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Author: Gary Monroe
Publisher:
ISBN: 9780813044095
Category :
Languages : en
Pages : 0
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Book Description
The days are long past when tourists could buy an original landscape painting on the side of the road for as little as $50 dollars sometimes before the paint dried. This new book of postcards allows you to experience the thrill of owning (miniature) versions of these exquisite paintings."
Author: Gary Monroe
Publisher:
ISBN: 9780813044095
Category :
Languages : en
Pages : 0
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Book Description
The days are long past when tourists could buy an original landscape painting on the side of the road for as little as $50 dollars sometimes before the paint dried. This new book of postcards allows you to experience the thrill of owning (miniature) versions of these exquisite paintings."
Author: Gary Monroe
Publisher:
ISBN: 9780813022819
Category : Art
Languages : en
Pages : 149
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Book Description
The Highwaymen introduces a group of young black artists who painted their way out of the despair awaiting them in the citrus groves and packing houses of 1950s Florida. As their story recaptures the imagination of Floridians and their paintings fetch ever-escalating prices, the legacy of their freshly conceived landscapes exerts a new and powerful influence on the popular conception of the Sunshine State. While the value of Highwaymen paintings has soared in recent years, until now no authoritative account of the lives and work of these black Florida artists has existed. Emerging in the late 1950s, the Highwaymen created idyllic, quickly realized images of the Florida dream and peddled some 100,000 of them from the trunks of their cars.
Author: Gary Monroe
Publisher:
ISBN: 9780813080888
Category : Art
Languages : en
Pages : 0
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Book Description
"Here, Monroe tells perhaps his most compelling tale of all--about the only Highwaywoman, Mary Ann Carroll."--Jeff Klinkenberg, author of Alligators in B-Flat "A tale of triumph, of personal survival, of discipline, and finally, of faith."--Linda Hudson, mayor, Fort Pierce, Florida "An inspiring story of how one African-American woman artist not only survived a man's world but also did it during the long storm of a racist climate."--Ginger Smith Baldwin, senior legislative assistant, Florida Senate "A great read of an inspiring story about a woman of faith, character and drive. Mr. Monroe captures the essence of the Highwaymen's art, Mary Ann Carroll's life, and the entrepreneurial spirit that helped Carroll succeed in a racially charged environment."--Tom Wagor, president, Marco Island Historical Society "So many lives of artists are made possible, or at least made easier, by the support of someone else making the dinner and tending to the children while the singular experience of Mary Ann Carroll, Highwaywoman, related in this book reveals an artist overcoming the institutional challenges of race and gender while tending to the daily chores."--Jean Ellen Wilson, author of Legendary Locals of Fort Pierce In the years since the art world discovered them, much has been made of the Highwaymen--the loosely knit band of African American painters whose edenic Florida landscapes, created with inexpensive materials and sold out of their cars, "shaped the state's popular image as much as oranges and alligators" (New York Times). But lost in the legends surrounding the group is the mesmerizing story of Mary Ann Carroll, the only female "Highwayman." In 1957, sixteen-year-old Carroll met Harold Newton, later dubbed the original Highwayman. He was painting a landscape along the side of the road. There were red flames on his car. Yet what shocked the young African American girl most of all was discovering a black man who didn't work in the orange groves, who made a living off of his paintings. It wasn't long before she was creating and selling her own landscapes, and the other Highwaymen, taking note of her startling use of color, welcomed her into the fold. Carroll sold her first painting at eighteen--remarkable for any young artist, unheard of for a black woman in the South. Like her Highwaymen brethren, she travelled across the state, selling her art at hotels, offices, and restaurants where she was not allowed to drink, eat, or even sit. If the Highwaymen faced discrimination at every door they knocked on, then the challenges--and dangers--were magnified for Carroll. She took pride in always having her pristine Buick gassed and ready to go and her small handgun cleaned and ready to use. After years of virtual obscurity, Carroll was invited to the First Lady's Luncheon in 2011, where she presented a painting of her iconic poinciana to Michelle Obama. Today, she is pastor of the Foundation Revival Center in Fort Pierce, is an accomplished artist and musician, and still paints and exhibits her work widely. Mary Ann Carroll is the never-before-told story of a black female artist's hard-fought journey to provide for her family while also making a name for herself in a man's world.
