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Author: Myron Tuman
Publisher: Taylor & Francis
ISBN: 1040145698
Category : Literary Criticism
Languages : en
Pages : 327
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Book Description
The Hidden D. H. Lawrence is a new study of the psychological and literary aspects of a great writer’s lyrical genius. It explores how Lawrence, when writing on his favorite subject, the relations between men and women, moved so quickly between heavy-handed exposition and deeply inspired prose, depending on the gender of the object of his attention. Nowhere is this clearer than in the three grand love scenes from Lady Chatterley’s Lover, those cut from the first American edition of 1932. In these scenes, Mellors, Lawrence’s usual alter ego, suddenly and almost magically becomes the object of attention, although now seen through the eyes of his female protagonist. It may seem as if Lawrence’s purpose here is to probe a woman’s psyche, until one realizes that it is only such moments—when his focus seems less on his female character than the erotic allure of a powerful man—that unlock Lawrence’s lyrical genius. The claim here is that in his major novels and stories, Lawrence was less interested in exploring the emotional lives of women than in using his female characters (as well as many sensitive male protagonists) to explore his own psychic life, one marked by the persistent attraction to the image of a strong male—an inner life that for the last century has been hiding in plain sight.
Author: Myron Tuman
Publisher: Taylor & Francis
ISBN: 1040145698
Category : Literary Criticism
Languages : en
Pages : 327
Get Book Here
Book Description
The Hidden D. H. Lawrence is a new study of the psychological and literary aspects of a great writer’s lyrical genius. It explores how Lawrence, when writing on his favorite subject, the relations between men and women, moved so quickly between heavy-handed exposition and deeply inspired prose, depending on the gender of the object of his attention. Nowhere is this clearer than in the three grand love scenes from Lady Chatterley’s Lover, those cut from the first American edition of 1932. In these scenes, Mellors, Lawrence’s usual alter ego, suddenly and almost magically becomes the object of attention, although now seen through the eyes of his female protagonist. It may seem as if Lawrence’s purpose here is to probe a woman’s psyche, until one realizes that it is only such moments—when his focus seems less on his female character than the erotic allure of a powerful man—that unlock Lawrence’s lyrical genius. The claim here is that in his major novels and stories, Lawrence was less interested in exploring the emotional lives of women than in using his female characters (as well as many sensitive male protagonists) to explore his own psychic life, one marked by the persistent attraction to the image of a strong male—an inner life that for the last century has been hiding in plain sight.
Author: D. H. Lawrence
Publisher: Cambridge University Press
ISBN: 9780521007061
Category : Fiction
Languages : en
Pages : 268
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Book Description
Edition of D. H. Lawrence's last book, Apocalypse, along with other writings on the Revolution.
Author: D.H. Lawrence
Publisher: Courier Corporation
ISBN: 0486406474
Category : Poetry
Languages : en
Pages : 66
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Book Description
This exceptional collection contains a rich cross-section of Lawrence's work, including the title poem, "A Collier's Wife," "Monologue of a Mother," "Fireflies in the Corn," and several others.
Author: Keith Sagar
Publisher: Pantheon
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 282
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Book Description
Author: D. H. Lawrence
Publisher: Cambridge University Press
ISBN: 9780521242752
Category : Literary Collections
Languages : en
Pages : 288
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Book Description
Written after the First World War when he was living in Sicily, Sea and Sardinia records Lawrence's journey to Sardinia and back in January 1921. It reveals his response to a new landscape and people and his ability to transmute the spirit of place into literary art. Like his other travel writings the book is also a shrewd inquiry into the political and social values of an era which saw the rise of communism and fascism. On one level an indictment of contemporary materialism, Sea and Sardinia is nevertheless an optimistic book, celebrating the creativity of the human spirit and seeking in the fundamental laws which governed human nature in the past fresh inspiration for the present. This 1997 edition restores censored passages and corrects corrupt textual readings to reveal for the first time the book Lawrence himself called 'a marvel of veracity'.
