The Historical Imagination in Early Modern Britain PDF Download
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Author: Donald R. Kelley
Publisher: Cambridge University Press
ISBN: 9780521590693
Category : History
Languages : en
Pages : 408
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Book Description
Distinguished historians and literary scholars explore the overlap, interplay, and interaction between history and fiction.
Author: Donald R. Kelley
Publisher: Cambridge University Press
ISBN: 9780521590693
Category : History
Languages : en
Pages : 408
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Book Description
Distinguished historians and literary scholars explore the overlap, interplay, and interaction between history and fiction.
Author: Sophie Read
Publisher: Cambridge University Press
ISBN: 1107032733
Category : History
Languages : en
Pages : 249
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Book Description
A study of six canonical early modern lyric poets and the impact of the Eucharist on their work.
Author: Hugh Dunthorne
Publisher: BRILL
ISBN: 9004233792
Category : History
Languages : en
Pages : 291
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Book Description
The 19th century laid the foundations of history, both professional and popular. The authors of this collection compare Britain, the Netherlands, and Belgium, unearthing the ways in which history was conceived and then utilized, usually for nationalistic purposes.
Author: Deanna Smid
Publisher: BRILL
ISBN: 9004344047
Category : Literary Criticism
Languages : en
Pages : 218
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Book Description
In The Imagination in Early Modern English Literature, Deanna Smid presents a literary, historical account of imagination in early modern English literature, paying special attention to its effects on the body, to its influence on women, to its restraint by reason, and to its ability to create novelty. An early modern definition of imagination emerges in the work of Robert Burton, Francis Bacon, Edward Reynolds, and Margaret Cavendish. Smid explores a variety of literary texts, from Thomas Nashe’s The Unfortunate Traveler to Francis Quarles’s Emblems, to demonstrate the literary consequences of the early modern imagination. The Imagination in Early Modern English Literature insists that, if we are to call an early modern text “imaginative,” we must recognize the unique characteristics of early modern English imagination, in all its complexity.
Author: Paulina Kewes
Publisher: Univ of California Press
ISBN: 9780873282192
Category : History
Languages : en
Pages : 470
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Book Description
Publisher Description
Author: Theodore Koditschek
Publisher: Cambridge University Press
ISBN: 1139494880
Category : History
Languages : en
Pages : 367
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Book Description
This book examines the ways in which imperial agendas informed the writing of history in nineteenth-century Britain and how historical writing transformed imperial agendas. Using the published writings and personal papers of Walter Scott, J. A. Froude, James Mill, Rammohun Roy, T. B. Macaulay, E. A. Freeman, W. E. Gladstone, and J. R. Seeley among others, Theodore Koditschek sheds light on the role of the historical imagination in the establishment and legitimation of liberal imperialism. He shows how both imperialists and the imperialized were drawn to reflect back on the Empire's past as a result of the need to construct a modern, multi-national British imperial identity for a more economically expansive and enlightened present. By tracing the imperial lives and historical works of these pivotal figures, Theodore Koditschek illuminates the ways in which discourse altered practice, and vice versa, as well as how the history of Empire was continuously written and re-written.
Author: Harriet Lyon
Publisher: Cambridge University Press
ISBN: 1316516407
Category : History
Languages : en
Pages : 303
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Book Description
Explores the seismic impact of the dissolution of the monasteries, offering a new perspective on the English Reformation.
Author: Dr Chloe Wheatley
Publisher: Ashgate Publishing, Ltd.
ISBN: 140947870X
Category : Literary Criticism
Languages : en
Pages : 162
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Book Description
In early modern England, epitomes-texts promising to pare down, abridge, or sum up the essence of their authoritative sources-provided readers with key historical knowledge without the bulk, expense, or time commitment demanded by greater volumes. Epic poets in turn addressed the habits of reading and thinking that, for better and for worse, were popularized by the publication of predigested works. Analyzing popular texts such as chronicle summaries, abridgements of sacred epic, and abstracts of civil war debate, Chloe Wheatley charts the efflorescence of a lively early modern epitome culture, and demonstrates its impact upon Edmund Spenser's The Faerie Queene, Abraham Cowley's Davideis, and John Milton's Paradise Lost. Clearly and elegantly written, this new study presents fresh insight into how poets adapted an important epic convention-the representation of the hero's confrontation with summaries of past and future-to reflect contemporary trends in early modern history writing.
Author: W. Scott Howard
Publisher: Routledge
ISBN: 1317182022
Category : Literary Criticism
Languages : en
Pages : 270
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Book Description
The first edited collection of scholarly essays to focus exclusively on An Collins, this volume examines the significance of an important religious and political poet from seventeenth-century England. The book celebrates Collins’s writing within her own time and ours through a comprehensive assessment of her poetics, literary, religious and political contexts, critical reception, and scholarly tradition. An Collins and the Historical Imagination engages with the complete arc of research and interpretation concerning Collins’s poetry from 1653 to the present. The volume defines the center and circumference of Collins scholarship for twenty-first century readers. The book’s thematically linked chapters and appendices provide a multifaceted investigation of An Collins’s writing, religious and political milieu, and literary legacy within her time and ours.
Author: David J. Staley
Publisher: Routledge
ISBN: 100033614X
Category : History
Languages : en
Pages : 213
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Book Description
Historical Imagination examines the threshold between what historians consider to be proper, imagination-free history and the malpractice of excessive imagination, asking where the boundary between the two sits and the limits of permitted imagination for the historian. We use "imagination" to refer to a mental skill that encompasses two different tasks: the reconstruction of previously experienced parts of the world and the creation of new objects and experiences with no direct connection to the actual world. In history, imagination means using the mind's eye to picture both the actual and inactual at the same time. All historical works employ at least some creative imagination, but an excess is considered "too much". Under what circumstances are historians permitted to cross this boundary into creative imagination and how far can they go? Supporting theory with relatable examples, Staley shows how historical works are a complex combination of mimetic and creative imagination and offers a heuristic for assessing this ratio in any work of history. Setting out complex theoretical concepts in an accessible and understandable manner and encouraging the reader to consider both the nature and limits of historical imagination, this is an ideal volume for students and scholars of the philosophy of history.