Author: Gary Monroe
Publisher:
ISBN: 9780813066707
Category :
Languages : en
Pages : 208
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Book Description
The undervalued force behind the Highwaymen phenomenon A long-awaited testament to the life and work of Alfred Hair, the driving force of the Florida Highwaymen, this book introduces a charismatic personality whose energy and creativity were foundational to the success of his fellow African American artists during the era of Jim Crow segregation. Shot and killed in a barfight at the age of 29, Hair lived his short life fully, with a zest and intensity that informed his art. In high school he made canvas frames in the Fort Pierce studio of A. E. Backus, the painter who inspired the style of the Highwaymen, and soon became the artist's protégé. By the time Hair graduated in 1961, he was painting luminous South Florida landscapes and selling them door to door. One of the only formally trained Highwaymen, he spurred on the collective of artists as they traversed the state in search of the white clientele who would buy their artwork. Hair's paintings, reproduced here in brilliant color, are marked by their spontaneous, gestural, carefree flair. He was known for his fast painting, which yielded a sense of place well-suited for Florida's postwar residents. These oil paintings hung in their homes and offices like trophies. Sold before the oils were dry, Hair's paintings appeared to their first owners to glow from within. "Alfred could paint as fast as he wanted and as good as he wanted," said Highwayman Al Black. Hair would work on as many as 20 paintings at once to make more money. His goal, as he often declared, was to be a millionaire. Gary Monroe describes Hair's upbringing, growth as an artist, and romantic escapades and marriage, ending with the tragic events that unfolded at the juke joint known as Eddie's Place the night of August 9, 1970. Alfred Hair remembers a man who lifted the spirits of the Highwaymen painters and enhanced the idea of Florida through his art.
Author: Catherine Enns
Publisher: Harry N. Abrams
ISBN: 9780810973312
Category : Art
Languages : en
Pages : 336
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Book Description
Explores the art of the Florida Highwaymen, a group of 28 named and listed (by the Florida Arts Council) landscape artists who were self-taught and self-mentoring 20th-century African American painters.
Author: Gary Monroe
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 170
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Book Description
Monroe presents a collection of paintings by Al Black, an artist who was part of the Highwaymen, a group of self-trained African American painters who sold works out of the trunks of their cars during the 1960s and 70s. In the introduction, Monroe tells the unique story of how Black went to prison for fraud and drug possession but continued to paint landscapes and murals there.
Author: Gary Monroe
Publisher:
ISBN: 9780813064116
Category : Art
Languages : en
Pages : 0
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Book Description
From the best-selling author of The Highwaymen comes the story of the group's most prolific and most sought after painter. 65 color plates.
Author: Willie Nelson
Publisher: Harper Horizon
ISBN: 0785241558
Category : Biography & Autobiography
Languages : en
Pages : 272
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Book Description
Following his bestselling memoir, It’s a Long Story, Willie Nelson now delivers his most intimate thoughts and stories in Willie Nelson's Letters to America. A New York Times, Wall Street Journal, and USA Today bestseller! From his opening letter “Dear America” to his “Dear Willie” epilogue, Willie digs deep into his heart and soul--and his music catalog--to lift us up in difficult times, and to remind us of the endless promise and continuous obligations of all Americans--to themselves, to one another, and to their nation. In a series of letters straight from the heart, Willie sends his thanks and his thoughts to: Americans past, present, and future, his closest family members, andhis parents, sister, and children, his other family members his guitar “Trigger”, his hero Gene Autry, the US founding fathers, his personal heroes, from our founding fathers to the leaders of future generations and to young songwriters as well as leaders of our future generations. Willie’s letters are rounded out with the moving lyrics to some of his most famous and insightful songs, including “Let Me Be a Man,” “Family Bible,” “Summer of Roses,” “Me and Paul,” “A Horse called Music,” “Healing Hands of Time,” and “Yesterday's Wine.”
Author: Bob Beatty
Publisher:
ISBN: 9780977234431
Category : African American painting
Languages : en
Pages : 96
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Book Description
This catalog contains over 65 Highwaymen paintings; written to accompany the Orange County Regional History Center's exhibit, Florida's Highwaymen : Legendary Landscapes ... Paintings from the collection of Geoff and Patti Cook.
Author: Eric Avila
Publisher:
ISBN: 9780816680733
Category : ARCHITECTURE
Languages : en
Pages : 0
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Book Description
The works of Chicanas and other women of color--from the commemorative poetry of Patricia Preciado Martin and Lorna Dee Cervantes to the fiction of Helena Maria Viramontes to the underpass murals of Judy Baca--expose highway construction as not only a racist but also a sexist enterprise. In colorful paintings, East Los Angeles artists such as David Botello, Carlos Almaraz, and Frank Romero satirize, criticize, and aestheticize the structure of the freeway. Local artists paint murals on the concrete piers of a highway interchange in San Diego's Chicano Park. The Rondo Days Festival in St. Paul, Minnesota, and the Black Archives, History, and Research Foundation in the Overtown neighborhood of Miami preserve and celebrate the memories of historic African American communities lost to the freeway.Bringing such efforts to the fore in the story of the freeway revolt, The Folklore of the Freeway moves beyond a simplistic narrative of victimization.
