industrialization, and Britain's Imperial enterprises. Informed by extensive archival scholarship, Walton offers important insights into the contradictory messages about manhood current in the mid-nineteenth century through the works of a major but undervalued Victorian author.