Author: Michael Squires
Publisher: Univ of Wisconsin Press
ISBN: 9780299177508
Category : Biography & Autobiography
Languages : en
Pages : 530
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Book Description
Squires (English, Virginia Tech) and Talbot (Spanish, Roanoke College) collected Frieda Laurence's letters for years before realizing that they could add considerable insight to a biography of her famous writer husband. The result, though focusing on him, turned out to be a biography of them as a couple, pulling her out from his shadow. Annotation copyrighted by Book News, Inc., Portland, OR
Author: Frances Wilson
Publisher: Bloomsbury Publishing
ISBN: 1526644703
Category : Biography & Autobiography
Languages : en
Pages : 512
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Book Description
'Frances Wilson writes books that blow your hair back. She makes Lawrence live and breathe, annoy and captivate you ... she conjures the past with such clarity and wit and flair that it feels utterly present' Katherine Rundell 'A brilliantly unconventional biography, passionately researched and written with a wild, playful energy' Richard Holmes D H Lawrence is no longer censored, but he is still on trial – and we are still unsure what the verdict should be, or even how to describe him. History has remembered him, and not always flatteringly, as a nostalgic modernist, a sexually liberator, a misogynist, a critic of genius, and a sceptic who told us not to look in his novels for 'the old stable ego', yet pioneered the genre we now celebrate as auto-fiction. But where is the real Lawrence in all of this, and how – one hundred years after the publication of Women in Love - can we hear his voice above the noise? Delving into the memoirs of those who both loved and hated him most, Burning Man follows Lawrence from the peninsular underworld of Cornwall in 1915 to post-war Italy to the mountains of New Mexico, and traces the author's footsteps through the pages of his lesser known work. Wilson's triptych of biographical tales present a complex, courageous and often comic fugitive, careering around a world in the grip of apocalypse, in search of utopia; and, in bringing the true Lawrence into sharp focus, shows how he speaks to us now more than ever. 'No biography of Lawrence that I have read comes close to Burning Man' Ferdinand Mount, author of Kiss Myself Goodbye 'The most original voice in life-writing today' Lucasta Miller, author of Keats
Author: Helen Corke
Publisher: Univ of TX + ORM
ISBN: 1477300767
Category : Literary Criticism
Languages : en
Pages : 186
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Book Description
Croydon, England, was the setting of the famous three-way friendship of D. H. Lawrence, Jessie Chambers, and Helen Corke, all of whom made literary records of their association, and all of whom appeared as characters in Lawrence novels. Perhaps the most objective of these records were Helen Corke’s, which became difficult to acquire. Their scarcity and their continuing usefulness were the stimulus for publication of this volume, which contains in four statements Helen Corke’s “major comment on Lawrence the man and Lawrence the artist.” The “Portrait of D. H. Lawrence, 1909–1910,” a section from Corke’s unpublished autobiography, gives the reader glimpses into the earliest stages of the Lawrence-Corke friendship, when Lawrence worked to bring meaning back into Corke’s life after she had suffered a tragic loss. The “Portrait” tells of conversations before a log fire, German lessons, the reading of poetry, and sessions over Lawrence’s manuscript “Nethermere,” which the publishers renamed The White Peacock. In “Portrait,” Corke tells of working with Lawrence on revising the proofs of this book, of Lawrence’s encouragement of her own literary efforts, of their wandering together in the Kentish hill country, and of her first meeting with Jessie Chambers. “Lawrence’s ‘Princess’” continues the narrative of the triple friendship, carrying it to its sad ending, but with the focus on Jessie Chambers. Perceptively and sympathetically written, it throws a clarifying light on the psychology of Lawrence and presents with literary charm another human being—Jessie, the Miriam of Sons and Lovers. In combined narrative-critique method, Corke, in the essay “Concerning The White Peacock,” relates Lawrence’s problems in writing this novel and gives an analysis of its literary quality. Lawrence and Apocalypse is cast in the form of a “deferred conversation” in which Lawrence and Corke discuss his philosophical ideas as presented in his Apocalypse. Although the book was written to present Lawrence’s ideas, its significance reposes equally in Corke’s reaction to his thought. As a succinct statement of Lawrence’s teachings about the nature of humanity, it has unique value.
Author: John B. Humma
Publisher: University of Missouri Press
ISBN: 9780826207425
Category : Literary Criticism
Languages : en
Pages : 148
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Book Description
Although D. H. Lawrence's later novels have been the subject of much discussion by critics, few scholars have recognized or dealt with his sense of craft. By examining Lawrence's careful and finely orchestrated strategies with language, especially metaphor, Humma argues that a number of the longer works--from Aaron's Rod on and including the posthumously published The Virgin and the Gipsy--are small masterpieces. Different in kind from Women in Love or The Rainbow, these fictions are very important in their own way. Humma maintains that the early and middle novels work largely through powerful symbols. Those of the last decade, though, develop through an intricate interlacing of metaphor and symbolic detail. Humma devotes a chapter to each to Aaron's Rod, The Ladybird, Kangaroo, St.Mawr, The Plumed Serpent, The Virgin and the Gipsy, Lady Chatterley's Lover and The Escaped Cock. Aaron's Rod, as a transitional work, reveals much about Lawrence's narrative method and its dependence upon combinations of images. The Plumed Serpent, Humma suggests, is Lawrence's most ambitious failure. Other critics have faulted plot, character, and meaning, but Humma sees incoherent metaphors as the basis for those other problems. Because Lawrence's metaphors shape myths essential to central actions and meanings, the reader cannot fully appreciate the strategic function of metaphor in them. When Lawrence's method is successful, as it is in Lady Chatterley's Lover, for example, figures of speech overlap each other, crossing boundaries in a web of "interpenetrating metaphors" that provide both structural integrity and thematic resonance. Paying close attention to the texts, Metaphor and Meaning in D. H. Lawrence's Later Novels shows that Lawrence was far from the indifferent craftsman in his later fiction that he has frequently been considered. In fact, Lawrence was acutely aware that language and meaning are inseparable, that technique, as Mark Schorer said, is discovery. John Humma's fresh perspective upon the art and meaning of Lawrence's later work provides a major revaluation of this last phase in the writer's career.
Author: Tong-hwa Kim
Publisher: Macmillan
ISBN: 1596434589
Category : Comics & Graphic Novels
Languages : en
Pages : 320
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Book Description
Contains graphic sexual topics.
