Author: Peter Harbison
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 432

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Author: Peter Harbison
Publisher:
ISBN:
Category :
Languages : en
Pages : 410

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Author: Colum Hourihane
Publisher: Princeton University Press
ISBN: 9780691088259
Category : Art, Irish
Languages : en
Pages : 382

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Book Description
Lying at Europe's remote western edge, Ireland long has been seen as having an artistic heritage that owes little to influences beyond its borders. This publication, the first to focus on Irish art from the eighth century AD to the end of the sixteenth century, challenges the idea that the best-known Irish monuments of that period-the high crosses, the Book of Kells, the Tara Brooch, the round towers-reflect isolated, insular traditions. Seventeen essays examine the iconography, history, and structure of these familiar works, as well as a number of previously unpublished pieces, and demonstrate that they do have a place in the main currents of European art. While this book reveals unexpected links between Ireland, Late-Antique Italy, the Byzantine Empire, and the Anglo-Saxons, its center is always the artistic culture of Ireland itself. It includes new research on the Sheela-na-gigs, often thought to be merely erotic sculptures; on the larger cultural meanings of the Tuam Market Cross and its nineteenth-century re-erection; and on late-medieval Irish stone crosses and metalwork. The emphasis on later monuments makes this one of the first volumes to deal with Irish art after the Norman invasion. The contributors are Cormac Bourke, Mildred Budny, Tessa Garton, Peter Harbison, Jane Hawkes, Colum Hourihane, Catherine E. Karkov, Heather King, Susanne McNab, Raghnall Floinn, Emmanuelle Pirotte, Roger Stalley, Kees Veelenturf, Dorothy Hoogland Verkerk, Niamh Whitfield, Maggie McEnchroe Williams, and Susan Youngs.

Author: John Romilly Allen
Publisher:
ISBN:
Category : History
Languages : en
Pages : 132

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Book Description
1887. From the Rhind lectures in Archaeology by Romilly who was considered one of the foremost exponents of the new scientific archaeology. See other titles by this author available from Kessinger Publishing.

Author: Peter Harbison
Publisher:
ISBN:
Category : Christian art and symbolism
Languages : en
Pages : 152

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Author: Peter Harbison
Publisher: Royal Irish Academy
ISBN:
Category : Art
Languages : en
Pages : 460

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The classic study of the High Crosses of Ireland. Published by Dr Rudolf Habelt GmbH, Bonn, the Academy acts as the Irish agent for this volume of text and two volumes of illustrations.

Author: J. Romilly Allen
Publisher: Literary Licensing, LLC
ISBN: 9781497952775
Category :
Languages : en
Pages : 114

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Book Description
This Is A New Release Of The Original 1887 Edition.

Author: Colleen M. Thomas
Publisher: Liverpool University Press
ISBN: 1835533558
Category : Art
Languages : en
Pages : 168

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Book Description
This collection considers Irish monuments from the medieval to the modern era. The essays presented here acknowledge the plurality of values associated with Irish monuments. Taking a holistic approach to the topic, the volume contains contributions from art historians, archaeologists, historians and heritage practitioners. The multidisciplinary and intersectoral contributions are placed in dialogue with one another, providing a discussion of Irish monuments that is unique in its comprehensiveness. The integration of research on early Irish monumental work with that of the more modern period, situating all Irish monuments on a continuum of shared concerns, is a significant pioneering element in this field. The range of perspectives represented in the book reflects the complexity of cultural heritage in contemporary life and opens the conversation to include a wider range of views. It will be a valuable resource for scholars, students, learned societies, public bodies, communities in Ireland and for anyone interested in sculpture. An Open Access version of Kathleen James-Chakraborty's chapter 'New states and old statues: Ireland's monuments in an international context' is available on the Liverpool University Press website.

Author: Theodore William Moody
Publisher: Oxford University Press
ISBN: 0198217374
Category : Art
Languages : en
Pages : 1398

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Book Description
In this first volume of the Royal Irish Academy's multi-volume A New History of Ireland a wide range of national and international scholars, in every field of study, have produced studies of the archaeology, art, culture, geography, geology, history, language, law, literature, music, and related topics that include surveys of all previous scholarship combined with the latest research findings, to offer readers the first truly comprehensive and authoritative account of Irish history from the dawn of time down to the coming of the Normans in 1169. Included in the volume is a comprehensive bibliography of all the themes discussed in the narrative, together with copious illustrations and maps, and a thorough index.

Author: SallyM. Foster
Publisher: Routledge
ISBN: 1351577840
Category : Social Science
Languages : en
Pages : 447

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Book Description
One hundred years on from J Romilly Allen and Joseph Anderson's 1903 landmark publication, The Early Christian Monuments of Scotland, twenty six essays explore the current state of knowledge of early medieval sculpture in Scotland. They demonstrate the unique value of this material in contributing to our understanding of the society and people that created it between 1000 to 1500 years ago. Today's approaches and techniques offer new insights, as well as great hope, for what might be learnt from future study of 'familiar' and new material alike. The essays exemplify the ever-diversifying, interdisciplinary approaches that are being taken to the study of early medieval sculpture. Key themes that emerge include: the interdependence of conservation, research and access; the need for a 21st-century inventory of the sculpture; the breadth and value of the wide range of the research tools that now exist; conservation issues, including the politics of how and where sculpture should be protected, and the pressing need to identify priorities for action; and, what is probably the most important development over the last 100 years, the increase in awareness of the range of values and significances that attaches to early medieval sculpture, including appreciation of context.